How "Suspiria" turned Tilda Swinton into a 82 year old man



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Swinton added, "A psychoanalyst or psychiatrist with a sense of the unconscious is a person who knows that any illusion is an attempt to tell the truth." Noting Klemperer's concern about a spouse he had lost in the war, she said: "Klemperer is inhabited by the fantasy of his lost wife: he is, in this crucial respect," played "by a woman. She dictates the rhythm of her life to the daily texture of her lonely loneliness. "

And while saying much more is a spoiler, there is also a third, more monstrous, character that Swinton plays in the final act, and Guadagnino intentionally designed these three characters for her. "It is a film that is very much related to psychoanalysis," he said, "and I like to think that only Tilda can play the ego, the superego, and the only thing I can do. identity."

To help Swinton turn into Klemperer, Guadagnino hired Oscar-winning makeup artist Mark Coulier. Although Coulier has already put Swinton in senior prosthetics for "The Grand Budapest Hotel", and Swinton has already played in male characters (notably in the 1992 film "Orlando"). challenge. In fact, the striking features that have served Swinton well in other transformations have come to naught as Klemperer.

"Although she has a slightly androgynous look from a model's point of view, Tilda has a very feminine bone structure," said Coulier, who thickened Swinton's neck with prostheses and made her jaw heavier. and more masculine.

The makeup process took up to four hours a day and Swinton spent more days making up heavily for "Suspiria" than for any other project. Still, the actress kept her spirited by asking Coulier to make her a different set of prostheses.

"She made us do a penis and bullets," said Coulier. "She had this important and heavy genital set to be able to feel it hanging between her legs and she managed to set it up twice." And where are Swinton's superfluous genitals now? "Probably in a box somewhere!" Coulier said quickly. "I should try to find him and put him on a plaque on the wall of my studio."

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