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Objectively, all this is rather nice.
But what counts is the experience of using it at a concert, and I must say that despite my skepticism, I was pretty impressed. On the one hand, there is absolutely no latency. The audio was synchronized perfectly all the time, no matter where I was positioned at Barclays: Medium level directly in front of the stage, upper level on the side, on the floor, even behind the stage, I did not meet no hiccups. I only lost the signal when I walked down the halls to change the location. The mixing application is clean and functional, even though it broke down in the middle of "Rocket Man", forcing me to connect again with the rX, which may take a while.
Now, I will not lie: it was really weird to wear headphones during a concert. And I'm not sure I'll get used to it someday. But it was not as insulating or strange as I feared. Peex earphones are designed to let in a reasonable amount of ambient noise. In theory, you can connect any wired headset to the rX, but I'm not sure I would recommend it. I brought with me two pairs of headphones – a pair of Sony MDR-7506 studio monitors and a set of Sennheiser CX300 II headphones – but I finally left them in my bag. Sonys over the ear would have simply gone too far from the concert atmosphere and Sennheiser heads would not have brought a much different experience than the Peex pack-ins.
You see, the balance between ambient noise and the sound of the headphones is the key to success here. Just in front of the stage, with the mix tracks set roughly mid-way, the effect of the Peex was subtle but noticeable. It has been possible to add a definition to the low frequencies, which become muddy rather quickly as you move away from the scene. (Not to mention that the reflections on the walls and the jumbotron only make things worse.) And that's done without me feeling like I'm just listening to music in the headphones – I always had the impression of seeing a live band.
The same was true in the cheap seats on the stage side. It was there that I suffered from television, unicorns, Dan Deacon and Arcade Fire (all bands I love) five years ago. The sound of this show was what you could expect from a college auditorium … if you were in the hallway. To be clear, the sound was much better at Elton John, even without the Peex. But that still helped to clean up some of the reflections that are inevitable when you're just against a concrete wall.
Things started to degrade slightly when I reached the ends of the spectrum. Behind the scene, where I was staring at the bottom of a giant video screen without speakers in front of me, the illusion was broken. Here, it was obvious that I was listening to music in headphones. As the sound quality in the arena deteriorated, the disparity with what was happening through the Peex became clearer. And suddenly, I felt that I could as well listen to a live album at home. To be fair, however, there was no seating behind the stage at the Elton John show, nor at most concerts. This was purely for demonstration purposes.
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