Film Review Round-Up: The new releases



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You really have the embarrassment of choice this week, with everything from action to romance to sublime drama.

King of Thieves * 1/2

Put Michael Caine, Jim Broadbent, Tom Courtenay, Ray Winstone and Paul Whitehouse together in a burglary movie and what do you have? Five guys trying to outdo themselves and pretending to be nervous London criminals and not much more. File under Amusement light but passable.

In a scenario based on the real theft that took place in 2015, a band of big veterans meets to rob the safe depository company Hatton Garden in central London.

The action is interspersed with signs of references to burglary movies or crime movies from London. Movie directors will appreciate all this distraction and then wonder why they should be distracted by such small clips. Then they will really know that they have not seen a great movie. Read our full review here.

Crazy Rich Asians ****

The surprise package of 2018 is worth unpacking in Irish cinemas. Coming to the rescue rom-com, not a moment too soon, Rich Asian boobies Jon M Chu's movie has a lot to say about race and class, with the kind of throw that deserves an eclipse.

The story of the parents' meeting shows Sino-American Rachel Chu (Constance Wu) traveling with her boyfriend Nick Young (Henry Golding) to Singapore for the wedding of her best friend. Rachel considers her qualifications flawless, but her western ways have collided with old ways and the older money of Nick's family, while matriarch Eleanor (Michelle Yeoh) applies the rule to her future daughter-in-law. . I do not like what she sees a little bit.

Chu's decision to drop his status as director of employment Now you see me 2, G.I. Joe: Retaliation and the Intensify Movies for something more personal are part of the big career plans. Rich Asian boobies Sashays has gone through the screen with the cutest couple for some time, the flying rapper supremacy turned actor Awkwafina and so many interesting supporting characters to suggest a dynasty in the making. Read our full review here.

The Cavalier *****

The Cavalier is in the jargon "a little film" but given the haunting performance of Brady Jandreau in the role of Brady Blackburn, we are talking about candidate for the film of the year.

Brady is the horse trainer and legend of the rodeo circuit that we first encounter by taking stitches with a knife. He left the hospital and is back in the family caravan of the Pine Ridge Indian Reservation in the South Dakota grasslands.

Young Jandreau gives an impressive performance – incubator, vigilant, charismatic. In the end, the Chinese director Chloé Zhao ensures that we too, absorbed by the way Jandreau lives the role with such meaning and magnitude. Read our full review here.

A mother blows up her son ****

Sinead O Shea's captivating documentary – five years of work – is so engrossed in the nuances and nuances of a Derry family's life that there is room for maneuver to get an idea.

At the very least, the viewer can see that everything is not going well in the North, 20 years after the signing of the Good Friday Agreement.

A mother brings her son to be shot is a film that deserves to be seen because it represents a conflict that has somehow mutated and that many would like to ignore. Read our full review here.

Superfly **

Director X, Canadian filmmaker and music video director Superfly, has done everything in its power to enliven this brilliant action-crime thriller, but it remains a strangely hollow and laborious affair.

This remake of the 1972 movie of blaxploitation Super Fly moved Harlem 's action in Atlanta today, with singer and actor Trevor Jackson freshly put in the skin of Youngblood Priest, a powerful drug hub who has been working on the street since his childhood.

The almost two hour time, which you feel every minute crawling, unfolds like an extended gangster rap video clip with roughly the same level of gravity. Banknotes are raining, women are generally treated as accessories for their men, cars are bright and fast and the costumes are incredibly sumptuous. Read our full review here.

The predator *** 1/2

Have played a minor role in the original Predator film in 1987, Shane Black directs this latest version of a series that has been quite dead and buried since The predators in 2010.

This last episode has been well hammered by the critics since its release in the United States, but that does not stop, the jokes are not so bad – at least they try to be humorous rather than to be involuntarily funny – and the distribution is also good.

If you want to entertain for a few hours and do not worry about cartoon-style violence, you could do a lot more harm. Read our full review here.

Lucky *** 1/2

The singing of Harry Dean Stanton's singer as an actor is an irresistibly affectionate exercise that features striking moments but revolve around sentimentality because of a few unsuccessful notes in the screenplay. Still, it's worth it for all players.

Fortunate recalls a film by Werner Herzog in 1977 Stroszek, which featured a bunch of decidedly weird characters wandering around the small towns of Wisconsin.

Nobody walks around a lot Fortunateexcept the eponymous hero who usually wanders in two places, the local restaurant and the local bar. He makes gnomic statements about life and death among diverse society, which includes David Lynch taking a good turn as a man deploring the loss of his pet turtle. Read our full review here.

Still showing:

American animals **** 1/2

The dramatic debut of documentary filmmaker Bart Layton on a real botched flight is extremely entertaining and a true masterpiece.

American animals delivers a bold, original and fast thriller release without taking yourself too seriously. He dissected a real crime case in 2004 that saw four college kids – Spencer (Barry Keoghan), Warren (Evan Peters), Eric (Jared Abrahamson) and Chas (Blake Jenner) – trying to steal rare books from a small liberal arts college in Kentucky. .

Layton brings his documentary into this section, with current interviews with the people his actors represent. Even the librarian of the University of Transylvania (played in other scenes by Ann Dowd of The servant's tale) makes a brief appearance. Read our full review here.

Black 47 ****

The saying goes that revenge is a better served cold dish. Or in this wet case. It's in your bones right from the beginning of the director Lance Daly Black 47 – a Western Irishman in all but his name.

The Australian actor James Frecheville plays Feeney, an Irish Ranger who deserts and returns home to Connemara, a victim of famine, after the death of his mother and the execution of his brother.

By transforming himself into an almost supernatural force, Feeney draws up a list of officials – and anyone else who hinders his quest for justice. Read our full review here.

The Seagull **

In Sorin's country house, passions merge and egos are put to the test, while a vain and naughty actress treats her son with unusual contempt in this new adaptation of the surprisingly ranked play as a comedy by its author Anton Chekhov.

Irina (Annette Bening) is the selfish and spoiled actress who lives on the estate of her brother Sorin (Brian Dennehy) in the heart of the Russian countryside. Kostia or Konstantin (Billy Howle) is his son, a young man with a burning desire to be as successful a writer as his mother's lover, Trigorin (Corey Stoll). Trigorin is the author of a venerated fiction and he is also visiting.

The play that Kostia rides under a big top at the beginning of the film is deliberately left and naive in her feelings, essentially a dramatic vehicle for Nina (Saoirse Ronan), a girl from a neighboring estate. Like the young Kostia, Nina has ambitions in the artistic field – she wants to be a famous actress like Irina. Read our full review here.

The nun **

Taissa Farmiga (younger sister of the Vera franchise) is the latest in this endless series as a novitiate.

Ok, so it's not Marilyn Manson – that's the demon Nun Valak, who has made known his diabolical presence The Conjuring 2 and as the Conjuring The universe is developing as the real world or a dirty stain, so we naturally gave her own movie as a sinister sister.

Conspiracy the franchise should end here – with a stamp and not a bang. Read our full review here.

Puzzle 1/2

Puzzle is an unscrupulous and human look at the missing pieces of a woman's life, built around Kelly Macdonald's outstanding central performance.

Based on a remake of Rompecabezas, a 2010 Argentinian film by Natalia Smirnoff, is a plaintive study of a protected Connecticut housewife, who finds new life through a 1,000-piece puzzle.

The pulse of the film comes in many ways from Macdonald's courageous and magnificent work as an Agnes. She lives and breathes her role and the more we look at her, the more her character becomes beautiful. Read our full review here.

The Education of Cameron Post *** 1/2

Homecoming 1993 and teenage girl Cameron Post (Chloë Grace Moretz) is surprised to have intimate relationships with her girlfriend Coley Taylor (Quinn Shepherd) in a car. Cameron 's parents died in a car accident, so his escort Ruth (Kerry Butler) sends her back to the kind of place formerly known as the "reformer" in this country.

The Institute, where she will board and attend classes, calls the Promise of God and is led by some scary cult types led by Reverend Rick (John Gallagher Jr) and his odiously oilseed sister, Dr. Lydia Marsh (Jennifer Ehle). , with the help of Bethany (Marin Ireland), Rick's girlfriend. These so-called reformers breathe sanity, incompetence and oily horror.

The Cameron Post Education shows how sexuality and gender identity are not protected at all in the wrong hands. It is assumed that there may be places like this in the United States, which develop in a useless way, 25 years after the period in question. Read our full review here.

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