[WATCH] Ryan Murphy on ‘The Prom’, his career and Covid testing – Behind the lens – Deadline



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Ryan Murphy takes us behind the lens of his first major musical film Prom in today’s edition of my weekly Deadline video series, which focuses on filmmakers and their careers. Murphy is of course not only a director and writer, but also one of Hollywood’s most prolific producers who always seems to have multiple productions at the same time.

In fact, when I spoke to him while on vacation, he was juggling five different TV shows at one stage or another, with the added challenge of doing them under strict security protocols dictated by the coronavirus pandemic: he speaks of how, to finish the last days of filming on Prom after being shut down for months, he and Netflix, in coordination with health officials, actually created the model for filming during the pandemic. (At the time of the interview, he had personally just passed his 90th (!) Covid Test in order to continue working and running his throws and crews.

The list of Murphy projects is long, including american horror story and American Crime Story anthology series, Glee, 9-1-1, Ratched, The Politician, Pose, Nip / Tuck, limited series like Hollywood, movies like The boys of the group and The normal heart, And so on. Prom is one of Netflix’s best prospects this year at the Golden Globes and Oscars, and Murphy is no stranger to the gold rush having won several awards over the years, including six Emmys in multiple categories as as producer, director and writer. He laughs and says he’s primarily known for “musicals and horror stuff,” although his varied filmography reveals a collection of credits that go way beyond those genres.

Click on the video above and watch our chat as we discuss getting it Prom onscreen in record time after only seeing the show on Broadway in January 2019; why was the time to bring this out now in very dark times; what Meryl Streep and Nicole Kidman told him about their emotional states when he called to see if they’d like to spend some time singing and dancing onscreen for him (“I’m tired of crying. joy, “Streep told him); how he recreated Broadway in downtown Los Angeles, while filming in New York for the necessary time would be impossible – and much more. Enjoy.



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