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But where Sierra Burgess is a loser begins to lose his healthy veneer in the trick that brings his two tracks: when Jamey asks Veronica's cheerleader (Kristine Froseth), her phone number in a cafe one afternoon, she gives him instead Sierra . Sierra, whom Veronica regularly mocks at school, receives a text from Jamey – a hot boy she would never have met otherwise – and quickly realizes that he thinks he's sending SMS to Veronica. Rather than informing him of the error, Sierra simply continues to send a message to Jamey as Veronica. Jamey's relationship with Sierra-as-Veronica worsens, resulting in long, frequent phone calls.
In a surprising tone of hierarchy-based high school friendships, Sierra managed to get Veronica's help with her program, offering to give lessons to the cheerleader in exchange for her cooperation. (Their complicated friendship, a rarity in teen movies, is one of the bright spots of the movie.) Jamey, unconscious, falls hard for the smart girl who sends him a text message and the less conventional and more conventional avatar sent to represent it. Sierra and Veronica keep him in the dark. Without the benefit – the basic courtesy – of truth, he can not make an informed decision as to where to direct his affections.
The movies, and even the romantic comedies, have presented much more important tricks than the ploy at work in this teen movie. This Sierra Burgess is a loser finds its tracks entering a complicated relationship stimulated by cat fishing is not necessarily worrying. Many relationships involve a certain level of disappointment from the start; Sierra is dramatic, but there might have been room to correct the film at the beginning of the film. By effectively distorting Sierra's deception, Beer and Samuels have been able to offer significant insights into the damage caused by a number of duplicates.
But Sierra does not seem to feel real contrition; she pities herself, convinced that her insecurities justify her manipulative behavior. The film avoids the path of self-motivated confession and instead bury the revelation of Sierra in the third act. It is a strange choice, which masks any real idea of the effects of bullying and low self-esteem among adolescents. Rather, Sierra Burgess offers an accidental lesson on the dangers of concealment of consent simply because it is related to the personal development of a nice person.
Much of the film is commendable, and not instructive and emphatic with Bo Burnham. Eigth year. Although the many insults against Sierra (and many of them raise troubling questions about the movie's obsession with making fun of queers, trans people, and the disabled), none of them justify his contempt for Jamey's autonomy, which it is bodily or otherwise. Veronica and Jamey rely on the hood of their Jeep after their first date at the cinema. While the two people were chatting, Sierra, who was also sitting at the theater watching over the couple, is under the car. When Jamey moves in to kiss Veronica, she moves away and insists that he close her eyes. As soon as he does, she gestures for Sierra to take her place when Jamey, with her eyes covered, tries another kiss. The kiss lands, but the scene does not.
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