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There was already a lot of information on American gods in the sky before Starz brought Neil Gaiman and cast to New York Comic Con on Friday. Bryan Fuller and Michael Green left as animators after season 1, apparently for differences in creativity. This was already delaying production, but a new report released in September reported additional problems with torn scripts, tensions on the set and the start of the next showrunner, Jesse Alexander.
Sitting behind the scenes of the show's large Comic Con panel, that is to say, a first look at the work of the fans, the actors tackled some of these questions.
"It was bullshit," Gaiman told EW. The author of the American gods The book and executive producer of the series wanted to point out that he was not a "Machiavellian character coming out of the audience." He continued, "I have been offered showrunner work several times, and I can not not. It does not work like that. I do Good omens. It's a full-time activity. So for me, I wanted Bryan and Michael to succeed. I wanted Jesse to succeed and I think Jesse did an incredible job taking a series that did not have a showrunner, suddenly and surprisingly, and that has no scripts or room for them screenwriters. It was amazing. "
Gaiman acknowledged problems with the development of Season 2, but nothing extraordinary. "Sometimes people write scripts and scripts do not always work," he said. "And at that moment, someone else in the screenwriters' room is picking on that."
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Omid Abtahi stated that the information provided was not "totally inaccurate". For Emily Browning, it was more like: "We had a huge road shock and I think we managed to correct the course." Orlando Jones and Chris Byrne.
Jones, playing Mr. Nancy, is more involved in writing and producing American gods in season 2. "He surprisingly knows Laura very well," Browning said of his character's development. "That's the person I go to when I need help to find out where Laura is going."
Jones "never heard of a show that had no effect". He did not seem to worry. What's more important to him is the conversations American gods starts with cultural and political themes, such as "mass incarceration" and "human trafficking" that "nobody [in dramatic television] speak, that it's on nobody's radar. "
He adds, "So fixing all these problems gives me the impression that everything is fine.[[[[he shrugs physically]. "
Byrne, meanwhile, worked with Fuller and Green for many years Hannibal and he served as director of the 2nd unit on American gods season 1. With season 2, he moves to the 1st unit and directs the first and eighth episodes. Abtahi, Browning, Jones and Ricky Whittle all pointed out how critical Byrne was in maintaining the look and feel of the series as these new episodes unfolded.
"If you'd talked to me a few months ago, I did not feel confident at all," Brown said. "Always confident in the casting and in Chris Bryne, who did not come here [to NYCC] a) he is working on the series right now and b) he just does not want his face to be everywhere. He just wants to stay in the background. It must be written that he is the hero of this show. … It is American gods for me. He does not get enough praise and I want to shout his name from the roofs because he saved us and he is amazing. "
"The look of the show is exactly the same, if not cool," Whittle added about Byrne's work. "Some of theirs … this season is amazing, amazing. This has never been the problem. "
The actors also did not ignore Alexander's work on the series. After Fuller and Green left, he "put the show back on the road," said Gaiman.
"Brian and Michael have laid the incredible foundation, I hope to be able to work with them again in the future, I love these guys," Whittle said. But "if it was not Jesse," he added, "we would not literally be on the screen, he gathered when we ran out of time, he eliminated all the episodes and the story, and we had been blessed with another beautiful season. "
In his report on the production of season 2, The Hollywood journalist published details about the apparent tension on the set, including a "screaming match" involving Ian McShane (now an actor and executive producer of American gods) and Alexander. Whittle said he did not notice any uncomfortable behavior that was not observed in any other production. "Coming from a toxic environment[uneréférenceàsontempssur[areferencetohistimeon[uneréférenceàsontempssur[areferencetohistimeonThe 100], I can say that American gods It's the happiest place I've been, "said Whittle.
For Gaiman, Alexander's main contributions were to keep Shadow and Mr. Wednesday's characters in the center of the story. "We have a huge show. It's a huge budget, a huge cast and you need scripts that serve all the actors, "he explained. "You need a vision of some madness, you must maintain the plot. It would be very easy with a group of such exceptional actors as this one to lose Shadow, or even Wednesday, and we have to put them in the foreground. I think one of the things that Jesse did and I liked so much was putting them in the foreground. "
There is always a lot of love for Fuller and Green. Abtahi stressed his time working with the pair onHero. "Personally, professionally, I really get on very well with them," he said. "It's not always nice to hear that kind of thing, but it's very encouraging for us. They said, "You guys, distribution is the most important part of the series. You'll be fine, guys.
"Speaking only for myself," Browning said. "I love Michael and Bryan with all my heart and soul." Their departure really broke my heart, but I hope we can make them proud to some extent because I know that they still love us. "
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