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Nicolas Roeg, the famous British director at the origin of titles such as Roald Dahl adaptation The witches, The man who fell on Earth with David Bowie, and the provocateur Do not look now, died Friday night at the age of 90.
His son, Nicolas Roeg Jr., confirmed the news to the BBC. "He was a real father. He just had his 90th birthday in August, "he said.
Roeg was not trying to be ahead of his time. "It's my time," he said. The Guardian in 2011. But he is still considered one of the most original filmmakers in Britain.
Before becoming a director, Roeg became known as director of photography, working on films like Band of Thieves and Fahrenheit 451. He also gained work experience in the second unit of Laurence of Arabia.
Roeg has had repercussions on the Hollywood industry with his directorial debut, 1970's Performance, that he co-directed with Donald Cammell. Marking the debut of Mick Jagger, the gangster thriller took a dark turn with his story with a nasty London gangster hiding in a rock star after performing an unordered killing. The film, which would then influence Quentin Tarantino, was too provocative for Warner Bros. and, therefore, almost entirely ragged.
Roeg tracking has been Walkabout, continuing his series of unconventional. The story goes that two brothers and sisters stranded in the Australian hinterland met another boy in the middle of a spiritual walk. Like many Roeg movies, this would not be the initial success, but would gain notoriety with age.
By paying tribute to the filmmaker, Baby Driver and Shaun of the Dead Helmer Edgar Wright put a spotlight on Do not look nowThe supernatural horror of Roeg in the Venice setting featuring Donald Sutherland. "His films have hypnotized me for years and continue to intrigue," Wright tweeted. "Besides the classics such as Performance and Walkabout, I could look at Don 't Look Now on a Loop and never get tired of its subtleties. A master of the art. "
"A dazzling and fascinating filmography," he added.
Roeg worked with the late David Bowie on the 1976 film The man who fell on Earth, about an extraterrestrial descendant on earth seeking water to save his planet. Rethinking the title, Roeg said The Guardian"I stopped in the garage, and it turned out to be a producer I knew. He said, "I've seen The man who fell on Earth last night. I've always thought it was a piece of s-. And I suddenly understood – it's you, is not it? That's Newton [Bowie’s character]. He is you! Well, I just wanted to say that I was wrong. It's a lot to say. It was seven years after the release of the film. Of course, The man who fell on Earth It was also bad timing. Entered about the same time as George Lucas.
Bowie's son, Warcraft and Mute Director Duncan Jones also wrote a response to Roeg's death on social media, accompanied by a behind-the-scenes photo of his father with the filmmaker.
"What incredible work he has left us!" Tweeted Jones. "All my love to his family. Thank you for making so many brave choices and giving this strange little boy in pajamas a constant love of cinema. "
For those who do not know Roeg's wider filmography, The witches, featuring Anjelica Huston in the deliciously naughty Dahl character, is probably her best-known work. Responding to the news of a modern Hollywood remake, Huston pointed out to EW that Roeg "created Witches. "
The filmmaker turned two ends to the film, one that paid tribute to the original end of the book and one that took liberties by introducing a good witch to turn Luke into a boy. Dahl scorned the end that finally made the film, according to his widow, Felicity.
"Nic Roeg showed us the first end, and Roald had tears in his eyes, he was so happy," she said. The telegraph. "But then he showed us the other, and Roald said," Take my name from this thing. You missed most of the book. I had never seen him so upset. This film also won a lot in overtime.
During his career, Roeg has also led Cold sky, Two dead, Puffball: the eyeball of the devil, the documentary The film that buys the cinemaand a part of The adventures of the young Indiana Jones: the demons of disappointment.
"I do not watch any film that I did with tenderness or pride," he said in 2013. "I'm coming back to my films and the past in general … I can only say: I'm damned .
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