Doctor Who: A Beginner 's Guide to Diving Right In



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With all the excitement surrounding the introduction of Jodie Whittaker as the first ever doctor on Doctor Who, those who have never seen a frame of the 55-year-old series could be forgiven if they suddenly check it out for the first time. But the show is n old, and has so much backstory, that the very prospect can feel daunting to newcomers. It's not exactly easy being Doctor Who completist. So consider this your primer-a quick and dirty, spoiler-free tour through just the essential Whittaker's first episode premieres this Sunday.

Before we begin, however, we should note that Whittaker is not the only newcomer to Doctor Who this season. Chris Chibnall (Broadchurch) is also taking over as show-runner for the series-which means, for the third time since the show was resurrected (more on that later) in 2005, Doctor Who it will also get what we might call a soft reboot. And Chibnall seems especially dedicated to making sure this new Who feels immediately accessible to all. As he said during San Diego Comic-Con this past summer: "This year is the perfect jumping-on point for that person in your life who has never watched Doctor Who. I want you to go out there and recruit that person. "

So while this primer may still be very useful, it may also be useful in the past. O.K., are we ready? Fan-tas-tic. Here we go.

The Doctor: The Doctor is a kind of alien known as a Lord-enormously clever, fun, a little odd, and with the power to travel anywhere in the world.

The Doctor also has two hearts, the best to love you. Including Whittaker, there have been 13 actors overall who have played the role over the years. (Well, 14, if you want to get technical-but let's not.) That's "the Doctor," by the way, not "Doctor Who" -resist the urge to call our hero by that name.

Oftentimes, fans will refer to the various Doctors by numbers-so David Tennant, who played the 10th Doctor, is "Ten"; Matt Smith is "Eleven"; and you can go ahead and call Whittaker "Thirteen," if you're so inclined. Why does the doctor have so many faces? That's a super-fun question.

Regeneration: Unlike, say, the James Bond franchise, the frequent re-casting of the lead role in Doctor Who is written in the rules of the show's world. When they "die," Time Lords actually "regenerate" -which makes you feel good about your body and, in the end, a new actor appears in the role. The Doctor retains all the memories of his previous incarnations, and some of his personality traits-but the regeneration helps ease the transition when a new actor arrives on the scene. In each actor's first episode, the freshly regenerated Doctor is usually a little disoriented, forgetful, and not up to full strength. This allows the character to be discovered when you're the Doctor-which is very helpful for new viewers as well.

The TARDIS: The Doctor's face can change, but a few other basic things never do. If you've been paying attention to British media at all in the last few decades, at some point you will have seen the TARDIS-which stands for Time and Relative Dimension in Space. But do not overcomplicate things; it's just a spaceship-slash-time machine. On the outside, the contraption looks like a plain, bright blue box-a phone booth-like structure found in the U.K. On the inside, it's, well, massive; one repeated line you'll often hear Who fans quote: "it's bigger on the inside."

The interior design changes with each Doctor, but you really need to know that the TARDIS can go anywhere in time and space. However, it often gets lost, and dumps the doctor and friends in the wrong place. (Oh, and: the TARDIS may also be a lady. But that's a little complicated, and we're not here for complications.)

The Sonic Screwdriver: O.K., it's easiest to think of this as the Doctor's magic wand or (if you prefer) lightsaber. (In fact, the general thinking of the doctor is a wacky wizard of outer space.) Over the years, this tool-often shortened to Sonic-has become something of a get-out -of-jail-free card for Doctor Who writers. Its powers are largely undefined, so when the show needs the device to do something-it can just do it. It's supposed to be the result of science, but let's be real: this is magic. Because Whittaker's Doctor is starting the series without her TARDIS-she fell out of the craft-a Sonic something will be very useful for her.

The Threads: Along with the TARDIS, the Sonic, and the two hearts, a Doctor always has a very unmistakable look. Usually, a long coat and some manner of eccentricity is involved. Tom Baker had his massive scarf; Tennant had his tennis shoes; Smith was all about the bowties; and Whittaker's version is rocking gender-neutral rainbow tee, long coat, high pants, and suspenders-all the better to cosplay with. In the modern era, each actor's first episode involves running around in the old actor's costume.

Companions. . .er, Friends: The last essential aspect of the Who brand is the Companions. Doctor Who started as a children's show; the whole idea centered on an ordinary humans meeting. (Essentially: "yer a wizard, Harry.") The tone of the show has matured, and has gone through phases where the Companion (often a young lady) and the Doctor (recently, an older, but not too old man) have been played up for romance. That concept has been hit and miss, but Doctor Who is the most fun when it's just about a bunch of friends going around the universe, getting in and out of scrapes.

That may be why Chibnall is rebranding the Companions, calling them "Friends" instead-and expanding from one occupying human in the TARDIS to three: Ryan (Tosin Cole), Yasmin (Mandip Gill), and Graham (Bradley Walsh). The Bond-Bond girl has been a member of the Doctor-Companion Casting Circling for some time, despite the boyfriends, husbands, mums, and grandpas who were sometimes allowed to come along from the ride.

The Villains: If you talk to a whovian die-hard (oh, yeah: the fans are called whovians), they can rattle off a long, long list of alien threats that have bedeviled the doctor and friends over the decades. But the good news is that you will not have to worry about most of them. Chibnall has said he will not be including the classic Who monsters-no, not even those-trash-can-looking fellas called Daleks. But just for the record, side from Daleks, the only other hand bad guys in the Who-niverse are another time Lord called the Master, and the Cybermen. The Master and the Doctor are lifelong frenemies. The Daleks want to destroy everything. (Their catchphrase is a shrieking "EXTERMINATE!") Cybermen. . . you know, for their own good. The last thing we'll say Doctor Who are extremely fun to say. Go ahead, give "Raxacoricofallapatorian" to whirl.

Nonviolence: We're almost done, but I will say this: defender of earth, this time has a preference, at the end of any confrontation or battle, for a peaceful, nonviolent solution. This is partly because of the children's program, but also because of some of the more complicated Doctor Who backstory. There's no need to go too far, but just know that the Doctor and the Master come from a planet called Gallifrey, and at some point, the Doctor destroyed the entire thing-for the greater good of the universe. The Doctor and The Master are the last two Time Lords. . . kind of.

The History: Doctor Who is a show, which means that any breach in continuity can be waved away Who sentence: "wibbly-wobbly, timey-wimey." If that sounds a bit silly, the MOST important thing to remember is that all of Doctor Who is a little silly. Once again, this all started as an extremely low-budget show for kids. So if a creature design looks clunky, or the feeling seems hokey, or anything else seems cheesy, just remember: that's part of the Who legacy. The show took a long hiatus in the 90s, and it was much more important than the storytelling, the kids'-show origin still creeps in. Especially when it comes to Who'S earnest, hopeful messaging.

I'll also say that being a woman in the lead role, it's useful to remember that Doctor Who HAS always a boundary-pusher when it comes to inclusion. Verity Lambert was the show producer (essentially the show-runner) in the early 1960s. She brought on British-Indian Waris Hussein to the pilot and several episodes of the first season. "They must have thought you were so. . . radical, "then-Who show-runner Russell T. Davies told Lambert in a 2006 interview. "I just imagine everyone else at the time were middle-aged men wearing demob suits! You were wild, you lot! A 26-year-old woman, a gay Asian director. . . They must have thought you were bananas! "Davies also introduced the pansexual Time Agent Captain Jack Harkness (John Barrowman) in 2005. Doctor Who has always been about making sure everyone is welcome in the TARDIS.

The Theme Song: The final consistency to be changed Doctor Who theme tune has remained fundamentally the same since the show premiered in 1963. This deceptively simple melody-a thumping bass line with an eerie wail over it-one of the first pieces of all-electronic music composed for a television theme song. The tune gets a moment in the middle of Whittaker's first episode and if you hear the pulse of the bass, you'll know what's coming next.

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Trinity book by Louisa Hall

Trinity

"He told us about our bombs had been a success. . . . He said in both cases they'd be exploded as they were meant to, and we'd finished the job. Hey in question is J. Robert Oppenheimer, the complicated so-called father of the atomic bomb and the central figure Louisa Hall's triumphant third novel, Trinity (Ecco). Hall, whose ambitious 2015 novel Speak probed Westworld-esque questions of artificial intelligence, blends biography and fiction in a series of seven testimonials spanning over two decades-a young scientist having an affair with one of Oppenheimer's colleagues while stationed in Los Alamos in 1945, a high school senior who hears the scientist speak in 1963, a journalist assigned to profile him three years later. Each of the anecdotes functions as a compelling story in its own right, and only becomes more powerful when taken together as a complete narrative. With beautiful specificity and nuance, Hall interrogates such major issues as ethics in scientific discovery and breaching the chasm between public and private selves. (Amazon)

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Your Duck Is My Duck by Deborah Eisenberg

Your Duck Is My Duck

Your Duck Is My Duck (Ecco) Deborah Eisenberg's newest story collection, contains all the idiosyncratic inventiveness one has come to expect from the titan of short fiction: a little boy questions the nature of gravity, a woman sends e-mails in her pill-induced sleep. Eisenberg is a master of description and a simile, capturing perfectly the tragicomedy that is everyday life-a host's greeting is "a bitter little smile as though he and I were petty thugs who had just been flagged down a state trooper," and a young girl describes "the old people" in her life looking "but they've just entered a day full of troubles they've spent the night dreaming about." (Amazon)

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Scribe book by Alyson Hagy

Scribe

In the dystopian world of Scribe (Graywolf Press), Alyson Hagy's eighth book, the Appalachian Mountains and the scene for a tale of revenge, eros, and the power of storytelling. In the wake of an unnamed war and a mysterious, a young man and a young man, he is known to be able to "write a man's bread and ate it from his heart forever" -for food and firewood. When a man arrives unannounced with a particularly grueling assignment, it becomes entangled in a murky quest that it pits all the same. Fans of Fiona Mozley's Elmet will revel in this genre-busting feminist folktale of a novel, which is being rooted in its own particular, peculiar time as it is falling to the subject of 2018. "Men who were used to getting what they wanted yammered," Hagy writes. "They thought they wanted to hear all the words they thing to say." (Amazon)

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Killing Commendatore by Haruki Murakami

Killing Commendatore

The much-vaunted Haruki Murakami (1Q84, The Wind-Up Bird ChronicleThis is a young person who has never been married again, but he is a young man who has never been married before, after learning of his wife 's affair, taking up residence in the home of a well – known, aged artist. Killing Commendatore (Knopf), whose eclectic cast of characters includes a painting of an older woman, and a lost teenage girl, is a time-traveling tale of loss, longing, and the creation of art-with ample an dash of Murakami 's trademark deadpan humor. (Amazon)

Lake Success book by Gary Shteyngart

Lake Success

The Russian-born author Gary Shteyngart the immigrant experienceSuper Sad True Love Story, Absurdistan), and in a sense, Lake Success (Random House) is no different. The protagonist, Barry Cohen, marries a woman of Indian descent (Shilpa was born in America but her parents immigrated from India in their teens) and they have a young son, Shiva. But Barry, a financier whose hedge fund has run into trouble with the SEC after he made a suspicious trade, and who lost his investors in the betting on a Valeant-esque company that turned out to be a complete fraud, is as American as they come . Problems on the work front, more complications at home as Shiva is diagnosed with autism, encourages a boy to go to school, and then goes to San Diego to visit his father's grave. Chapters on America, coupled with segments about Shilpa and Shiva at home in New York, offer a witty, raw, and personal look at America today. (Amazon)

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Ponti book by Sharlene Teo

Ponti

We're used to assuming a mother's love Ponti (Simon & Schuster), U.K.-based Singaporean author Sharlene Teo's start novel, we're in this world. Ponti follows the story of Szu, an awkward, troubled teenager who lives in Singapore, as she comes of age among the women who surround her-Amisa, her mother, who glimpsed fame through a brief stint to a movie actress before the movies, taking her career down with them, and who has gone on inexplicably detest her daughter; Yunxi, Szu's aunt of certain origins, who runs a spiritual business out of the home with the mother and daughter; and Circe, a friend Szu makes in high school, whose friendship with Szu is as short as it is complex. (Amazon)

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Taking the Arrow Out of the Heart by Alice Walker

Taking the Arrow Out of the Heart

From the author of the National Book Award and Pulitzer Prize-winning The Color Purple, Alice Walker, comes Taking the Arrow Out of the Heart (37 Ink), a new, bilingual collection of poetry-Spanish on the left, English on the right of Walker's close friends. The subjects of the poems range of gentrification (in "Loving Oakland," Walker writes, "If gentrifiers do not despoil it / which means getting rid of poor and black people / color / people / Oakland can be what it has been / for a long time: an urban Paradise. ") to perceptions of beauty (from" Is Celie Actually Ugly? ":" I wanted to think about / how superficial our understanding / of beauty, but, how beauty / is destroyed . / And how, to bear our own disgrace / these hundreds of years / we've taught ourselves / to laugh at anyone / as abused and diminished / as we feel. "); from Palestine to Patricia Hurricane; from selfies to the Pope. In the poem titled "Refugees," Walker writes, "They would not be running to us / we would not be chasing them with their guns and bombers. schools / out of their mosques, / churches, / synagogues / away from their favorite / prayer trees. "The collection is moving and timely, and highlights the still-raw trauma of our nation's recent past; in "Welcome to the Picnic," Walker writes, "A friend tells me she never uses the word /" picnic "for this reason: that the mothers / and fathers and brothers and children of the psychopaths / came to the beating, hanging , quartering / eviscerations or whatever else could be imagined / to be entertained at a lynching / and brought baskets of food / to enjoy with the show. "(Amazon)

<img src = "https://media.vanityfair.com/photos/5b9fc4352cab742dd65ad0dd/master/w_768,c_limit/falls-best-fiction-01.jpg" alt = "Trinity“/>

Trinity

"He told us about our bombs had been a success. . . . He said in both cases they'd be exploded as they were meant to, and we'd finished the job. Hey in question is J. Robert Oppenheimer, the complicated so-called father of the atomic bomb and the central figure Louisa Hall's triumphant third novel, Trinity (Ecco). Hall, whose ambitious 2015 novel Speak probed Westworld-esque questions of artificial intelligence, blends biography and fiction in a series of seven testimonials spanning over two decades-a young scientist having an affair with one of Oppenheimer's colleagues while stationed in Los Alamos in 1945, a high school senior who hears the scientist speak in 1963, a journalist assigned to profile him three years later. Each of the anecdotes functions as a compelling story in its own right, and only becomes more powerful when taken together as a complete narrative. With beautiful specificity and nuance, Hall interrogates such major issues as ethics in scientific discovery and breaching the chasm between public and private selves. (Amazon)
<img src = "https://media.vanityfair.com/photos/5b9fc4cac033682d4732cf55/master/w_768,c_limit/falls-best-fiction-02.jpg" alt = "Your Duck Is My Duck“/>

Your Duck Is My Duck

Your Duck Is My Duck (Ecco) Deborah Eisenberg's newest story collection, contains all the idiosyncratic inventiveness one has come to expect from the titan of short fiction: a little boy questions the nature of gravity, a woman sends e-mails in her pill-induced sleep. Eisenberg is a master of description and a simile, capturing perfectly the tragicomedy that is everyday life-a host's greeting is "a bitter little smile as though he and I were petty thugs who had just been flagged down a state trooper," and a young girl describes "the old people" in her life looking "but they've just entered a day full of troubles they've spent the night dreaming about." (Amazon)
<img src = "https://media.vanityfair.com/photos/5b9fc56f42b9d16f4545a96d/master/w_768,c_limit/falls-best-fiction-03.jpg" alt = "Scribe“/>

Scribe

In the dystopian world of Scribe (Graywolf Press), Alyson Hagy's eighth book, the Appalachian Mountains and the scene for a tale of revenge, eros, and the power of storytelling. In the wake of an unnamed war and a mysterious, a young man and a young man, he is known to be able to "write a man's bread and ate it from his heart forever" -for food and firewood. When a man arrives unannounced with a particularly grueling assignment, it becomes entangled in a murky quest that it pits all the same. Fans of Fiona Mozley's Elmet will revel in this genre-busting feminist folktale of a novel, which is being rooted in its own particular, peculiar time as it is falling to the subject of 2018. "Men who were used to getting what they wanted yammered," Hagy writes. "They thought they wanted to hear all the words they thing to say." (Amazon)
<img src = "https://media.vanityfair.com/photos/5b9fc6d1d702ab5e467c121c/master/w_768,c_limit/falls-best-fiction-04.jpg" alt = "Killing Commendatore“/>

Killing Commendatore

The much-vaunted Haruki Murakami (1Q84, The Wind-Up Bird ChronicleThis is a young person who has never been married again, but he is a young man who has never been married before, after learning of his wife 's affair, taking up residence in the home of a well – known, aged artist. Killing Commendatore (Knopf), whose eclectic cast of characters includes a painting of an older woman, and a lost teenage girl, is a time-traveling tale of loss, longing, and the creation of art-with ample an dash of Murakami 's trademark deadpan humor. (Amazon)
<img src = "https://media.vanityfair.com/photos/5b9fc70f7e7a362d91e7b6a6/master/w_768,c_limit/falls-best-fiction-05.jpg" alt = "Crudo“/>

Crudo

The narrator of Olivia Laing's invigorating take on autofiction, Crudo (W.W. Norton), is a 40-year-old writer who is on the verge of marriage to a much older poet, and navigates the first summer of the Trump presidency-a situation not dissimilar to the one Laing found herself in last year. But the narrator's name is Kathy (think Acker), she's a monogamy shower, and she's a candle Tuscan hotel to post-Brexit London, she has a lot of control over "If the world was there anything she should be doing? She was getting married in a few days ago, she was doing a studio visit for an artist who made fruitful porcelain sculptures that were morphing into flowers and flowers that were morphing into bodies. "Laing, best known for her critically acclaimed The Lonely City, dunks you in the narrative and its fast-moving waters. It's only once you get hold of your breath. (Amazon)
<img src = "https://media.vanityfair.com/photos/5b9fc7e87e7a362d91e7b6a8/master/w_768,c_limit/falls-best-fiction-06.jpg" alt = "The Golden State“/>

The Golden State

Lydia Kiesling's early novel, The Golden State (MCD), including 10 days in the internal narrative of Daphne, the mother of a 16-month-old who has been deported to Turkey. One day one, Daphne wrenches herself out of her life, and drops herself to the top of her life. (Northern California city of Altavista). So begins with questions of motherhood, academic pursuits, sexism, and immigration. In a narrative that could have become claustrophobic, Kiesling 's prose feels as open and propulsive as Daphne' s pondering issues that plague all mothers, women, people: "The problem with reproduction is that it is stressful, I mean becoming pregnant with the baby raising the baby. . . and if you have a baby in your body that is no longer just your own to harm. "Or:" If I do in fact abandon my job I will lose my gold-plated university health insurance and I conservatively estimate that "What's the effect?" (Amazon) What does it mean?
<img src = "https://media.vanityfair.com/photos/5b9fc8416603312e2a5bbe42/master/w_768,c_limit/falls-best-fiction-07.jpg" alt = "American Journal: Fifty Poems for Our Time“/>

American Journal: Fifty Poems for Our Time

"Poems call upon sounds and silence to operate like music," writes poet laureate Tracy K. Smith in her introduction to American Journal: Fifty Poems for Our Time (Graywolf and the Library of Congress). "They invoke vivid sensory images to make abstract feelings like anger or doubt feel solid and unmistakable." The collection, in which Smith has compiled poems from such notables as Terrance Hayes, Patricia Lockwood, Susan Wheeler, and Donika Kelly, just that. (Amazon)
<img src = "https://media.vanityfair.com/photos/5b9fc880c033682d4732cf7b/master/w_768,c_limit/falls-best-fiction-08.jpg" alt = "Ordinary People“/>

Ordinary People

Diana Evans's Ordinary People (Liveright), which Taiye Selasi beachgoer calls "beach reading for the thinking beachgoer" (two leaf peeper, we'd add) follows two London couples suffering both personal (marital difficulties) and political (Brexit looms). Evans is a superb storyteller, and her ear for language imparts weight to small moments without drifting into saccharine. In one scene, a mother explains her daughter's racial heritage to her-a quarter Nigerian, a quarter English, half Jamaican-and that's also British by nationality. After a moment: "Oh, O.K.," the girl says before skipping off. In another, we inhabit the thoughts of one half of a couple who is drifting apart. "He disappointed her, he knew it. His uninteresting job, his inferior thirst for adventure. He embraced the land while she hungered for the sea. "(Amazon)
<img src = "https://media.vanityfair.com/photos/5b9fcc576603312e2a5bbe45/master/w_768,c_limit/falls-best-fiction-09.jpg" alt = "The Silence of the Girls“/>

The Silence of the Girls

Fans of Madeline Miller's recent Circe will join in the publication of Booker Prize-winning author Pat Barker's The Silence of the Girls (Doubleday), which reimagines the Iliad'S Trojan War – and its heroes Agamemnon, Achilles, and Odysseus – from the perspective of Briseis, to form queen captured by the Greeks. While Briseis and the better-known Helen are central to the plot of The Iliad (The war is famously started when Helen, the wife of a king Spartan, is abducted by Paris of Troy), the female characters are almost completely silent in the original text. "Men's carve meaning into women's faces; "Barker writes in Briseis' voice, joining a welcome and impressing lineage of authors imagining the stories of women who have long gone untold. (Amazon)
<img src = "https://media.vanityfair.com/photos/5b9fccb742b9d16f4545a97d/master/w_768,c_limit/falls-best-fiction-10.jpg" alt = "She Would Be King“/>

She Would Be King

Wayétu Moore hid in a small West African village with her family during Liberia's civil war in 1990. She Would Be King (Graywolf) is her debut, a magical retelling of Liberia 's debut (Moore now teaches at the City University of New York' s Jon Jay College and lives in Brooklyn). Told through the lives of the protagonist, Gbessa, who is exiled on suspicion of being a witch; June Dey, who was raised on a plantation in Virginia before fleeing; and Norman Aragon, the mixed-race child of a white colonizer and a Jamaican slave, the book is laced with surrealism. And when these characters meet, their magical gifts enable them to mend the rocky relationship between African-American settlers and the indigenous tribes. (Amazon)
<img src = "https://media.vanityfair.com/photos/5b9fce17d702ab5e467c122e/master/w_768,c_limit/falls-best-fiction-11.jpg" alt = "hippy by Paulo Coelho”/>

hippy by Paulo Coelho

Author of The Fifth Mountain, The Spy, and, most notably, The Alchemist (one of the best-selling books of all time, which was published over 20 years ago), Brazilian novelist paulo Coelho is out with a new book, hippy (Knopf), which draws heavily, like many of his other works, from his own experience of coming of age in the 1960s-Fellini's The good life all the way to the Columbia University protests, Woodstock, and, of course, hippies. Gone were the days of 50s materialism; this new generation valued experiences, the world, and they believed in the social order. There's a reason Coelho wrote the book now: "I wrote hippy because we are becoming more distant, fearful, and polarized than ever, "he says" and if there are lessons to be drawn from the 60s, it's that change is possible. "(Amazon)
<img src = "https://media.vanityfair.com/photos/5b9fceb4d702ab5e467c1230/master/w_768,c_limit/falls-best-fiction-12.jpg" alt = "Washington Black by Esi Edugyan”/>

Washington Black by Esi Edugyan

Washington Black (Knopf) Esi Edugyan's Third novel, kicks off in the early 1800s on a Barbados plantation, where the book's protagonist, the 10- or 11-year-old George Washington Black, works as a slave field. Washington's life changes when he is chosen to be a personal assistant to the plantation master's brother, Christopher Wilde; While all of Washington has always been known, Christopher shows him respect, kindness, and partnership. But the relationship between a master and a slave can only go so far. In the early days of their meeting, Edugyan describes: "'Sit,' [Christopher] gestured. . .‘I do not intend to dine while you watch, Washington, hovering over me like a murderer. Sit. It is not a request.’ Moistening my lips, I sat at the table in the soft, monstrous upholstered chair, across from a white man who possessed the power of life and death over me.” Washington Black is a gripping historical narrative exploring both the bounds of slavery and what it means to be truly free. (Amazon)
Summer Cannibals

Summer Cannibals

“They were sisters: Georgina, Jacqueline, and Philippa. Adults now, and with families of their own, but the youngest, Pippa, was sick. Eight months pregnant with her fifth, she’s left her husband and four children in New Zealand and was coming here. The others were coming home too,” writes Melanie Hobson in the opening pages of her debut novel, Summer Cannibals (Grove). “More than three decades had passed since they’d run through” the house towering over a cliff on the southern shore of Canada’s Lake Ontario on the day they bought it. “It seemed a place of such uncompromising severity that its stone walls would let nothing in or out. And then some mornings, it would rise with the sun and display the warmth inherent in its blocks,” Hobson writes; “And it was on those days that the world was right and days were measured in increments of joy. It was all there was and would ever be. It was a family.” As its title suggests, the novel offers something darker than a pleasant summer beach read, as the characters cycle between affection and dysfunction, secrets among the sisters swiftly flare up, and an abusive relationship between the girls’ parents is complicated by the fact that the mother both loathes and craves her husband’s violence. And the backdrop of the sprawling house perched on the lake’s cliff is as dramatic a setting as the plot itself. (Amazon)
Lake Success

Lake Success

The Russian-born author Gary Shteyngart is well known for his novels tackling the immigrant experience (Super Sad True Love Story, Absurdistan), and in a sense, Lake Success (Random House) is no different. The protagonist, Barry Cohen, marries a woman of Indian descent (Shilpa was born in America but her parents immigrated from India in their teens) and they have a young son, Shiva. But Barry, a financier whose hedge fund has run into trouble with the S.E.C. after he made a suspicious trade, and who lost his investors millions betting on a Valeant-esque company that turned out to be a complete fraud, is as American as they come. Problems on the work front, plus complications at home as Shiva is diagnosed with autism, encourage Barry to get on a Greyhound, first to El Paso in search of a college girlfriend, then to San Diego to visit his father’s grave. Chapters on his time traveling through the often-forgotten parts of America, coupled with segments about Shilpa and Shiva at home in New York, offer a witty, raw, and personal look at America today. (Amazon)
<img src="https://media.vanityfair.com/photos/5b9fcf312cab742dd65ad0fa/master/w_768,c_limit/falls-best-fiction-15.jpg" alt="Ponti“/>

Ponti

We’re used to assuming that a mother’s love for her child is a given, but in Ponti (Simon & Schuster), U.K.-based Singaporean author Sharlene Teo’s debut novel, we’re met with a world in which this isn’t the case. Ponti follows the story of Szu, an awkward, troubled teenager who lives in Singapore, as she comes of age among the women who surround her—Amisa, her mother, who glimpsed fame through a brief stint as a movie actress before the movies tanked, taking her career down with them, and who has gone on to inexplicably detest her daughter; Yunxi, Szu’s aunt of uncertain origins, who runs a spiritual business out of the home she shares with the mother and daughter; and Circe, a friend Szu makes in high school, whose friendship with Szu is as short as it is complex. (Amazon)
<img src="https://media.vanityfair.com/photos/5b9fcf326603312e2a5bbe48/master/w_768,c_limit/falls-best-fiction-16.jpg" alt="Taking the Arrow Out of the Heart“/>

Taking the Arrow Out of the Heart

From the author of the National Book Award and Pulitzer Prize-winning The Color Purple, Alice Walker, comes Taking the Arrow Out of the Heart (37 Ink), a new, bilingual collection of poetry—Spanish on the left, English on the right—translated by one of Walker’s close friends. The subjects of the poems range from gentrification (in “Loving Oakland,” Walker writes, “If gentrifiers do not despoil it / which means getting rid of poor / and black and people of color / people / Oakland can be what it has been / for a long time: an urban Paradise.”) to perceptions of beauty (from “Is Celie Actually Ugly?”: “I wanted us to think about / how superficial our understanding /of beauty; but, also, how beauty / is destroyed. / And how, to bear our own disgrace / these hundreds of years / we’ve taught ourselves / to laugh at anyone / as abused and diminished / as we feel.”); from Palestine to Hurricane Patricia; from selfies to the Pope. In the poem titled “Refugees,” Walker writes, “They would not be running to us / if we were not chasing them / with the guns and bombs and rockets we sold / to crazy people: / out of their houses / out of their schools / out of their mosques, / churches, / synagogues / away from their favorite / prayer trees.” The collection is moving and timely, and highlights the still-raw trauma from our nation’s recent past; in “Welcome to the Picnic,” Walker writes, “A friend tells me she never uses the word / “picnic” for this very reason: that the mothers / and fathers and brothers and children of the psychopaths / came to the beating, hanging, quartering / eviscerations or whatever else could be imagined / to entertain at a lynching / and brought baskets of food / to enjoy with the show.” (Amazon)

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