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Photo of Justin Bishop.
Hollywood was quick to call on Chloe Zhao. according to Variety, the director, whose film 2017 The Cavalier praised Sundance, was chosen to direct the upcoming Marvel film The eternals. The film tells the story of a secular battle between two groups: the Eternals, an ultra-powerful humanoid race, and the Deviants, their wicked analogues.
This is a major gesture for Zhao, an independent personality with only two characteristics to his credit. It's also a welcome change from Marvel; Zhao is now the third woman, and the second woman of color, to be hired for an upcoming studio project, in the footsteps of Anna Boden (who co-directs Captain Marvel) and Gina Prince-Bythewood (Silver and black). She is also the second Asian woman to take the reins of a great upcoming superhero movie; the other is Cathy Yan, who takes charge of Birds of prey, Featured Margot Robbie.
Marvel and D.C. have consistently criticized their largely white and male directors, especially since the dawn of the modern superhero. Patty Jenkins, who directed Wonder Woman, was the first woman to lead a major superhero release in the modern era; Lexi Alexander directed the Marvel property Punisher: War Zone in 2008, but the studio did not hire women after his post-Iron Man reinvention.
The hiring of Zhao also seems to be a new front for the slaughter system. Giant studios often use these days for their major blockbusters: for years, studio directors have recruited inexperienced white directors. as Jurassic World (Colin Trevorrow) or Spider-Man: Homecoming (Jon Watts). By tapping on Zhao, Marvel brings in a woman with similar qualifications and Kevin Feige promise that more women would be added to the list. "I can not promise that all 20 Marvel films will have female directors, but many of them will do it," he said in June. The following month, it was reported that Cate Shortland was in talks to direct the upcoming independent film Black Widow. After Captain Marvel, This would be Marvel's second film to focus solely on a female role.
But back to independent filmmakers who make the leap to blockbusters. Zhao now joins this complicated tradition of Hollywood, which associates relatively inexperienced filmmakers with big franchises in the hope that they will inject an old property with something fresh and alive. Of course, as we have learned, this formula does not always work, because the skills needed to manage a huge tent are difficult to learn in an independent film, and because studios often end up stifling the creative connections that have them. created. The less known filmmakers stand out in the first place. Hollywood is littered with abandoned or poorly executed projects of this kind; There's the Josh Trank The Fantastic Four, the Michelle MacLaren Wonder Woman which has never been, the Thor Patty Jenkins almost realized. Even the most experienced filmmakers have felt the pressure of the superhero studio machine; take Edgar Wright exit The ant man after years of development, or Rick Famuyiwa leaving The flash. In the next lane you can also look Phil Lord and Chris Miller get the start of Solo: A story of Star Wars. Trevorrow, who is out Star Wars IX, is also part of this elite club of directors who received a pink slip from Lucasfilm.
Of course, many directors have gone beyond the constraints of the studio to make well-received films while maintaining strong studio relationships. After the success of Creed, Ryan Coogler continued to do Black Panther, a film that felt impregnated with his sensitivity; Taika Waititi managed to bring his goofball tendencies to Thor: Ragnarok, And so on. And by Variety, It seems that Zhao is well equipped to meet this challenge. Since the cheers of The Cavalier, she was watched for big studio projects around the city. She would have been so impressive when meeting with Marvel executives that the studio had reserved her for The eternals before other important players can align it for their projects, a vote of confidence.
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