Watch the story splash: photographer Duluth remembers the brush with a landing on the moon



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The capsule of the historic lunar landing, Apollo 11, is in the background with its shield of beaten but shiny gold leaf.

"The test I always have is," Find me, "Shaw said.

The 49-year-old passage made it difficult, but he was there – second row, third from right, with the slightest smile.

When asked how the USS Hornet aircraft carrier was in the South Pacific when it received the astronauts in the summer of 1969, the Denfeld graduate recalled working days from 12 to 12 days, seven days a week. . Many of them have been devoted to the development of black and white films in a print laboratory.

"You were just too busy to absorb it," he said. "You are so focused on accomplishing your tasks – you could lose your title if you did not do it."

The 50 years of man's first steps on the moon will take place in 10 months and Hollywood will commemorate this achievement in a film titled "First Man" in October.

"I characterize it as a culmination in human ingenuity and human aspirations," said Nancy Atkinson, a science journalist and author who lives outside of St. Cloud. "It was an answer to Russia being the first (to put) in orbit a satellite and (then) a human being that captured a sense of national pride."

Atkinson is working on a book entitled "Eight Years on the Moon", which describes the technical challenges faced between the time elapsed since President John F. Kennedy's declaration to visit the moon and the event itself.

"It's happening behind the scenes," she said. "We've heard the astronauts and the flight controllers, and I'm talking to the engineers who actually designed things and turned the keys."

It took 400,000 people across the country and around the world to make Apollo 11, she said.

And a fraction of that number to chronicle.

Shaw was sequestered in a hangar under the Hornet Bridge when Apollo 11 crashed more than one kilometer off Johnston Atoll, some 500 miles southwest of Hawaii.

"We have been isolated with closed anti-explosion doors," Shaw said, describing how his first glimpse of the mission was a descending elevator that was holding back the helicopter that had recovered the astronauts.

President Richard Nixon greeted the three astronauts – Neil Armstrong, Edwin "Buzz" Aldrin and Michael Collins – who were wearing biological insulation clothing and were going to start a quarantine of 21 days in a special Airstream camper unit in because of the prospect of contamination by what was going to be known as lunar or lunar bugs.

Atkinson explained that the concept of biological contamination by his astronauts had been detected late. Nobody at NASA seemed to think it was a credible threat, given the lack of atmosphere and the radiation bombardment of the moon. But all eventualities were planned and quarantine became a real thing.

"They have been very attentive to the media and to the public interest," said Atkinson. "People were curious if those first people going to the moon would get sick."

Shaw set up a camera in the hangar while the scenes with the astronauts and Nixon took place. He put the film in cans and does not know what happened to his work.

Shaw was a versatile shooter. He began with photography when Denfeld's directory advisor called for volunteers while he was sitting in biology class. He raised his hand and soon after, he was holding a Kodak Instamatic.

After getting enlisted in the Navy after graduating, he bristled at the idea of ​​becoming an aviation electrician.

"I'm mechanically incapable," said Shaw. "I was not interested in being an AE."

He was sent to the United States as a cook for a few months before his divisional officer hired him for a photography school. He went to Pensacola, Florida, for 18 weeks of photography training. Every two weeks he was tested.

"You had to be equal to or better than your previous test result or you were eliminated," he said. "We started with 60 photographers and finished with 31."

Subsequently, he placed his orders at Navy Fleet Intelligence Center Pacific. He was going to support the war effort in Vietnam.

"You were very busy," he says. "I did not see the United States from July 67 to January 1970 when I went out."

Long before Apollo 11, and for 18 months in a row, along with other photographers, he worked on bombing targets. Photographers in the sky would shoot countless movies, while Shaw and others would develop and print images on a Subic Bay base in the Philippines. The images would be put together for smart photo readers to view. Each camera contained 500 to 750 feet of film.

"When the Tet Offensive came on," said Shaw, "we have achieved nearly a million kilometers of film in three weeks. ;training".

When he boarded the Hornet in January 1969, Shaw joined an aircraft carrier with 3,500 sailors. In the year, he will participate three months later in operations Apollo 11 and Apollo 12.

"We were the main recovery vehicle," he said. "They had alternate locations, according to … say they had to leave the moon early, they would not want to (land) on the land we were in. But we were in the middle of nowhere. Look nowhere on the map, and Johnston Island would be right next door. "

When he returned home, Shaw had a 30-year career as an official Duluth Public School photographer. He retired in 1999 – the year when the media service was removed.

Focusing on his own photos of Apollo 11 and 12, he highlighted a ceremony featuring Admiral Jack McCain, father of the recently deceased Senator John McCain. There was a moody picture of one of the Apollo capsules in the distance framed by bay doors that would make a beautiful wall-holder.

Speaking, Shaw's voice filled the service and the country with pride.

While he was studying an image taken by a former colleague, Shaw said: "What's amazing with the Saturn V rocket, is that it had 36 floors and that all that come back is this little triangle at the top. "

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