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To watch Michael Moore Fahrenheit 11/9 is to relive, in two hours well filled, the experience of being an American for two years.
If you get a little scattered trying to pay attention to too many things at the same time, if it gives you an emotional boost when you go through despair and just terror and rage – well, is not it? what not exactly what these last two years have been?
Fahrenheit 11/9 opens with images from November 7, 2016 – election day, when Americans across the political spectrum were united in their assumption that Hillary Clinton would win against Donald Trump.
Revisiting Clinton's eccentric campaign coverage now, two years after his crushing defeat, is not only bittersweet but surreal. It's as if the pictures came to us from another happier reality where Clinton had prevailed as expected.
But it was not an alternate universe, of course; it was our own recent past. And despite his title, Fahrenheit 11/9 is less interested in the day than in all the days preceding and preceding it. Similarly, the film speaks less of Trump as a singular character than he is to Trump as a product, catalyst of all the forces around him.
Along the way, Moore tackles Flint's water crisis (which is the biggest and most convincing segment of the film), Parkland shooting, and West Virginia teachers' strike. He considers the Michigan government by Rick Snyder as a forerunner of Donald Trump's presidency, and draws the scary parallels, so sadly familiar, between Nazi Germany and America's Trump era, in one of Trump's speeches on Adolf Hitler.
Yikes
Moore can not stop playing from time to time with his own horn (at one point he plays a 9-1-1 call in which Moore is apparently described as a "weapon"), and he does some Show stunts, including a tentative attempt at arrest by a citizen. Whether these moments make you roll your eyes or that you clap your hands will depend on your tolerance of his habit. And to his credit, Moore does not shrink from his own mistakes, recognizing that he was gentle with Trump during an appearance in 1998 on Roseanne's show.
Moore saves some of his sharpest blows, however, for the left – in particular, the Democratic institution he considers more interested in the "compromise" than in defending their constituents, as well as by the mainstream media too eager to follow them. the center. "The worst thing Barack Obama has done has been to pave the way for Donald Trump," Moore said, citing the former president's liking for drone strikes, massive deportations and the death penalty. imprisonment of the launchers of alert.
There is something to say in a film that rekindles our ability to feel angry and inspired.
Fahrenheit 11/9 is a partial statement, an end of life warning and a partial call to arms, and switching from one mode to another may be debatable. The most shocking transition unfolds without warning or conclusion, the film concluding a segment on the unions and going directly to the sequences of Parkland shooting. Sensitive viewers will have to prepare.
For those who already follow the news, Fahrenheit 11/9 may not contain a lot of new information. But at a time when we are all on the brink of emotional exhaustion and attention fatigue, there is something to be said in a film that revives our ability to be angry and inspired.
The film does not offer many specific instructions on what we, the viewers, should do with these feelings. But Moore manages to convey the irresistible feeling we have to make Somethingand pointing out that ordinary citizens – such as Alexandria Ocasio-Cortez, professors from West Virginia and teenagers from Marjory Stoneman Douglas – can make a difference. The days of waiting in hope are clearly over.
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