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Tom Cruise meets director Christopher McQuarrie for the sixth spectacular entry in the series.
The plot can be as indecipherable as The Big Sleep but the action is crazy in this sixth installment of Mission: Impossible. Loaded with extended footage that shows Tom Cruise doing what looks like real – and really dangerous – stunts all over central Paris and London, in addition to more distant destinations and on almost every means of transportation that you Want to name, writer -The second release of Christopher McQuarrie on the series is the one he made with Cruise three years ago with Mission: Impossible – Rogue Nation, who says something ]. This film has earned $ 682 million worldwide (71% outside the United States) and there is little reason to believe that this new ultra-amped-up extravagance should not attract as much or more .
The feeling that Cruise and his frequent partner in crime McQuarrie made a pact to go crashing here. Especially because of his serious injury jumping from one London building to the next (that sounds terribly precarious when seen on the screen), it would not be a total surprise if Cruise decided to make this outing like Ethan Hunt his last. If he does, he would certainly sign a very good grade.
Unlike other installments in the series, there is the postponement of the latter to this one. In Rogue Nation, MI6 agent Solomon Lane (Sean Harris) ranks on the dark side and joins the Syndicate, a terrorist organization bent on the idea that the status quo must be destroyed before a new order up Lane's possession of three small plutonium bombs and his intention to use them springboard all the action.
In a difficult and winning opening sequence, Cruise's Ethan Hunt and his buddy Benji (Simon Pegg) try to catch the hats in Berlin, but the botched operation triggers the wrath of the director of the CIA of Angela Bassett and force Ethan and her lifelong fighting companion Luther (Ving Rhames) to be harassed by a sidekick, August Walker (Henry Cavill, a welcome presence in his Superman costume) Ethan is as worried as his intentions realities are not clear.
An even more ambiguous figure is the "White Widow", a richly rich philanthropist and an apparent part – time weapons dealer played with an elegance and vanishing mix of Vanessa Kirby, so big as Princess Margaret in The Crown. Needing to go to Paris in a hurry to see her at a gigantic shindig, Ethan and August are organizing a rather original means of transportation; they jump off a low-altitude jet plane before opening their falls and landing directly on the Grand Palais, a grand entry without doubt unprecedented in Parisian society.
In no time, they mingle with some of the widowed muscular widows in a deliciously long and bloody action scene in a large, bright men's room before Ethan begins to negotiate with the widow provocative, who plays a top-down game and would not be bothered to combine big business with a bit of fun involving the American straight arrow.
McQuarrie, the first director to have asked to come back a few seconds behind the camera on this franchise, manages to establish and maintain more or less the ideal tone, which merges a sufficient sense of humor with more and more wacky. pieces to encourage the public to enjoy what they are – some of the most extreme, sustained and dangerous action scenes of waterfalls ever assembled. Even at age 56, Cruise is well known for pushing those boundaries, and here he has two enthusiastic accomplices at McQuarrie and Wade Eastwood, stunt coordinator / second unit.
Even as the narrative becomes more puzzling, realistic masks hide the real identities, the actual agendas of the characters remain hidden – the fast-paced spectacle unfolds in an extraordinary way. Paris has never benefited so much from this spectacular action, which encompasses not one, but two motorized pursuits breathtaking, one involving cars and a second one that has a cruise without a helmet zooming into the streets cluttered and, in the most amazing interlude, accelerating traffic in the busy circle around the Arc de Triomphe. In scenes like this, any sense of dramatic need or purpose is erased by the simple sensation of that, which is dramatically improved in the IMAX format. Lorne Balfe's brutal re-orchestration of Lalo Schifrin's original themes propels the cause forward.
In one way or another, McQuarrie runs just enough narrative line to hang big pieces. After exhausting Paris, these characters who never sleep are settling in London, where the former MI6 agent of Rebecca Ferguson Rogue Nation, Ilsa Faust, further and further ahead more, with intentions that further upset the waters. To determine who is on which side and why and what they are all trying to remove becomes an impossible mission of himself after a point. The impetus is therefore to let go and leave with a valid decision because of the extraordinary level of visceral and realistic action cinema that the team has achieved here.
A lawsuit that takes Ethan through a blocked church funeral is fun enough, while the extended running at the top of some quaint London skyline (during which Cruise was seriously injured) you sometimes makes you catch your breath; Finally, the end of the trip brings everyone to Kashmir (doubled by Norway and New Zealand, it seems), as still amazing Solomon. Lane determined will be the best place to launch the destruction to trigger the eradication of the known world and the birth of the new. And here, Ethan clashes here with his ex-wife Julia (a Michelle Monaghan back), who was supposed to be dead after M: I 3. The fact that Julia and Ilsa are wearing more than just one. a fleeting resemblance to each other is subtly recognized by the looks that the two actresses give each other and adds to the resonance of these late scenes, which turn on the […] Goldfinger- as the Countdown to an apocalyptic Luther explosion (Rhames plays a
But even here, McQuarrie, Cruise and Eastwood (no connection with Clint) find a way to enormously increase the bet, sending Ethan on a pursuit desperate of a helicopter .August through the mountains.As this has been the focus throughout the film, this episode must exceed that which has just been realized and, it is all the Everyone's credit, that's what it does. The action here represents the version of the cin my public extreme sports and these guys have staked their claim at the top. Now, someone will have to try to overcome this; Either someone will take the mission, or those guys, if they choose to accept it.
Opens: July 27 (Paramount)
Production: Tom Cruise / Bad Robot
Interpretation: Tom Cruise, Henry Cavill, Ving Rhames, Simon Pegg, Rebecca Ferguson, Sean Harris, Angela Bassett, Vanessa Kirby, Wes Bentley, Frederick Schmidt, Michelle Monaghan, Alec Baldwin
Director: Christopher McQuarrie
Writer: Christopher McQuarrie, after the television series created by Bruce Geller
Producers: Tom Cruise, Christopher McQuarrie, Jake Myers, JJ Abrams
Executive Producers: David Ellison , Dana Goldberg, Don Granger
Director of Photography: Rob Hardy
Production Designer: Peter Wenham
Costume Designer: Jeffrey Kurland ]
Publisher: Eddie Hamilton [1 9659004] Music: Lorne Balfe
Stunt coordinator / second director of the unit: Wade Eastwood
Interpretation: Mindy Marin, Toby Whale
notation PG-13, 144 minutes
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