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"My brilliant friend is the intimate adaptation of a beloved novel"[[[[Vulture]
Focusing on close-ups and close attention to detail at the time, "My brilliant friend" is both intimate and immersive, writes Matt Zoller Seitz of Vulture. The series, he adds, resists "the urge to comment on the injustice and cruelty that separate the characters and their desire for happiness, even if that makes us perfectly aware of it."
"My HBO friend's adaptation is a knockout"[[[[Vox]
Todd VanDerWerff, from Vox, assures potential viewers who (gasp!) Have not read Neapolitan novels that "My brilliant friend" still fascinates. "Freed from the hype surrounding the titles and questions about Ferrante's identity and about everything else," he writes, "this new series is a knockout, delving into the heart of the history of books and creating a wonderful tale of passage, with nostalgia, sorrow and humor. "
"My brilliant friend": the adaptation of HBO eliminates all lightness and gives books to the legend of books, and brings them back to the paved streets of Naples »[[[[Slate]
Willa Paskin says that in Slate, the series releases the material from the book series' reputation as a rah-rah narrative of female friendship: the particular environment in which girls are born and grow: the courage and the grime, fear and violence, the ubiquitous, omnipotent machismo that surrounds them. It's not an ode to the best girlfriend, but a heartbreaking story of survival. "
Page to the screen
"Elena Ferrante stays off the board"[[[[The New York Times Magazine]
In more than one interview, the director of the series, the Italian filmmaker Saverio Costanzo, seems slightly stunned by the author of the source material of the series. (They collaborated via email.) "" Sometimes she was so strong, "he says gruffly," says Merve Emre. "I do not know, I'm still trying to put everything in. It's very difficult, it was like working with a ghost."
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