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"A thriller by Paul Feig" are not words you would expect to hear from the director's summary (Bridesmaids, ghost hunters). But that's what awaits viewers this weekend in search of his new movie A simple favor. Although he also has comic elements, promote is a dark and twisted story of the demise of the dapper mother Emily (Blake Lively) and the investigation that followed by her best friend Stephanie (Anna Kendrick).
EW told Feig to walk on the dark side.
WEEKLY ENTERTAINMENT: What told you about this story?
PAUL FEIG: Well, I mean, if you watch all my movies, I only do genre movies. For me, it's the most fun way to play with the tropes and then twist them and turn them around and especially to play with the cast and all that, and I've always looked for, like a kind from Hitchcock-ian type. This script was sent to my company to produce. So, I read it and I went "You know what? I love him so much that I really want to lead him. "
What attracted me, it's the main character of Stephanie, because she's one of my kind of characters – basically a nerdy mom who has this mom blog that no one do not look and who makes fun of her and all the parents think that she is weird. And then, suddenly, she falls into the most glamorous person, the most sophisticated person she's ever met in her life, and how much it affects her life and how the whole experience the fate of his shell and help. Discover what is his true vocation in life.
EW REVIEW: A simple favor is a twisted thriller, hitchcockian, imbued with black humor
And the fact that there have already been so many comic elements. I like to treat all my films as seriously as possible. With SpyI tried to make a spy movie. But then you have fun with the characters around you and in their interactions, and how they react to the situations in which you put them. And then in addition, the bonus of the incredible Henry Golding (Rich Asian boobies), which only acts for the second time.
How did you decide to play Anna and Blake in these roles?
FEIG: Well, it's a bit like the situation in the film, that is, they are gathered by third parties. Their children are friends, so I liked the idea of two polar opposites. I mean, it's honestly what we did with Kristen Wiig and Rose Byrne Bridesmaids. There is always something funny about the combination of two extremely different types.
The tone is very specific and oscillates between comedy and thriller. Was it the biggest challenge of the movie?
FEIG: Well, it's my favorite part of all my films: how do you walk on this line where you can push the limits of the tone, but you do not deviate from it to get out the audience? So it was certainly the biggest tightrope tonal. Spy was probably the second closest to that. You try everything and then you have to be ready to give up when you are in the editing room if it hurts the general tone.
Emily wears a lot of men's costumes in the movie. You are a famous director and well dressed. Does Blake honor you?
FEIG: Well, it was not my idea. But I was inspired because we were trying to understand his look and our costume designer had shot a lot of different reference photos and they had a bunch of pictures of Helmut Newton and all that. And we liked that look a bit, but Blake just glanced at me and I wore one of my three-piece suits, as I always do. And I thought, "Ok, that's funny," and she said, "No, no. I really do. "
Emily is a big fan of martinis and they play a big part in this movie. Did you all drink them while shooting?
FEIG: Well, I mean that Blake does not even drink, it's funny. She does not touch alcohol. I work hours in French: we only do 10 hours a day on my movies, so I can eat a martini at the end of the day and have dinner. But no, Blake is so perfectionist that she said, "You have to show me exactly how to do that" because it's based on the duke's martini, as she mentions in the London bar movie. And so I just made sure to cross her and then she really kissed him. I'm just very happy to watch this movie because there are so many things that I love, it's great clothes, a lot of martinis and alcoholic drinks and all that. It's probably my most personal film without the story having anything to do with my life.
Your latest movies, especially ghost hunters, were great movies – this one is smaller in comparison. Was it nice to work with a smaller litter?
FEIG: Spy was a big production and obviously obviously ghost hunters was gigantic. No, it's just that … I'm a lot more on, what's the good storyline, what's the good story I want to do, and if a story is the best shot on an iPhone in an office, I I'll jump on the next If I think I can do it in a way where people will be as amused as in a big movie. But I said it was really good to work in a lower budget. But I like doing both well. I like to make big ones and I like to do little ones.
It must have been so much fun to have these actresses play such different roles, especially Blake.
FEIG: She really just went there … she's the sweetest mother earth you've ever met in your life and so here's this sociopathic monster on screen. And I was just like, "Oh my God, you make me so happy." She's really, so great. And then Anna is such a joy to work, but it's so funny because Anna in real life is so funny and bitter. They kissed him so much and had fun.
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