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Even though these supporting roles have garnered her praise and critical accolades, Kirby was in no rush to find her first lead role on screen, she said. She has played many complex characters on stage: women like Rosalind, the fiercely intelligent heroine of Shakespeare’s “As You Like It”. She was waiting for a lead onscreen role in which she could feel some of Rosalind’s “magic”, she said, which made the performance “like flying when you get on stage.”
“I never could find these roles at all on screen,” she says. So she waited, using her smaller rooms as opportunities to observe and learn, asking Anthony Hopkins about her trade when they worked together on the British TV drama “The Dresser”, and watching how Rachel McAdams was. generous for the movie “About Time,” she said.
It is normal, given Kirby’s theatrical experience, that “Pieces of a Woman” began life as a play, written by Kata Weber, Mundruczo’s partner, who drew on her own experience. of the couple losing a child. The play “Pieces of a Woman”, which is set in Poland, consists of just two scenes: the birth and an explosive dinner with Martha’s family which takes place roughly halfway through the film adaptation. Its 2018 premiere, conducted by Mundruczo at the TR Warszawa theater in Warsaw, was a success and the production is still in the company’s repertoire.
By the time Mundruczo turned 40, five years ago, he started wanting a wider audience for his work, he said, so he quit working in German, Hungarian and Polish; “Pieces of a Woman” is her first film in English. In adapting the piece for the big screen, Mundruczo set it up in Boston, he said, because he felt the city’s Irish Catholic culture reflected Poland’s conservative social landscape.
Pregnancy loss is rarely featured in on-screen entertainment. Mundruczo said he hopes watching Martha’s experiences will encourage “people to be brave enough to have their own response when they lose,” he said.
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