Dwayne Johnson defies gravity – variety



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People do ridiculous things in movies all the time. In "Skyscraper," terrorists deliberately set fire to a 240-story building in order to reach a flash drive locked in the billionaire's penthouse. This sounds like a lot of trouble for a burglary, and yet that's nothing compared to Dwayne Johnson's extravagant lengths of Will Sawyer – a security consultant with a prosthetic leg and the strongest finger muscles of the world – will go to save his family, which

Ridiculous is the name of the game in "Skyscraper", an action film rolled with an impassive face by the director "Dodgeball: A story of Underdog" Rawson Marshall Thurber, who recognizes that no one wants to look at a realistic rescue story ("Cat Saved From Tree" or "Backdraft") when they can have "The Rock's wife and the almost burnt kids in a flamboyant building." On a scale that goes from incredibly fun to incredible fun, "Skyscraper" comfortably falls to the end compulsively over-the-top, generating thrills by forcing credibility at every turn, relying on the Johnson's invaluable ability to engage the public w Despite the challenging physics, common sense, and limits of human endurance.

This is the kind of movie where, to get back into the building in flames, Sawyer comes out a hundred stories a construction crane and jumps through a 40-foot chasm to an open window, somehow finding the strength of the upper body to shoot through the ledge sinks (all of this takes less time than for the monsters in "Rampage" shorter structures). Maybe they were all studios, but the audience of a Los Angeles press show broke into spontaneous applause after this scene, and at least two other pieces as outrageous, which shows that the suspension of the Disbelief does not stand in the way. To go back a bit, "Skyscraper" opens on a hostage situation in which the former FBI agent, Sawyer, fails to anticipate a macabre twist, losing his leg and several teammates. in the process, but wins a fight-surgeon woman (Neve Campbell, too few seen these days, but nicely used here) who happens to be on duty when they bring her in. A decade later, Sawyer has Changed employment, building such a reputation as a security consultant that he hired by Hong Kong developer Zhao Long Ji (Taiwanese Chin Han star) to protect "the pearl." "billed as" the safest super-high structure "in the world, three times the height of the Empire State Building.

Where other buildings aspire to scrape the sky, the Pearl strikes on the other side, standing two-thirds of a mile high. Plus, it's pretty, rejecting straight lines in favor of organic curves – like a cross between Gaudi's Sagrada Familia cathedral (still half-built) and those long wooden sticks that wizards use to fight in "The Lord of the Rings". pearl-shaped globe at the top (which houses an elaborate virtual reality space, custom-designed to deliver an exciting finale). Conveniently, Zhao has not started selling the top residential half, which is just as good, since it would house about 10,000 people, and it's a lot simpler for Sawyer to focus on rescuing the three members of his family, and perhaps his boss

Thurber's screenplay introduces a twist in which the cops think that maybe Sawyer is responsible for the fire (not that it counts), with a handful of double crosses that He takes for "surprises", but most of all, it's the kind of thing that could have been written in pencil by 12-year-olds – which, let's be honest, represents about half of the audience target. The other half is Chinese, which probably explains why the film takes place in Hong Kong and plays a predominantly Asian role (although most of the main roles go to the West), with Universal counting on the Chinese market to generate the film. # 39; movie deal.

Heck, maybe fire and gravity work differently in China. We certainly have this impression when Thurber manipulates such forces to adapt to different stunt sequences, although his general tactic is to get things moving so quickly that viewers do not stop questioning these liberties or logical voids. obvious along the way. Botha (Roland Møller) uses Sawyer's daughter to manipulate her hyper-protective dad-bear father to get past the doors of the building's impenetrable panic room (surely it would be easier to save her daughter than to climb the wall outside building, jumping turbines, and hacking subroutine panels.]

Remember, through all this, Sawyer misses one leg, which makes it a lot crazier to see him running, jumping and running. karate, while Botha and his army of heavily armed villains do like Hans Gruber on Christmas Eve, and yet, as this hint suggests, "Skyscraper" belongs to a tradition of leaner, larger-than-life action movies. the likes of Arnold Schwarzenegger, Sylvester Stallone and Bruce Willis, Johnson is both a comeback at this time and a significant improvement any other than brute force and a roll of tape, "capable" of prowess that would have been laughable coming from any other star (technically, no one can do done, although we seemed willing to buy it when he tries). It's escape, pure and simple, and although its structure is rickety, enlisting Johnson, Thurber ensures that his "skyscraper" is built on solid rock.

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