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Director Susan Lacy brought her deep-diving biography form from PBS after introducing Steven Spielberg. His reputation promotes considerable access to his subjects, the trade-off being that these films praise him, which can be deserved but can still feel a little soft around the edges.
Yet hearing many people from Fonda – at 80, vibrant, provocative and introspective – is worth it, as she discusses the different lives she has lived through the somewhat arbitrary filter of the men who populated his life.
"Many other people defined me, all men," says Ms. Fonda, describing her years of training.
Act I inevitably begins with his father Henry, the legendary actor, whose awesome screen character denied the uproar that characterized their home. "I grew up in the shadow of a national monument," says Ms. Fonda, who then goes back on their relationship when she discusses their work in "On Golden Pond".
Fonda and her brother eventually entered the family business, but the second chapter of her life is portrayed by her marriage to French director Roger Vadim, who also coincides with her burgeoning political awareness and increased activism. This would eventually mingle with Act III, and his marriage to Tom Hayden, with the great irony of the fact that she produced his training video in large part – an action as capitalist as possible – to finance their crusade.
Fonda made waves, of course, with her statements and actions during her visit to Vietnam, which earned her the ridiculous nickname "Hanoi Jane". For many, it would be a black mark that she struggled to recover, even when public opinion strongly opposed the war and became more and more charitable towards those who opposed it.
The final chapters turn to Fonda's flash romance with media mogul Ted Turner before reaching what she calls a final act that puts her in the forefront. After a dormant period during her last marriage, Fonda worked feverishly – in shows such as "The Newsroom" and "Grace and Frankie" – while remaining frank, including her critics and activism regarding the Trump administration.
If there is a complaint here, it is that Fonda's films are a bit overwhelmed by the drama on screen. Yes, there are glimpses of "Klute", "Cat Ballou" and "Barefoot in the Park", but in many ways his game does not get all the credit, especially because the movies, including "Barbarella," "China Syndrome", "Coming Home" and "On Golden Pond" – often end up illustrating personal issues.
In discussing her life now, Fonda seems to bloom in her vitality and opens up on a variety of topics. She admits having plastic surgery, for example, before saying, "I would have liked to be more courageous".
As Jane Fonda explained in Five Acts, Fonda was very brave, so much so that even a documentary of more than two hours gives the impression that it would have been necessary to use a few extra acts to do it fully. Justice.
"Jane Fonda in Five Acts" will be theatrically released on September 21st and premiered on September 24th at 8pm. on HBO.
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