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NEW YORK – There were princess looks and pretty pink stars, liquid steelwork and a red contingent for the big Emmy Awards night.
Claire Foy in custom Calvin Klein by appointment, Jessica Biel in the chic Ralph & Russo and Scarlett Johansson in Balmain represented in white on Monday, just like RuPaul in a jacket adorned with Andy Warhol's drawings of Statues of Liberty black on one side.
The yellow came in a variety of shades, from neon (Regina King) to mustard (Gaten Matarazzo, age 16) to gold (Gwendoline Christie) to the lightest Easter hue, worn by a few .
And then there was Tracee Ellis Ross. Love it or despise it in the voluminous Valentino Haute Couture with an inflated top that has surely set a world record.
"I almost lost a tear when she touched the carpet," said Julee Wilson, fashion and beauty director for Essence magazine, the star of "black-ish." "She cements her style icon status whenever she dresses up. But again, she was born from Diana Ross, so that makes sense.
After the fashion show on the Emys carpet in Los Angeles, the other best-dressed votes for Ellis Ross took place.
"If you're thinking of making your own rug, it makes sense to do all you need to do the volume for Valentino Haute Couture," said April Graham, editor-in-chief, fashion and beauty at Harper's Bazaar. "Absolutely perfect."
It was bright pink. There was volume to spare up to the ground.
Sarah Conly, fashion market director for the magazines Cosmopolitan and Seventeen, also voted "yes" for Ellis Ross, but she also enjoyed the Old Hollywood glamor of the night. In particular, Oscar de la Renta's asymmetrical red shadow Rachel Brosnahan, with a delicate draped effect and a matching red lip on the star "Wonderful Mrs. Maisel" and winner of her first Emmy. His ears were adorned with diamonds courtesy of Tiffany & Co.
Still on the breathtaking list of Conly: Zazie Beetz of Atlanta.
"The details on the cuts on the shoulders were exquisite," said Conly.
Erin Cunningham, senior fashion editor for the Refinery29 site, focused on the millennium, praised Ellis Ross for never holding back, but actress Poppy Delevingne in Seafoam, Giambattista Valli cup seam. It included an oversized silhouette that started just above the knee.
"The color is unexpected and a rarity on the red carpet, and she overcame the look with a cute ribbon bow in her hair," Cunningham said.
Delevingne also sported $ 200,000 worth of citrine earrings and Amwaj diamonds, plus a ring.
Cunningham noted that the rose experienced a rebirth in less saccharine hues than usual, including Ellis Ross.
"There was Tracee's magenta dress, Leslie Jones's holographic Christian Siriano (pink and blue) suit and Thangie Newton's one-sleeve pink dress," she said. cape effect of one side.
Giant dummy Gigi Hadid took a look at the recent New York Maxwell fashion week parade.
"The red carpets are always filled with your classic black and black dresses," said Cunningham, "and it's nice to see stylists pushing their customers a bit more in color and silhouette."
Conly was also a fan of Newton's dress.
"She embodies the dream princess look that was so popular," she said.
So where are these people? Well, while others tore their outfits on tracks or wore tailored dresses, Meghan Mullally bought her black transparent Carolina Herrera look with floral details online. Kristen Bell wore a classic white column gown from an unexpected brand, Solace London.
While base black is still abundant, Wilson has had some kind words for Keri Russell of "The Americans", for raising the color in the Zuhair Murad seam. It was black pearl crepe with a ruffle feather ruffle on a black pleated chiffon skirt.
Wilson's verdict for Russell: "Feathers, legs and cleavage, oh my God!"
Wilson was also a fan of Issa Rae's pale blue look, Vera Wang, with 3,000 crystals on the top that fell to the ground with a slot revealing matching pants. The silk V-neck was actually a combination with a split skirt, crystals sewn by hand.
"There is nothing more awkward than a hybrid dress of skirt and pants, but it pulls out with so much grace and ease," Wilson said.
Penelope Cruz was in the white camp with a touch of light gray, in Chanel's pen, landing on lists of highlights. Tiffany Haddish was a breath of fresh air and a rainbow at a time, in bright stripes of green, red, yellow and blue, representing the Eritrean flag in her father's honor, and courtesy of Prabal Gurung.
Sandra Oh wore the Ralph & Russo cramson, although she did not manage to make history when she did not win from Emmy.
Offsetting all the yellow, red, white, metallic (hello, Samira Wiley in Jenny Packham), Dakota Fanning made sublime appearances in Dior Haute Couture. It was in a jade shade, made of a pleated muslin pleated with a crossed brow, tiny straps and a knotted back.
As for the guys, Milo Ventimiglia was wearing a white evening jacket, but John Legend opted for a navy blue tuxedo with black Gucci lapels.
"I love it when a guy walks away from the traditional black tuxedo and nails it with something unexpected," she said of Legend's look.
The shining sheath dress of his wife draped with silk tulle? Not really. It was entirely decorated with antique silver geometric motifs by Zuhair Murad.
"Chrissy is gorgeous, smart and sassy, but this dress is the exact opposite," Wilson said. "This bodice, his cleavage gives him the matronized air."
Brian Tyree Henry, of Atlanta, opted for a yellow and black printed jacket. Tracy Morgan opted for the stripes, head to toe, shoes on her shoes. Darren Criss stands out for his John Hardy look in a black diamond print with silver zigzags. Peter Mackenzie is presented in a kilt.
But back to Ellis Ross and his big statement in the big color of the night.
"She really worked the volume of the dress on the red carpet," said Conly, "and she owned rather than owning it."
Copyright 2018 The Associated Press. All rights reserved. This material may not be published, disseminated, rewritten or redistributed.
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