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4:24 PM PDT 9/20/2018
by
Katie Kilkenny
"The writer-director said in an interview" There's a disconnect between something that's happening between our primary white male critics.
Life Itself currently has 11 percent rating on Rotten Tomatoes – and according to its writer-director, that's because a vocal, powerful minority of film critics are allergic to emotional fare.
Interview Wednesday, Dan Fogelman said that there is a "disconnect" between the audience and the audience response to the movie, which follows a New York couple from the inception of their romance through the birth of their first child, and the effect it has on other lives.
"I think that is a part of our movie right now," Fogelman said. "I also think it is somewhat broken in our television criticism, I think that the people with the widest reach are getting more cynical and vitriolic and I think there are a couple of genres and a couple of ideas that they [attack, which] does not speak to just a mainstream audience, but also has a sophisticated audience. "
Fogelman, who is also the creator of the NBC series This Is Us, added, "I think a couple of people have a lot of experience in this movie. to both fancy filmmakers, critics and audiences. "
The Rotten Tomatoes is one of the top critics on the site. Metacritic, which is a poor score for the film, polled 24 reviews. in The Hollywood ReporterDavid Rooney said the film "should come with a diabetic warning," writing that Life Itself manipulates its audiences with "aggressive heart-tugging" via frequent tragedies that befall its main characters.
Cinemascore, which gathers feedback on movies from audiences, will be polling on the film on Friday, it announced on Facebook.
The writer-director also believes that there is a need for diversity in filmmaking. .. Something's happened with these 10 people [my work is] 'emotionally manipulative' every time they [see] anything where [my] characters go through anything. "
A USC Annenberg Inclusion Initiative study published in June found that 77.8 percent of reviews of 2017's 100 highest-grossing movies were written by men, while 82 percent were written by white critics.
Still, not all those who disliked the movie were white and male. "Imagine what, in steadier, not-deranged hands, this photo and this gorgeous twosome could've been," Hunter Harris wrote in New York Magazine.
Tea Los Angeles TimesKatie Walsh, NPR Linda Holmes, Westword's April Wolfe and TimeStephanie Zacharek also wrote less-than-enthusiastic reviews. "Life Itself … "it's so pervertely jaw-dropping in its attempts to extinguish what it could almost be a black comedy," Zacharek wrote.
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