The devil's legacy, the terror of being fearless without fear



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Everything is in the environment, in this feeling of total immersion that extracts the spirit of any distraction, which expels the world of reality and that makes only the screen is important. It is there when the cold running along the spine is more icy; when fear becomes more authentic. When the senses are more awake, alert to any eventuality that is perceived in the air or in the plane. The contemporary horror film, the one that has most excited the critics of the world in recent years, has realized that creating environments full of fear and tension is a port that must be targeted. This creates an atmosphere that, through history, introduces the viewer into a hypnotic tube where discomfort and discomfort prevail, is the key to success. Of course, this is not a new concept. William Friedkin and The Exorcist scared the world in 1973 using resources that created an unbearable environment. However, if we review recent titles of the genre, the question of "scare the whole" seems to be the norm: Leave the Good in The Witch, Follows you , The Babadook, Do not breathe they all do it. Of course, to get it right, it is necessary to know how to manage this environment. Knowing how to make a little breeze generates a bad thorn in the viewer. And The Devil's Legacy the latest addition to this list of titles, does it very well

entitled in English as Hereditary – a much more consistent name with its plot, as usual with translations, this film is Ari Aster's first film and it is distributed under the seal of A24, one of the most interesting independent studios of the moment. The Devil's Legacy which takes place in Uruguayan halls since last Thursday, was preceded by enormous praise. Many critics have cataloged it as the best terror movie of the last few years – a sign that was read a lot in the last time – and some more daring critics have named it as L & # 39; Exorcist of the 21st century.

Although the comparison is exaggerated, it is true that The Devil's Legacy is a prime example of how the environment should be treated in movies. horror and how each of its parts must work to achieve this end Already from the previous obituary that appears at the beginning of the film, the viewer understands that what will come after will not be easy to digest. On the contrary, it will be at the beginning of a path with few shocks that, however, will sow a seed of agitation that will go in crescendo .

The Devil's Legacy

Inheritance

In the Graham family, things were never very normal. Annie (Toni Collette), now an adult and with her own family, had to face a childhood marked by the suicide of her brother, the death of her father and the madness, already at the end of her life, of her mother. But beyond his troubled past, he managed to move the clan more or less away from this world. The problem is that when the veteran dies, the family's core is corrupted. Annie and her daughter begin to see periodic visions, all embarrassed on the dark side and when everything seems, little by little, back to normal, a tragic event shakes the family and changes the future of all its members. What follows is a conspiracy that involves a cursed inheritance, hellish suffering, and several points of contact with movies like Rosemary's Baby . And point. To say more would be counterproductive.

What can be said is that The Devil's Legacy is a remarkable exercise in atmospheric terror, and Ari Aster uses everything that happens to the family to do it. Grief, grief, the deepest suffering, selfish acts, family love undermined by deeply rooted asperities, the fear of death and the link with "what is on the other side" ; everything is used to dynamite the tranquility of the viewer and make him nervous so that a single click of the language changes it.

Aster also has two strong cards he bet and surrender: Toni Collette and Milly Shapiro. The two actresses – the first is the mother, the second the daughter – are the axis of terrors that hit the family, especially the eldest son, played by Alex Wolff. The most enthusiastic supporters of the film are already asking for an Oscar nomination for Collette, and although there is still much to do, their performance is measured enough to alternate between total discontent and inner peace without falling into the bidding war. Shapiro, on the other hand, is a disturbing presence of his gaze (and a strange and disturbing face that accompanies).
The Devil's Legacy is also a very hard film. Not so much because of the violence – that there is and it's very graphic – but because of moments that really are very difficult to see. The cries of a mother destroyed by internal pain and asking to be killed to end the suffering are, even in fiction, strong.

Surely more than a spectator eager to jump into the chair, scary ghosts and terror gore will be disappointed. It is possible that these people go away wondering what they have seen or exclaiming slogans such as "this is not terror." Something like that happened with The Witch . However, terror is not always in the fright, in the burst that speeds up adrenaline in the blood. Sometimes the only thing needed to scare is a properly designed environment. An atmosphere that envelops the viewer, makes him come out of his reality and disturbs him from the inside. It is possible that with The Devil's Legacy never be frightened. But what is certain is that he will not be comfortable watching it and that he will leave the disturbed cinema, the senses on alert. And it is also terror.

The Family

The Devil's Legacy

Toni Collette
This is Annie Graham, the mother of the family facing the death of his mother and the curse of the clan.

Gabriel Byrne
The actor in The Forever Suspects is the husband of Annie.

Alex Wolff
Elder son, he makes a mistake that condemns the family and the worst falls on him.

Milly Shapiro
Mysterious and terrifying, Annie's little girl is a key part of the test that weighs on the family.

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