How "Dark Phoenix" can give the latest movie to X-Men



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The film will undoubtedly be the finale of a 19-year-old series as characters move on to Marvel Studios.

"It's the end." 20e Century Fox released the long-awaited trailer of Dark Phoenix sure The last late concert with James Corden Wednesday evening. When marketing the last tranche of the X Men the franchise is just starting seriously, all the signs indicate Dark Phoenix to be the conclusion of what will be a nineteen-year franchise at the time of its release.

With the specter of Fox's acquisition by Disney in the background and recent comments from Disney CEO Bob Iger, about X-Men in the hands of Marvel Studios, Kevin Feige he is hard to ignore the rumors. While Fox still has a horror centered The new mutants scheduled for release in August 2019, and the film X-Force planned by Drew Goddard, which could be put into production before the start of the reshuffle, Dark Phoenix seems to be the last central X Men Fox's upcoming movie. With its Doors cover title, funeral plans and suggestions on lies, secrets and friction between characters, the trailer certainly does not resist the suggestion. Dark Phoenix will serve as a grand finale.

First director Simon Kinberg, who has served a producer on all X movies and television properties since X-Men: First class (2011), and writer of X-Men: Days of Future Past (2014) and X-Men: Apocalypse (2016), shifts the franchise from the global threats of time travel and the Apocalypse to more personal issues centered on the loss of control of Jean (Sophie Turner) on his powers and on his mutant family. While the trailer does not contain big chunks of action and money, it's just inspired by what made Bryan Singer and Matthew Vaughn X Men movies, and arguably Chris Claremont's famous comic strip, work best – the melodrama on the rhythms of action. The title of the movie X-Men less, Dark Phoenix, reiterates this focus of the character-driven film and is perhaps also a way for Fox to capitalize on the success and lighting of female-directed superhero movies after Wonder Woman (2017).

While Jean's transformation into Dark Phoenix has already been seen in the critical division X-Men: The Final Clash (2006), co-written by Kinberg, this adaptation should be slightly more faithful to comics, or at least less Wolverine-centric. Although we still do not have the chance to see the Starjammers or an X-Men place the odyssey of space, the source of John's new abilities is cosmic, and cosmic means extraterrestrial. Little is known about the anonymous extraterrestrial character of Jessica Chastain who will serve as an antagonist to the film. According to rumors, fans suspect that she is Skrull, one of the same who will take center stage next year. Captain Marvel and who have had an interest in the Phoenix Force in comics over the years.

Fox and Disney share the rights on the Skrulls, so she could very well be part of it. But his cold and factual approach reminds us of another villain of Marvel: the Cassandra Nova, created by Grant Morrison and Frank Quitely. A parasitic form of life born on the astral plane with conceptions of genocide, Nova formed a body from Xavier's DNA and eventually became able to imitate human characteristics. In other words, Nova comes down to an alien changing shape. His line, "you have the impression that you do not belong here. You do not have "is a negative turning point on Xavier's feelings in previous films, which would make it a twin black Charles Xavier (James McAvoy).

Adding more credibility to Chastain by playing Cassandra Nova, the new costumes of the X-Men, which are almost exact reproductions of the costumes created by Frank Quitely during his stint on Grant Morrison. New X-Men, ironically inspired by Bryan Singer's controversial black leather suits X Men (2000). While the X Men the movies since First class have put emphasis on each chapter being set in the specific decade of the 20e century, highlighting not only the long run of Claremont but also the inability of comic characters to age to a significant degree, Kingberg seems to draw from the modern source for his film.

Although "The Dark Phoenix Saga", published in 1980, is the highlight of the Claremont race, Grant Morrison also wrote a famous Dark Phoenix story during his race. New X-Men, who has looked a little more at the mental aspect of John's abilities. It would not be surprising if Dark Phoenix ended up borrowing just as much from Morrison at Claremont, though he may lack the psychedelic and scale of each respective author. With Wolverine, who was crucial in the two arches of Dark Phoenix, out of sight, there is at least a good chance that Cyclops (Tye Sheridan) gets his due in the story this time around.

"You're always sorry, Charles. And there is always a speech, and nobody cares, "said Magneto, Michael Fassbender, delivering the best line of the trailer. While apocalypse seen the two old friends apparently Dark Phoenix again seems to find Magneto and Xavier disagree. This is the focus of the series since Vaughn First class, but although we have already seen Xavier in the right and Magneto in the wrong way, their roles could be reversed this time. Xavier putting mental blocks in Jean as a child was explored in The baroud of honor and his psychic manipulation has been a key element of the plot in the comics over the years, but it seems that this time Charles will have to face his actions rather than get out of tough decisions with a death premature as in the 2006 movie

One of the consequences for Xavier is the apparent decision of Beast to leave the X-Men and to be with Magneto. Beast (Nicholas Hoult) was Xavier's constant defender throughout First class series of films, but here he turns his back on Xavier and rubs shoulders with the new Brotherhood of Magneto composed of Selene (Kota Eberhardt) and Red Lotus (Andrew Stehlin). If we find a solution between Xavier's X-Men and the Brotherhood of Magneto, there will undoubtedly be a messy road to get there. When the ashes settle, we doubt that we will consider a return to the status quo, and whatever the note at which this iteration of the X-Men ends, it will force us to think about the future.

Dark Phoenix seeks to provide an appropriate finale to the series that has shaped modern comic strip movies. Here, I hope it will come out with a lot of fanfare.

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