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WASHINGTON – He was nominated for the Grand Jury Prize at the Sundance Festival
This weekend, the famous independent film "Blindspotting" opens in DC, bringing a new cinematic experience mixing laughter, tears and fears [19659002] Released from prison after a brutal bar fight, the former Oakland bouncer, Collin (Daveed Diggs), is doing his best to avoid trouble during his last three days of probation. It becomes difficult when his fiery best friend Miles (Rafael Casal) arises with an imprudent abandonment on the rapid gentrification of the neighborhood. All the while, Collin is rebuilding his life by driving a moving truck and braiding his dreadlocks through ex-girlfriend Ashley (Janina Gavankar).
Diggs, who played Marquis de LaFayette and Thomas Jefferson in "Hamilton" on Broadway is a revelation in the way Michael B. Jordan was in "Fruitvale Station" by Ryan Coogler (2013 ), the Sundance shot that allowed "Creed" (2015) and "Black Panther" (2018). Sporty dreadings, a calm air and a heart of gold, Diggs's character strikes in a low voice, stumbling authentically on the "improvised" lyrics unlike the polished gold of Lin-Manuel Miranda [19659002] More impressively, Diggs spent the last 10 years writing the script with the best friend of all life, Casal, a kind of Oakland version of Boston buddies Matt Damon and Ben Affleck, who wrote their own roles in their Oscar-winning scenario for "Good Will Hunting" (1997). Instead of prowling on Fenway Park, these guys are talking about Derek Carr's Raiders going to Vegas
The fact that Diggs is black and Casal is white makes the exchanges fascinating. On the one hand, we have a hilarious comedy comedy discussing the rude taste of kale smoothies. On the other hand, we get powerful observations about the breed, discussing fake reviews on local TV news, using the word "N" in pop culture, and "The Talk" that too many African-American parents must have with In the unique version of the script, the White Casal is the most virulent criticism of gentrification, lamenting that transplant hipsters falsely assume that it "acts in black" just to carry a grill to the mouth, having tattoos and talk in the ne-and-raised accent of one's neighborhood.
Similarly, there are many moments that remind us of the fate of being black in America because Diggs holds its breath in the flashing red and blue lights of a cop car and then undergoes trippy nightmares where he visualizes a field of young black men standing over their graves.
These sequences are among the many dynamic keys of the first director Carlos López Estrada, who shows an impressive control f from opening credits, a symbolic series of split screens juxtaposing gravelly bodegas on the left with Whole Foods on the right.
This is related to a later scene where the characters discuss the optical illusion of Rubin's vase. or two human faces, depending on your perspective. The idea is that we are all born with inherent biases in the way we see the world, so we must learn to see things from the opposite perspective, just as valid – the main theme of the film.
They double this phenomenon, "An apt term considering that it is the blind spot of the Diggs truck where a black man is shot by the police.This shocking moment haunts Diggs whenever". he stops at a red light or sees a police car.His internal cocktail of fear, rage and inequality builds a climate showdown between Diggs and the cop cop, a confrontation that the public has thirsty to see – if the script can find a realistic way to do it.
the film suffers from a stain in an artificial finale.The problem is not Diggs rapping his final monologue – this is a stylized choice correctly set up in the script and in our beloved memories "Hamilton." Rather, it's a hair-driven coincidence that the two movers arrive to arrive at the cop in question, so their basement ring sounds wrong, but fortunately the Underlying wise is powerful enough not to torpedo the movie.
Anyway, the overall result is a refreshing mix of comedy, drama and social commentary that deserves to be seen by as many people as possible. It's this rare film that makes you step back and see the world through different eyes, an optical illusion that we must teach ourselves to return, repackaging our damaging crime blotters in blind blinds opening up the eyes.
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