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"I'm sorry for Venom," said a character in the new superhero movie, Venom. It's a line howler, but you know what? I'm not sorry by surprise Venomwho is just stupid enough to be fun without being a waste of time. Directed with a happy smile by Ruben Fleischer, The movie takes horror of the alien body and the infects it with an original story of superheroes – it's basically the beginnings of Spider-Man, but with some kind of grotesque puberty for an adult instead of the changes of the Peter Parker's teens. Venom, or the man who becomes it, has a ravenous hunger, strange new impulses and becomes really embarrassing for the woman that he loves. It also bites people's heads, in the most literal sense of the word.
What happened to investigative TV journalist Eddie Brock, who found himself out of work, is that he came into contact with an extraterrestrial life called Symbiote. Extracted from a comet by a mad and deadly scientist, Symbiote is a mass of gooey, elastic matter that needs a terrestrial host to survive – and, yes, for prosper. Enter Eddie, in a sort of redemptive inquiry mission, and the two become fast enemies, sharing a body and a consciousness and eventually a sense of purpose.
Venom is a Marvel creation, appearing at first as a simple alternative costume for Spider-Man, but evolving gradually towards its own snarky, iconoclastic anti-hero, around the time these characters became de rigueur in comics. He's only a little older than Deadpool, but unlike this annoying thief, Venom has a bit of old-fashioned camp. He is dramatic and dramatic, while his connections with Eddie move beyond the works of Oscar and Felix, almost in a place of romance. I like the theatrical flair that Venom brings to the table. It's honest.
The man and the host are played by Tom Hardy, an actor who could be a true chameleon. This would be as meaningful as any other explanation at this stage. Hardy is a strange and constantly changing talent. The pin, it's like trying. . . Well, it's like trying to catch a big slobbery maniac who can rearrange himself to fit any tricky situation. Which is to say that Hardy is the ideal type for this role and it comes in the form of a living performance, sweaty and matched to a human combination. His accent is everywhere and you sometimes fear for his physical well-being. I suppose that traces; he has an extraterrestrial entity that wriggles in him after all. The character, I mean. Hardy, the actor has no brain of another world. At least I do not think so.
Trying to follow all that is Michelle Williams as alarmed the ex-fiancé Anne and Eddie Rice Ahmed like Carlton Drake, a Bay Area industrialist determined to save humanity even though he must kill everyone to do it. Williams actually plays fun stuff, rare for her kind of character in this kind of movie, and she engages with talent. I wish that Ahmed leans a little more in the megalomaniac E — n M – k of all that, but he continues to hit wacky notes satisfactorily.
If only he and Hardy had a little more time on the screen together – because it's a shame to watch every other actor trying to figure out what to do with Hardy as he struggles, especially in a crazy scene in a fancy restaurant. Williams and the reliable game Reid Scott The horror stunned, while Hardy cries, growls on food, eyes bulging, speaks at full speed. Fleischer films the violent transformations of Eddie / Venom with a swirling verve, the camera taking the form of Hardy who wrestles with his inner demon clown.
Or Venom loses its energy is, as one might expect, in the large sequences of action required, cluttered and incoherent and mined. When the creature of a movie is capable of infinite permutations and improvements – Venom can turn its limbs into knives, axes, hammers, and all other types of death instruments – the creature tends to drown in all these unstoppable possibilities. Hardy also miss us when he disappeared into the fire. No infographic, as elegant as it may be, can compete with a hard-working human actor.
For several strange stretches, however, Venom It's a good time full of excitement. The movie does not seem to matter if you make fun of him or anything. As long as you're engaged, keep rolling while you serve the fans while making a happy hash out of so many serious franchise movies about very stupid things. Venom is, fortunately, not as self-referential as dead Pool; This offbeat comedy is seriously winning, as if Fleischer and his team were showing Hardy's daring itch at the beginning of the production and inspiring them with deep, but suspicious, respect. True faith can not help but be sincere, and so VenomDespite all his winks, he seems sincerely impressed by his monster.
As it should be! The film does not need the sequence it so nakedly organizes in a post-credit sequence, because I suspect that the fun clash of Hardy's performance will not be as effective a second time. But as a punctual, lovable but lovable film, watched by a friendly audience, Venom did an unexpected job successfully. Would you like more of these movies to be possessed of such a spirit of freedom? Some studio executives may have to send a range of filmmakers into space, looking for other comets brimming with the pleasing charm of new and exuberant life.
Evangeline Lilly like the wasp hanging in the air on the plateau V.F.The cover session of Marvel.
Photograph of Chuck Zlotnick.
Robert Downey Jr. and Kevin Feige on the set of V.F.The cover session of Marvel.
Photograph of Chuck Zlotnick.
Angela Bassett like Ramonda on the set of V.F.The cover session of Marvel.
Photograph of Chuck Zlotnick.
Tom Holland like Spider-Man on the set of V.F.The cover session of Marvel.
Photograph of Chuck Zlotnick.
Letitia Wright like Shuri and Karen Gillan like nebula on the set of V.F.The cover session of Marvel.
Photograph of Chuck Zlotnick.
Tom Holland as Spider-Man on the set of V.F.The cover session of Marvel.
Photograph of Chuck Zlotnick.
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