Paul McCartney, "Back in Brazil" – Rolling Stone



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Paul McCartney Station of Egypt is a moving statement from a guy who has found love and now wants the rest of the world to have it too. And that proves that McCartney continues to have fun in the studio – no more than "Back in Brazil", the strangest and freshest track on the album. McCartney plays nine instruments on the recording (he even recorded the singing birds at first); On a salon beat, it tells the story of a couple struggling with the changing tide of a relationship. At first glance, it sounds corny, but intensifies as McCartney's harmonium, Wurlitzer, congas (and triangle!) Create a psychedelic haze. There is no chorus except Paul who shouts "Ichiban", which, confusingly, is a Japanese word – asked to explain in a recent Q & A on Twitter, McCartney says months ago. During the same question period, McCartney said he would consider teaming up with SHS artists. This song proves that it might not be a bad idea.

According to producer Greg Kurstin, "Back in Brazil" was one of McCartney's most worked songs in the studio. "It was one of the hardest to get, to get the rhythm of the drums and all that," he said. "It started as something very different from what it became. It all started with the electric piano, the drums and the whole band, then we demolished everything and built everything with orchestral instruments. It started as something very different from what it became. But I'm really happy. The clarinets play the electric piano part. It all started with the electric piano, the drums and the whole band, then we demolished everything and built everything with orchestral instruments. When it really came to life for me, it was when we brought [composer] Alan Broadbent and he helped with the arrangement. He made the strings and the clarinets and the flute and stuff like that. I like the arrangements that he made about it.

McCartney has not yet tried the song live, but we hope he'll do it. He has just added three new dates to his Freshen Up tour, which will begin May 23 in New Orleans.

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