The boss shamelessly at the exit of Cameron Monaghan, the latest episodes of Emmy Rossum



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A week after saying goodbye to a beloved character, Shameless said goodbye to season 9 – for now.

Sunday's "Down Like the Titanic" marked the final of Showtime's hit series, which was scheduled to return for seven more episodes on January 20th. And it was a busy hour: Fiona returned to Gallagher House after her personal and professional life collapsed; Lip may be in a new relationship; Frank is in on it with Ingrid; Debbie is the best little sister of all time. Kev and V adopt; and Carl studies pretty wildly! (For a full summary, go to EW's Shameless shameless classifications.)

In order to get a scoop, EW called Shameless Boss John Wells inquires about Cameron Monaghan's departure, Emmy Rossum's imminent exit, and what to expect for the remainder of season 9.

Isabella Vosmikova / SHOWTIME

WEEKLY ENTERTAINMENT: Before approaching the finale, I would like to talk about the previous episode, which was performed so marvelously. How long did you know Cameron was leaving? And did you build Ian Jesus Gay Jesus knowing that this is where it would lead?
JOHN WELLS: It was very well written and done, so we were lucky to have it. And it's always fun to do that. We built the story of Gay Jesus without knowing that Cameron might want to leave, but she got involved when he decided to take time at school. I became aware when we started planning this season its intention to do other things. We still hope that he will continue to do more as we progress, but he is trying to decide what he wants to do next. When you've been on a show for nine years and started at the age of 15, I think there's a natural desire to leave your family; you grow up with your family and you wonder what the rest of the world looks like. But I certainly hope he will want to keep playing.

I know that all the fans, including myself, were delighted with the final revelation of Mickey (Noel Fisher) and Ian as cellmates. From the moment Cameron said that he was leaving, did you know that you had to try to get Christmas? As in your mind, has Mickey always been Ian's final phase?
Yes, absolutely. We are also big fans of this Mickey and Ian story that the fan base is. We do it as much for us as for the fans of the series because they have been great together. It was trying to get into the Christmas program. We love Christmas, it has been a pleasure to work with him, he is such a good character and a pleasure to write and we knew that people who appreciate the series would certainly react to his return. It was great to come back and make a day for us. Once again, after presenting many of these sets with beautiful casts, you'll be throwing talents, and then they'll have all these great opportunities. So it's a regular challenge, but he was happy to do it.

The last time we spoke, I told you about Emmy's imminent exit and you explained that you had disappeared without any characters you thought you would never lose before, like when you were ER and George Clooney is gone. Now that two Gallaghers are about to leave, how about fans who think maybe it's better to finish the show?
The story I always tell is that in the original Shameless for British television, all these characters disappeared during the first four years. Fiona left quickly, then Lip left soon after. We hope that the public cares enough about the characters they want to keep watching, but also in the basic story telling you stories about families and people who leave and then come back. And I think you need a certain amount of that to maintain the basic narrative integrity or else it starts to feel false that everyone is still living side by side and completely involved in each other's life. So it's both a bit scary and I think it reinforces the reality of how we live in families now, certainly in the United States, where people come and go, they try to "get out of the way". other things and come back, and that's what we try to reproduce in the narrative. The actors miss you, like the actors, wish that Emmy do it forever, certainly that Cameron is here for a long time, and at the same time, whenever someone decides to leave, it opens up all kinds of Other possibilities of storytelling. So it's a balance. It's a delicate thing. you do not want anyone left, but it starts to feel wrong if some actors do not choose to leave.[[[[Laughs]You do not want to lose friends, but sometimes it can be challenging for the series and the story you are trying to write.

The last two episodes have seen Fiona's life collapse, personally and professionally. You have spent the last few years rebuilding it, and then you have just revived it. What attracted you in this direction? And was the trajectory of that one affected by Emmy's decision to leave?
No no. Emmy was really anxious about what she wanted to do and so we were well acquainted with this whole story before she made the final decision to leave. So, no, the idea has always been that it was very difficult to get out of your social economy class in this country, even though we like to say that everyone can fend for themselves, it's a lot harder than that. And we felt that there was a certain amount of pride with the character and that Fiona was starting to fly a little too close to the sun and so we wanted to show how people get knocked over. We are very excited in the second half of the season to explore this before Fiona actually leaves the show.

So what should we expect for Fiona in Emmy's swan song?
I do not know, how would you feel when you were 28 years old to go back to live in your family's house?[[[[Laughs]I think you can imagine she's going to have real problems with what happened to her, anger and frustration. With all the things we do satire, humor and scandal, we try to show how the family comes together, because no matter how imperfect we are, the family can be an important part of what allows you to go through life. You can somehow anticipate this in the future.

Passing past Fiona, what can you tease for the second half of the season? You have many scenarios in place, including the adoption of Kev and V, new relationships for Lip and Frank.
Lip really tries to determine whether or not he has a new relationship and what happens when you have a relationship with someone who is not as badly damaged as everyone else you have had relationships with. Does he love someone who is more than an adult? He grows up and tries to make decisions about what he wants from his life. We really have fun with Debbie and Carl, their impending adult lives and we watch them grow. This is one of the great joys of the show we presented at Ethan [Cutkosky] and Emma [Kenney] as children and now they are young adults and observe them and what they and their characters are experiencing. And then, Frank will always have to make the wrong decision with everything presented to him.

This season has two more episodes than any previous year and is the first to be split in two. So, what motivated this decision and how did it affect the scenario of the season?
We did not know when we started writing or charting the season that Showtime was actually going to separate the year. You will notice that we are progressing almost only a few weeks after the end of episode 7, so we approached it as a season. I can say that we are all sort of geared towards 12 episodes here, which is pretty hilarious since I was doing 22 episodes all the time for the television broadcast on the broadcasting network. So we went back to episode 10 and realized that we had four more. go and we all looked as if someone had added eight more miles to a marathon. I ended up writing the last two episodes for that reason, everyone was a little gassed. For the future, I think we will make 12 and I guess they have been broadcast in a row.

A very random question: will we ever know what happened to Kassidi? Or does it look like your Russian in the pine forest? I often think, "Wait, is Carl wondering if his wife is dead?"
[[[[Laughs]We have not solved this question yet. It could actually wander somewhere in the pine forest; we have not decided.

Shameless returns to Showtime on January 20th at 9pm ET. Read our full recap of Sunday's episode here.

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