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I also noticed that the dark colors and straight lines of the city emphasized the violence that is repeated in both episodes, each aggressive act taking place on a new stage. What did you think of the violence? Did you find that too heavy?
BARONE The violence seemed heavy. I reread the parts of the book that correspond to these first episodes, and Ferrante mentions the beatings, even the most severe, by the way. In the first episode, the attack outside the church against the signatory Peluso is prolonged and graphic; on the page, it does not take more than a few haunting phrases.
STANFORD I think graphic violence really worked. There was something almost ethereal about this scene where he was thrown against the wall and the girls came out of the church to see. Max Richter's inflated score, the camera emphasizing how small the girls are, their desire to watch this really shocking violence, all this has been combined to create a moment even more powerful – dare I say – than in the book. I also think that the explicitness could be a symptom of how the series should set a precedent for normalized violence fairly quickly.
Safronova What I found striking – and this is also true in the books – is how much female anger is flagrant. You see Lenù's mother reprimand her father for not knowing how to beat his daughter. You see the happy expression of Imma Solara's face when she stands in front of her family's bar after the assassination of Don Achille. And, of course, you see Melina pulling nonsense on Lidia and later throwing her pots, pans and plants out the window crying.
BARONE Oh yes, throw explosives in the square. It's an Italian cliché, but for one reason: The story of my immigrant family is that my great-grandmother, who stayed in her small Italian town, lived to be 100 years old but died only because she fell after screaming through the window of her kitchen. I appreciate how often Costanzo shows people who do that. it is felt that the background noise of vocalizing matriarchs is as constant as the singing of birds. This is one of many details, such as the distinct use of the local dialect and less spoken Italian, which makes me optimistic about how the series will build the Lenù and Lila worlds as they age.
STANFORD I could not forget how amazing the two girls looked. It seems that Ludovica Nasti (who plays Lila) has these bright eyes and Elisa del Genio (Lenù) has such long eyelashes. There are many persistent looks as the girls try to understand the world around them, and the actresses were so adept at conveying complicated emotions without a word that they made the story a little redundant.
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