A study reveals that the face of orgasm and the face of pain are not the same



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<a rel = "lightbox" href = "https://3c1703fe8d.site.internapcdn.net/newman/gfx/news/2018/studyfindsor.jpg" title = "Cross-cultural comparison of models of facial expression of pain and orgasm To identify intercultural and culturally specific units of action, we used MI to measure the relationship between AU and culture (methods, cross-cultural comparison of models of facial expression of pain and orgasm). AU common to all cultures (red, weak MI) or culture-specific (blue, high MI, P <0.05, see color bar on the left). the red coloring, the pain shows several cross-cultural face movements (see the AU labels below) and no face movement specific to the culture.Orgasm also showed intercultural face movements (eg, raising eyebrows, AU 1 and 2) with culturally specific accents e such as the fall of the jaw (AU26) and the stretching of the mouth (AU27) among Westerners and the corner sniper at the lip (AU12) among East Asians. Proceedings of the National Academy of Sciences (2018). DOI: 10.1073 / pnas.1807862115 ">
** Study reveals that the orgasmic face and the painful face are not identical

Cross-cultural comparison of models of facial expression of pain and orgasm. To identify intercultural and culture-specific action units, we used the MI to measure the relationship between AU and culture (methods, cross-cultural comparison of models of facial expression of pain and orgasm). Each color-coded facial map shows AUs that are common to all cultures (red, weak MI) or culture-specific (blue, high MI, P Proceedings of the National Academy of Sciences, 2018. DOI: 10.1073 / pnas .1807862115

A team of researchers from the United Kingdom and Spain found evidence showing that contrary to popular belief, the face to orgasm is not the same as the face to pain. In their article published in Proceedings of the National Academy of Sciencesresearchers describe their research and discoveries.

It has become common for people to equate the face of people with an orgasm to that of people suffering from severe pain, probably because of the Hollywood interpretation at once. In this new effort, researchers contradict such suggestions with evidence to the contrary.

To find out more about the faces of people experiencing orgasm or intense pain, the researchers created a computer program to imitate a wide variety of non-sexist facial expressions. They started with mathematical models developed for animating faces. They included a set of 42 movements representing different parts of a face. They then asked 80 adults (half man, half woman) to determine if the expressions showed "orgasm", "pain" or something else. They used the results to develop better models and then asked another 104 people to evaluate the simulated facial expressions.

The researchers found a clear distinction between perceptions of pain and pleasure – most volunteers agreed on what was. But there was more to the study. The volunteers had also been divided into two cultural groups: one half Western culture and the other half Asian culture. Both groups saw clear differences between the orgasmic faces and the distressed faces, but they differed markedly in what they considered the face of a person having an orgasm. Those from Western cultures tended to choose wide-eyed expressions with gaping mouths. Asian volunteers, on the other hand, chose smiling faces with tight lips. The researchers suggest that the differences could be explained by fundamental cultural beliefs such as the value given to behavior related to high or low excitation states.




The film illustrates the stimulus generation and the task procedure with the help of a test example. In each trial, a dynamic face motion generator (1) randomly selected a combination of individual face movements called action units (AU); from a base set of 42 AU (minimum = 1, maximum = 4, median = 3 AU selected on each trial). A random movement is assigned to each AU individually using seven randomly selected time parameter values ​​- start latency, acceleration, peak amplitude, peak latency, hold, deceleration, and offset latency. In this test example, four AUs are selected randomly: a yellow lower eyebrow (AU4), a blue cheek lift (AU6), a pink anti-wrinkle (AU9) and a lip tensioner (AU20). color code in red. Randomly activated AUs are then combined to produce a random facial animation (here, 'stimulus test'). Observers from each culture viewed the resulting facial animation broadcast once over a span of 2.25 seconds. If the random movements of the face corresponded to their mental representation of a facial expression of "pain" or "orgasm", they categorized it accordingly (here, "Pain") and evaluated its intensity on a scale of 5 ranging from "Very weak" to "very weak". very loud "(here," loud "). Credit: Proceedings of the National Academy of Sciences (2018). DOI: 10.1073 / pnas.1807862115
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The film shows examples of dynamic mental representations of the facial expressions of the "pain" or "orgasm" of an observer of each culture. Credit: Proceedings of the National Academy of Sciences (2018). DOI: 10.1073 / pnas.1807862115


Explore further:
One group finds facial expressions less universal than thought

More information:
Chaona Chen et al. Distinct facial expressions represent pain and pleasure across cultures, Proceedings of the National Academy of Sciences (2018). DOI: 10.1073 / pnas.1807862115

Journal reference:
Proceedings of the National Academy of Sciences

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