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"The scary adventures of Sabrina" is often scary, but it's rarely an adventure. The new version of Netflix on the legend of Sabrina, the teenage witch, featuring Kiernan Shipka ("Mad Men") in the role of our scary heroine, takes a bewitching start, but more than 10 episodes become more painful than ever before.
When we meet Sabrina Spellman, she carefully spends the days of her calendar, giving her the date she writes "16th Anniversary" and, just below, "Black Baptism". It's hard to be a teenager these days. Whatever the moment chosen for "Sabrina": the show has a retro aesthetic of the 50s, cars crinoline, through the modern sensibility of feminism, sexual expression and the costs associated with the servant of Satan .
Like any adolescent hero, Sabrina prefers to do things her way. "I want freedom and power," she pleads. It's a shame, that's all. It's a world of men, and shivering virgin teenagers, kneeling in their white pants, while powerful older men bloody their brow, is the way things are going.
This ritual, with a vulnerable Sabrina who was shaking with fear as he was surrounded by strange wizards, is nothing but a beautiful picture. As in many modern series, the series is often too dark to see what happens. But in the rare moments of illumination (again real), she is as rich as an oil painting, with Shipka almost as brilliant.
The constant haze and the unnatural color palette make "Sabrina" a deadly performer for the film drenched in the murder of CW in the Archie "Riverdale" comic, which is no surprise. Sabrina's character is part of the larger Archie universe and the two series share the same creator, Roberto Aguirre-Sacasa. "Riverdale" transforms Archie and the gang into "Twin Peaks" Junior, "The Chilling Adventures of Sabrina" is more like "True Blood" for teens, with a parade of supernatural entities and a personal mythology threatening to bleed the joy of narration.
Like most Netflix originals, "The Chilling Adventures of Sabrina" is a bad number of episodes. It could have been a short tense and exciting series, or a fictitious occult procedure like "Supernatural". Instead, it's not quite the other, and it burns its most interesting parts while stagnant. outside during its duller.
Sabrina triumphs bullies, monsters and misogynists, with apples filled with flies that litter her way, but the series becomes repetitive. After a while, determined women shouting Latin incantations while looking at the scowling camera begin to feel like a flow of Harry Potter. The obstacles are too familiar and clear, and no one ever really lives up to Sabrina's director.
When it buzzes, "Sabrina" is an explosion. It's a horror show, with a profusion of demons and a group threatening young witches who dress the same way and move in a hilly herd. He knows what "The Craft" knew, namely that teenage rabies is a powerful force.
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