The best things to remember from the appearance of Pusha-T on "The Joe Budden podcast"



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LAS VEGAS, NV – JUNE 16: Rapper Pusha T performs during his first residency at Drai's Beach Club – Nightclub at Cromwell Las Vegas on June 16, 2018 in Las Vegas, Nevada. (Photo by Ethan Miller / Getty Images)

Pusha-T broke his silence over his quarrel with Drake during a rare conversation on the podcast Joe Budden today. The conversation comes just days after Drake immersed himself in the beef during his appearance on LeBron James' HBO show The shop. While Pusha admits that he had decided not to do any more interviews, his appearance was rather a thorough discussion, and he said he appreciated the techniques of analysis, detection of lies, Joe Budden and co-hosts Rory and WRONG as his reasoning to choose the outlet for such a conversation. He spoke frankly about Drake, his strict code of loyalty (that is to say child, only his friends could defend him effectively in a fight could accompany him to the mall), and even writing the Arby's slogan, but with the podcast episode scoring at half past three, a recap is more than necessary. Here are the main takeaways of the cat:

  1. Pusha-T discovered Drake's son through an acquaintance of Drake's own producer, Noah "40" Shebib.

This is the great story that has been circulating since the release of this morning's podcast. Sure The shopDrake says he's confided to West about the mother of his child, unknown at the time, so it's West who gave Pusha-T the ammunition for "The Story of Adidon", the heartbreaking track revealing the existence of Drake's son to the masses. According to Pusha-T, this is not the case: 40-year-old Drake's right-hand man told a woman with whom he was involved with Drake's personal life and then shared this information, which resulted in Push . As he puts it on the podcast, "Talking about the pillow kills everyone".

Pusha-T also notes Drake's irony that he broke the rap beef rules by referring to the severity of multiple sclerosis of 40, while 40 is partly responsible for the information disclosed in the song.

  1. Drake's team promised a $ 100,000 reward for messing up Pusha-T, probably for his response to "The Story of Adidon."

Drake's team not only searched Pusha's old acquaintances for information about skeletons in her closet, in exchange for a six-figure reward and flights on a private jet, but she did with the help of a woman whom Pusha considered her "sister". . Cape, as Pusha calls him, spoke to the former Clipse DJ (the former Pusha duo with his brother No Malice), among other people with whom Pusha broke ties, but they refused. offer, even registering their phone. conversations with her, including excerpts from the podcast. (A man said that he would need enough money to "move his family" in case of reprisals against him, Pusha denies that he would have approved such a reaction.) Too bad for the rules in force in the rap.

  1. Pusha-T was "unhappy" with some of West's actions, including the MAGA hat.

Even with Pusha's loyal devotion to the founder of the music label he signed, they do not always see each other in their eyes. Example: Pusha denied West's "bromance" with Drake, so much so that when he and the Canadian rapper stayed at the Wyoming Ranch where West worked, their visits could not overlap. And after the controversial speech on Saturday Night Live Last month, he called to find out why the West could not get its message across in a way that divides less. ("The MAGA hat is Klan's new hat," says Pusha.)

While he was reluctant to share his thoughts on West's goal of turning Uganda into Jurassic Park, Pusha refuted Budden's conspiracy theory that West had met his tax problems through an agreement with President Donald Trump.

  1. There is a reason Daytona sounds better than other projects published by G.O.O.D. Music earlier this year.

West's plan to produce and publish weekly albums of G.O.O.D. Musical artists and Nas at the end of spring have resulted in mediocre projects, but it is no coincidence that Pusha-T Daytona, published May 25, was the creation of the highest quality of the group. The album was already in preparation when West set his deployment schedule, which, according to Push, would be "like a therapy"; The rhythms were exchanged for West's creations and the track list was reduced to seven songs for cohesion with the other albums, though Pusha wanted a longer album. However, the other albums were, to some extent, "super hurry".

Pusha also notes that he was present whenever West touched his music during the production process, as West "was working with energy", and Teyana Taylor's negligence in doing so (with some examples of clearance issues) is partly responsible for the reason why she was disappointed. album, K.T.S.E., which looked like what she had planned for fans on Instagram before it came out.

  1. A new Pusha-T album is in preparation.

The fans waited three years for the last Pusha-T album, but the follow-up is expected much sooner: by the end of the year, if we're lucky, but probably early next year . This is part of Pusha's plan to reconcile his old-school preferences with the priority given by the new school to the amount, but instead of increasing the number of songs that he usually produces (he rapped the rappers who publish albums of 25 titles with "fillers"), it will increase the frequency with which we see projects from him.

  1. He is responsible for Arby's slogan "We have meat".

Even with all the privileged information shared on the podcast, Pusha-T's impressive writing portfolio was the most unexpected revelation. He confirmed that, while continuing to play Clipse, he wrote with Malice what became the famous McDonald's jingle, "Ba-da-ba-ba-ba, I love it" but has sold short with a meager treat. Pusha was however rewarded for his contract with Arby: he realizes 40% discount on all advertising with the line he wrote.

  1. Pusha-T think rappers should be unionized.

To prevent rappers from making mistakes similar to the McDonald's Pusha deal, he encourages them, among other things, to come together to form a union, no matter how difficult it may be to coordinate. He cites the "Grammys Rap Coalition" (presumably the Hip-Hop Summit Action Network, created by the RIAA, which oversees the Grammys), drawing on its position and proving that it is possible.

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LAS VEGAS, NV – JUNE 16: Rapper Pusha T performs during his first residency at Drai's Beach Club – Nightclub at Cromwell Las Vegas on June 16, 2018 in Las Vegas, Nevada. (Photo by Ethan Miller / Getty Images)

Pusha-T broke his silence over his quarrel with Drake during a rare conversation on the podcast Joe Budden today. The conversation comes just days after Drake immersed himself in the beef during his appearance on LeBron James' HBO show The shop. While Pusha admits that he had decided not to do any more interviews, his appearance was rather a thorough discussion, and he said he appreciated the techniques of analysis, detection of lies, Joe Budden and co-hosts Rory and WRONG as his reasoning to choose the outlet for such a conversation. He spoke frankly about Drake, his strict code of loyalty (that is to say child, only his friends could defend him effectively in a fight could accompany him to the mall), and even writing the Arby's slogan, but with the podcast episode scoring at half past three, a recap is more than necessary. Here are the main takeaways of the cat:

  1. Pusha-T discovered Drake's son through an acquaintance of Drake's own producer, Noah "40" Shebib.

This is the great story that has been circulating since the release of this morning's podcast. Sure The shopDrake says he's confided to West about the mother of his child, unknown at the time, so it's West who gave Pusha-T the ammunition for "The Story of Adidon", the heartbreaking track revealing the existence of Drake's son to the masses. According to Pusha-T, this is not the case: 40-year-old Drake's right-hand man told a woman with whom he was involved with Drake's personal life and then shared this information, which resulted in Push . As he puts it on the podcast, "Talking about the pillow kills everyone".

Pusha-T also notes Drake's irony that he broke the rap beef rules by referring to the severity of multiple sclerosis of 40, while 40 is partly responsible for the information disclosed in the song.

  1. Drake's team promised a $ 100,000 reward for messing up Pusha-T, probably for his response to "The Story of Adidon."

Drake's team not only searched Pusha's old acquaintances for information about skeletons in her closet, in exchange for a six-figure reward and flights on a private jet, but she did with the help of a woman whom Pusha considered her "sister". . Cape, as Pusha calls him, spoke to the former Clipse DJ (the former Pusha duo with his brother No Malice), among other people with whom Pusha broke ties, but they refused. offer, even registering their phone. conversations with her, including excerpts from the podcast. (A man said that he would need enough money to "move his family" in case of reprisals against him, Pusha denies that he would have approved such a reaction.) Too bad for the rules in force in the rap.

  1. Pusha-T was "unhappy" with some of West's actions, including the MAGA hat.

Even with Pusha's loyal devotion to the founder of the music label he signed, they do not always see each other in their eyes. Example: Pusha denied West's "bromance" with Drake, so much so that when he and the Canadian rapper stayed at the Wyoming Ranch where West worked, their visits could not overlap. And after the controversial speech on Saturday Night Live Last month, he called to find out why the West could not get its message across in a way that divides less. ("The MAGA hat is Klan's new hat," says Pusha.)

While he was reluctant to share his thoughts on West's goal of turning Uganda into Jurassic Park, Pusha refuted Budden's conspiracy theory that West had met his tax problems through an agreement with President Donald Trump.

  1. There is a reason Daytona sounds better than other projects published by G.O.O.D. Music earlier this year.

West's plan to produce and publish weekly albums of G.O.O.D. Musical artists and Nas at the end of spring have resulted in mediocre projects, but it is no coincidence that Pusha-T Daytona, published May 25, was the creation of the highest quality of the group. The album was already in preparation when West set his deployment schedule, which, according to Push, would be "like a therapy"; The rhythms were exchanged for West's creations and the track list was reduced to seven songs for cohesion with the other albums, though Pusha wanted a longer album. However, the other albums were, to some extent, "super hurry".

Pusha also notes that he was present whenever West touched his music during the production process, as West "was working with energy", and Teyana Taylor's negligence in doing so (with some examples of clearance issues) is partly responsible for the reason why she was disappointed. album, K.T.S.E., which looked like what she had planned for fans on Instagram before it came out.

  1. A new Pusha-T album is in preparation.

The fans waited three years for the last Pusha-T album, but the follow-up is expected much sooner: by the end of the year, if we're lucky, but probably early next year . This is part of Pusha's plan to reconcile his old-school preferences with the priority given by the new school to the amount, but instead of increasing the number of songs that he usually produces (he rapped the rappers who publish albums of 25 titles with "fillers"), it will increase the frequency with which we see projects from him.

  1. He is responsible for Arby's slogan "We have meat".

Even with all the privileged information shared on the podcast, Pusha-T's impressive writing portfolio was the most unexpected revelation. He confirmed that, while continuing to play Clipse, he wrote with Malice what became the famous McDonald's jingle, "Ba-da-ba-ba-ba, I love it" but has sold short with a meager treat. Pusha was however rewarded for his contract with Arby: he realizes 40% discount on all advertising with the line he wrote.

  1. Pusha-T think rappers should be unionized.

To prevent rappers from making mistakes similar to the McDonald's Pusha deal, he encourages them, among other things, to come together to form a union, no matter how difficult it may be to coordinate. He cites the "Grammys Rap Coalition" (presumably the Hip-Hop Summit Action Network, created by the RIAA, which oversees the Grammys), drawing on its position and proving that it is possible.

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