A review of the Million Little Things series



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It is not surprising that broadcast networks want to take advantage of NBC's success That's us by creating their own family dramas with a hint of mystery, it is surprising that A million little things is the closest of them have come so far. The new series, created by D.J. Nash (Curve), features an impressive cast including David Giuntoli (Grimm), James Roday (psych), Grace Park (Hawaii Five-0), Romany Malco (Blunt Talk), Ron Livingston, and much more, as a group of friends and middle-aged couples living in Boston, whose life is turned upside down when one of them – John Dixon of Livingston – commits suicide . The resulting questions surrounding his sudden death and the various truths revealed (especially to the public) force the rest of the group to discover not only the reasons for John's decision, but also to accept more of what the world has to offer. ostensibly to be more open to living their lives fully, in whatever form.

It's a big challenge for any series, and given the circumstances of the incident, it's not only a reversal of the idea of ​​a weeper who feels good, it also makes the difference. A million little things of That's us enough for that comparison with the entire late 80's and early 90's Thirty and a few. The anxiety of midlife experienced by couples struggling with this problem is obvious, because in addition to losing the proverbial cement that has kept them all, these individuals face individually infidelity, cancer and kind of despair contemplating his own suicide before learning John's death.

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This A million little things manages to present all his characters and give a quick overview of their individual circumstances during the duration of the opening edit is impressive. It's more impressive than when these different presentations end with John jumping out of the balcony of his office, facing his assistant Ashley (Christina Ochoa, Blood collect), one has the impression that it is the beginning of something and not its end. The mileage of most viewers will vary with respect to their desire to connect regularly to a show about struggling upper middle class people struggling to find happiness and sometimes fail, but for a pilot episode to raise in the recent memory, A million little things leave just enough unanswered questions so that those who are not completely helpless by the deliberate nature of the tremors can find themselves listening to discover what will follow.


This question is central in the life of the characters in the series. Eddie Saville of Giuntoli, a former musician and now father at home and husband of Park's lawyer, Katherine, is considering leaving her unsatisfactory marriage to the mother of one of his music students, while Gary is gives back a breast cancer. He uses his support group to meet women, which he does in Maggie Bloom (Allison Miller), a young woman whom he brings to John's funeral in what is described as a Gary's typical behavior. Meanwhile, Rome Howard de Malco, a frustrated commercial director who dreams of making a feature film, is the band member who would also have died without the chance call informing him of John's disappearance.

The wives of Rome and John, Regina (Christina Marie Moses) and Delilah (Stephanie Szostak), respectively, make up the rest of the main set – notwithstanding the two children of John and Delilah – but, for the moment, seem to define their spouses. Although Delilah was surprised when she revealed that she was actually the woman she planned to leave for Katherine.

Revelation is a well-calculated form of narrative deception, A million little things stalking a little too often in the pilot. The idea is to make the audience known to these people, then to reveal who they really are in the moments of closure of the pilot. The effectiveness of this ploy is certainly debatable; The comparability of the characters was uncertain at first, but discovering that most of them lie to each other (and in some cases themselves) portrays a completely different picture. Some of the revelations have something intriguing – especially the Eddie and Delilah affair – but it has less to do with the narrative ins and outs of the problem that was created and more with the fact that the characters were sufficiently convincing in the first 40 minutes to discover uncomfortable truths about them


By the time the pilots leave, it is almost overwhelmed by the setting of the table. Continuing the phase of acquaintance with a new series, in addition to showing immediately after the death of John, the funeral that followed, and then a passionate speech of Gary on how they all fail as that friends (which turns out to be truer than he can even imagine) is a monumental task, which deserves to be rewarded for not being a slog. But to suggest everything that raises in the pilot A million little things Maturity may become a more fulfilling and entertaining adult drama as the season progresses. It was certainly not shy to disclose Eddie's seven years of sobriety which is a joke or Maggie's cancer is no longer in remission. And because he has to appeal to the That's us Fans looking for a reason to cry in front of their television watching something other than the news, the series suggests that Ashley is in possession of the reason why John committed suicide.

Again, individual journeys on stories like this will vary enormously, and although comparisons with That's us, A million little things is not terribly interested in those vibrations of well-being that the NBC series loves to give. This is a much darker story about the people (yes, the privileged people) who are basically broken in one way or another. It's a safe bet that as the series progresses, it will show more reasons why this comparison is only superficial.

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A million little things will continue next Wednesday with "Band of Dads" at 22h on ABC.

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