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Amazon The man at the castle high finally embarks on alternative realities.
After two seasons spent looking at other timelines through Tagomi (Cary-Hiroyuki Tagawa), the alt-history drama – in which the Allies lost World War II – is ready to unveil some of the world's most important events. other worlds.
"We are going further in the science fiction space than in previous seasons," executive producer Isa Dick Hackett promises, adding that this season fits the chapters of Philip K.'s novel's planned but never-finished sequel. Dick & # 39; s source material. "There is a great plan at work." This plan includes a merchant on the black market named Wyatt (Jason O'Mara), a new man from Juliana's life (Alexa Davalos). "He is inspired by Juliana," says fellow EP Daniel Percival. "They are developing a very meaningful partnership."
After all, in a fascist reality, the more allies there are, the better. Below, the EPs are immersed in the expectations of season 3.
Liane Hentscher / Amazon Studios
ENTERTAINMENT WEEKLY: How did you understand what you wanted to talk about in season 3?
DAN PERCIVAL: Some chapters of follow-up [Dick] written to Man in the high castle, which have never been published, have inspired us. We saw these chapters a long time ago and we thought, "Is there a way to use them?" [In them]The Nazis are looking for a mechanical way to break alternative realities, and he wrote these chapters around this idea and their failures to make it happen.
It looks like there will be more elements of science fiction in this season. What were the biggest challenges? Is it difficult to follow the multiple realities you create?
PERCIVAL: It's much easier if you have a story that revolves around essentially a family or a person, so something like this, where the stories work on many levels – you have the landscape of the alternative alternative story itself, which is almost a character apart. , and some characters who are not necessarily related to each other and direct their own stories – bringing all this into a clear and coherent singular arc is one of our greatest challenges. There are many white boards, many models, many complicated context link ideas, but very often we find, and we have certainly seen in the past, that even the filtering process filters this thinking.
ISA DICK HACKETT: Yes and there East a great plan at work. We have the defined framework, so we just work in that framework. In reality, it can be a little less complicated on our part than for you, spectator.
Liane Hentscher / Amazon Studios
Juliana met another reality, Trudy, at the end of last season. What will be their dynamics?
PERCIVAL: It's a very interesting question, because it's his sister, and that's do not his sister.… [Juliana is getting] more and more wise, and gaining a deeper understanding of the reality of its alternate world, but also of the meaning of its purpose. You know, I had just listened to a radio show about the philosophy of free will: do we really have free will? Or is our model in life predestined and preordained? And I think it's something that obsesses us all. I do not want to leave the subject, but it's my way of describing his relationship with Trudy. This is not the relationship she has had: she is a new person, new versions of each other.
What about John Smith? He also ended the season facing a new reality – not that of science fiction, but his world view seems to have changed after his son's abandonment.
PERCIVAL: It is at this stage that what John seeks to serve, as opposed to disinterested, is a very interesting question that we constantly ask ourselves as creators. Is he an ambitious and motivated Nazi, or is it someone who is just trying to make his way through an impossible world? Does he make absolutely unforgivable moral choices or make choices that one of us would want, given the circumstances? These are really uncomfortable questions. We do not know. What we know is quite possible to be a good father, a loving husband and a Nazi.
Jason O'Mara joins this season as Wyatt. What can you tell us about his character?
PERCIVAL: When we meet him for the first time, he's a wheel merchant, a black market salesman who's very interested in armor, and then he disappears for a moment, but he becomes that incredibly important new character of the series inspired by Juliana.
I have to ask: How did the fact that neo-Nazis and white supremacists still make headlines today affected the writing of the series? Do you think about the uncomfortable relevance of the series?
HACKETT: One has the impression that the world looks more and more like the series, which is terrifying. But in reality, I do not think we play the things we see. We are simply aware of wanting to continue doing our work. Maybe there are things we would like to emphasize a little more, probably bits and pieces, like diving in the resistance this season, which are based on what we have seen, but I do not have the impression that events are taking shape [stories].
PERCIVAL: The concept of this program goes back, of course, to Philip K. Dick's original novel in 1962. Isa spent a decade trying to get this show done before we even started working on it. So I think our audience can interpret what they see through the prism. of their life right now. One of the most important things for all of us at this show is that over the generations, as we move away from the events of the '30s and' 40s, we need to remind the new generation that 39 is fascism – what does it mean and how does it happen.
The man at the castle high returns on Friday, October 5th on Amazon.
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