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We also learned that: 1.) Gus was apparently an orphan, brought up by his brothers, in extreme poverty; and 2.) His brothers did not care much about him. In his account of this cruelly tormented coati, Gus says his brothers called him but he remained silent, ready to pass to the animal. Are the brothers looking for the boy? Keep shouting his name? Nope. For those of us looking for clues that explain Gus's coldness, here is one.
Closing thoughts:
• Does the dormitory warehouse not look like the entire reality TV show? At least one of these guys is going to be voted off the island ("Auf Wiedersehen!" Could be the farewell word of the series) and the first funds are of course on Kei (Ben Bela Böhm). He will either finish dead or a partner.
• I wonder: does an actor who delivers three pages of a monologue receive the same amount as an actor, in the same scene, who says nothing and pretends to be in a coma?
• This opening, at Hamlin, Hamlin and McGill, around 1993, helped to humanize and bring Chuck to life. He seemed to really like his younger brother. I guess he preferred Jimmy when he lacked ambition and intellectual curiosity.
• I was wrong to guess that Howard Hamlin's insomnia was solely due to the guilt of Chuck's suicide. This may be a starting point, but the company's problems, which now include significant redundancies, are deeper. I must assume that the blow to the company's reputation by Jimmy's courtesy to his brother – and the subsequent death of his brother – was hurt. My feeling, however, is that it's only part of that.
• For me, this is easily the best season of "Better Call Saul". The construction of the super lab, and this German team, will be the focus of concern, which is promising. Gus's plan to torment Hector – it will not be boring. Kim finally has a story line worthy of the Rhea Seehorn chops. And Saul Goodman made only the shortest of cameos.
Now, if you will excuse me, there is a Mr. Bushmills waiting in my office.
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