NEW YORK – There were princess looks and pretty pink stars, liquid metallics and a contingent in red for the big TV night at the Emmy Awards.

Claire Foy in custom Calvin Klein by appointment, Jessica Biel in the chic Ralph & Russo and Scarlett Johansson in Balmain represented in white on Monday, just like RuPaul in a jacket adorned with Andy Warhol's drawings of Statues of Liberty black on one side.

The yellow came in a variety of shades, from neon (Regina King) to mustard (Gaten Matarazzo, age 16) to gold (Gwendoline Christie) to the lightest Easter hue, worn by a few .

And then there was Tracee Ellis Ross. Love it or despise it in the voluminous Valentino Haute Couture with puff sleeves that set a world record.

"I almost shed a tear when she hit the carpet," said Julee Wilson, fashion and beauty director for Essence magazine, of the "black-ish" star. "She cements her status icon style whenever she dresses up .. But again, she was born to Diana Ross, so that makes sense."

After the fashion show on the Emys carpet in Los Angeles, the other best-dressed votes for Ellis Ross took place.

"If you're thinking of making this carpet yours, it makes sense to do whatever it takes to make the volume of Valentino Haute Couture," said April Graham, fashion and beauty editor at Harper & # 39. Bazaar. "Absolutely perfect."

It was bright pink. His puffy sleeves fell off the shoulder. There was volume to spare up to the ground.

Sarah Conly, fashion market director for the magazines Cosmopolitan and Seventeen, also voted "yes" for Ellis Ross, but she also enjoyed the Old Hollywood glamor of the night. In particular, the asymmetrical red shadow of Rachel Brosnahan by Oscar de la Renta, with a delicate drape effect and a matching red lip on the star of "Marvelous Mrs. Maisel "and winner of her first Emmy. His ears were adorned with diamonds courtesy of Tiffany & Co.

Also on the amazing list of Conly: Zazie Beetz of "Atlanta". There is no way to exaggerate the big jewels of your blue that adorn armor-like pieces that fall on each shoulder of the neck-neck of her Ralph Lauren velvet dress.

"The details on the cuts on the shoulders were exquisite," said Conly.

Erin Cunningham, senior fashion editor for the Refinery29 site, focused on the millennium, praised Ellis Ross for never holding back, but actress Poppy Delevingne in Seafoam, Giambattista Valli cup seam. It included an oversized silhouette that started just above the knee.

"The color is unexpected and rare on the red carpet, and she overcame the look with a pretty ribbon bow in her hair," Cunningham said.

Delevingne also sported $ 200,000 worth of citrine earrings and Amwaj diamonds, plus a ring.

Cunningham noted that the rose experienced a rebirth in less saccharine hues than usual, including Ellis Ross.

"There was Tracee's magenta dress, Leslie Jones's holographic Christian Siriano suit (in pink and blue) and Thandie Newton's single-breasted pink dress," she said, referring to Brandon Maxwell. cape effect of one side.

Model Gigi Hadid took a look at the recent New York Maxwell Fashion Week parade.

"The red carpets are always filled with your classic black and black dresses," said Cunningham, "and it's nice to see stylists pushing their customers a bit more in color and silhouette."

Conly was also a fan of Newton's dress.

"She embodies the dream princess look so popular," she said.

So where are these people? Well, while others tore their outfits on tracks or wore tailored dresses, Meghan Mullally bought her black transparent Carolina Herrera look with floral details online. Kristen Bell wore a classic white column gown from an unexpected brand, Solace London.

While base black is still abundant, Wilson had some kind words for Keri Russell of "The Americans", for raising the color in the Zuhair Murad couture. It was black pearl crepe with a ruffle feather ruffle on a black pleated chiffon skirt.

Wilson's verdict for Russell: "Feathers, legs and cleavage, oh my God!"

Wilson was also a fan of Vera Wang's pale blue look of Issa Rae, with 3,000 crystals on top that fell to the ground with a slit revealing what appeared to be loose pants. The silk V-neck was actually a combination with a split skirt, crystals sewn by hand.

"There is nothing more awkward than a hybrid dress of skirt and pants, but it gets away with so much grace and ease," Wilson said.

Penelope Cruz was in the white camp with a touch of light gray, in Chanel's pen, landing on lists of highlights. Tiffany Haddish was a breath of fresh air and a rainbow at a time, in bright stripes of green, red, yellow and blue, representing the Eritrean flag in her father's honor, and courtesy of Prabal Gurung.

Sandra Oh wore the crimson red Ralph & Russo, though she failed to make Emmy 's story when she did not win from Emmy.

Offsetting all the yellow, red, white, metallic (hello, Samira Wiley in Jenny Packham), Dakota Fanning made sublime appearances in Dior Haute Couture. It was in a jade shade, made of a pleated muslin pleated with a crossed brow, tiny straps and a knotted back.

As for the guys, Milo Ventimiglia was wearing a white evening jacket, but John Legend opted for a navy blue tuxedo with black Gucci lapels.

"I love it when a guy walks away from the traditional black tuxedo and nails it with something unexpected," she said of Legend's look.

The shining sheath dress of his wife draped with silk tulle? Not really. It was entirely decorated with antique silver geometric motifs by Zuhair Murad.

"Chrissy is gorgeous, smart and sassy, ​​but this dress is exactly the opposite," Wilson said. "This bodice, this neckline makes it seem stamping."

Brian Tyree Henry, of Atlanta, opted for a yellow and black printed jacket. Tracy Morgan opted for the stripes, head to toe, shoes on her shoes. Darren Criss stands out for his John Hardy look in a black diamond print with silver zigzags. Peter Mackenzie is presented in a kilt.

But back to Ellis Ross and his big statement in the big color of the night.

"She really worked the volume of the dress on the red carpet," Conly said, "and she owned it rather than owning it."