Reactions from "Ant-Man and the Wasp": Here's what the first comments say



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The Wasp (Evangeline Lilly) and Ant-Man (Paul Rudd) can do a dynamic duet in "Ant-Man and the Wasp". (Disney / Marvel Studios)

COME MIDSUMMER, The most attractive thing inside the multiplex is the cinematographic equivalent of cotton candy.

This is the consensus among critics who publish the first reviews for "Ant-Man and the Wasp", Marvel's sequel comes to light as a quick picnic.

And "light", in this case, is not an insult, as some movie critics say that on the heels of the monumental "Black Panther" and "Avengers: Infinity War" they welcome a change of Marvel movie rhythm that leads to the square with his punchlines.

"Ant-Man and the Wasp" – which makes Paul Rudd the super-hero of the Scott Lang franchise, Michael Douglas as ex-SHIELD genius the physicist Hank Pym and Evangeline Lilly as daughter Hope Van Dyne / the Wasp – receives a respectable average score of "70" on Metacritic.com and a solid 89 percent "cool" score on Rotten Tomatoes.

Praising the playfulness of the sequel, IGN writes that the film "wholeheartedly embraces the ridicule inherent in Scott's powers and the difficult situations in which he often finds himself – by staging some of the scenes of The most inventive action in any film franchise, and not only in Marvel. "

The film" Plays well, we do not see it anymore, we do not see it "and we call it" an astutely fast and delightful scale comedy "- carried by the fact that nothing" cosmic "(as, say, the mission of a murderous Thanos) is at stake.

Variety also has hosannas for returning director Peyton Reed, who this time has "learned how to operate the heavy machinery of a Marvel superhero movie while keeping everything light and fast and dizzying." Variety notes: "His scenes of They are well spaced and have a good visual sense. "(Some of these scenes involve the deployment of instantly enlarged toys, and a Hello Kitty Pez distributor, like massive plastic weapons.)

The Los Angeles Times Sees Easily Reducible Buildings" The Disney-Marvel Film Cycle and his various sub-franchises have always been haunted by dreams of world domination – something implored by emotional retardation. super-villains and. . . Hungry box office box office executives. In this larger context, a film about a hero who finds strength in smallness is no easy task, "writes the Times. "Even multi-billion dollar companies need some modulation from time to time."

The Times adds that the film – which pivots between super-dimensional and subatomic – "zippy action scenes and splinters of kaleidoscopic color [that] looks great in a theater, but in some ways, its whimsical sensitivity and its playful and entertaining story may seem just as good for the size of your in-flight entertainment screen. "

Regarding the fast-paw, The Hollywood Reporter writes that this sequel is" probably the most entertaining movie that the company has done since the beginning of the reign of Kevin Feige ten years ago "at Marvel Studios

writes THR:" Trying to slide these little insects into a world dominated by people like Thor, Thanos, Iron Man, Hulk, Drax and so many others were always a long – term challenge, so it was a good idea to put a disarming sense of humor to the forefront in this. series.

Mi chael Peña and Randall Park also deserve raves for their hilarious support pieces

Writing the AV Club: While "Thor: Ragnarok" is perhaps more funny, funniest and more irreverent, " Ant-Man and the Wasp "is probably even more a simple comedy, to the point that there is not even a primary villain … Even if the characters do not stop getting lost in back and forth on topics ranging from truth serums to the value of a luxury car wash. "

Throwing roses at the theater, Rolling Stone writes that" Rudd is a winning combination of sass and sincerity. Is a kick to watch Lilly go out and let her star shine in. She has not had such a juicy party since she played Kate Austen on Lost; her intelligence and presence at Screen raise the film on its hard points. "

Entertainment Weekly, on the other hand, do not laugh, finding flashing humor as being too meringue on a summer dessert.

is one of those Marvel products that peddle self-conscious detachment as a defining narrative strategy, "writes EW. "Scientists will say things of science -" quantum domain "," quantum entanglement "," quantum tunnel "- and then Scott / Ant-Man will be blocked that everyone says too much "quantum". The characters joke so much about "Captain America: Civil War" that you start wondering if you have paid the movie ticket prices for read the Internet two years ago.It looks less like a feature film than a meme that someone has made of an Ant-Man trailer. "

And Paste magazine serves a similar criticism, writing that Ant-Man is "the least essential of all Marvel Cinematic Universe characters and" Ant-Man and the Wasp "is undeniably the least essential of MCU films, sometimes Nice but ultimately disposable, a trinket that looks less like a fun trip and more of a waste of time for everyone. "

Adds Paste:" Out of the box Exte from the entire MCU world, this is only a minor film, a gay entertainment so empty. But since when are you supposed to be without context in the MCU? It's as if Marvel was turning his thumbs. "

Read more:

" Ant-Man and the Wasp "looks pretty much like the first film. And that's a good thing.

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