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"Magnificent" is one of the adjectives that critics attribute to the performance of Amy Adams in Sharp Objects a series aired on HBO on Sunday at 9:00 pm
Argument, based on the homonymous novel by Gillian Flynn, tells the story of Camille Preaker, a journalist who is forced to return to her hometown to investigate the murder of two teenagers. The character will live a journey to his past, in which he will relive the darkest moments of his life.
– What struck me the most in this project? [19659002] – The TV and I are like old friends, it's a past relationship that ended at that time, so I thought it would stay there, but it took a whole other direction with this shoot. The people who work here are incredible. For years, I've been attracted to Gillian's work, because she's creating awesome women. For a moment, I was talking about Dark Places, but then I got pregnant and thought, "I do not think I can go to dark places." It's not the moment. "
– Without a doubt, Camille has flaws & mldr;
-Yes, he has flaws, but I like Camille. I do not know if I would have spent time with her, but only because she could not be good for me. I think I really like to embody it. I was therefore very interested in the character, but I hesitated to return to the television. Mainly, because of the commitment of time and intensity with which you have to work, because it is a different type of shooting. It's fast, it's strong. And I'm always aware that I'm a mom. I need to be able to be mom while I work, it's always important to me.
– She does a lot of research on her characters . Where did you start with Camille?
– I started with the book. Camille is the narrator of the text, so there is a lot about what she thinks. Every day I had the ritual of reading the chapter of the book we were filming and I was watching what she was saying during these lines, because that helped me to remember her rich life interior, which can not be expressed in words.
] – Yes, her comments in the book refer to everything she sees.
-Exactly. When I interpreted it, I always had that in my head. This constant inner dialogue, which is both funny and heartbreaking, as well as modest and vulnerable.
– Have you read about self-mutilation?
-Yes. There was also a book that Gillian sent me, Brigth's Red Scream. This is the question of self-injury. Because I asked her what she had been looking for while she was writing, and she recommended me this work. I had to hide it in my library, because it's not one of those books you want to borrow. It is about self-mutilation and the language of the pain; they are first person accounts of people and their stories with self harm.
– And how did the book help him?
– I believe that it is the external manifestation of inner suffering. But it happens the same way with anything that turns into compulsive behavior. She is not better. Simply, you do not hurt yourself. So it's a victory
– There is another condition that is revealed during production, the Munchausen syndrome that will come out later. I imagine that it was strange for you, especially as a mother …
-Yes, I've read a lot about this and this strange need d & # 39; attention. It's the opposite of the parenting instincts I have, so I can not imagine it. My daughter has been injured many times, and it has taken her to the hospital and it's something I do not want to relive. It's traumatizing. I think I'm probably like most people: I like control to a certain extent and then I prefer to lose it to a certain extent.
– What is the difference between being an executive producer and an actor? 19659002] -The interesting thing was to do both playing Camille, because there were times when I did not have to involve myself in the production, and there were moments where it was really necessary for me to do it. It was my first foray into the production area, so I think I will learn more and more, but I loved it. One of the things that is really important to me is the work experience and the feeling that you can have an effect on it.
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