What is the economy of the concert? Your questions, answered

by



[ad_1]

But what is the concert economy? Let's try to sort the noise.

If you have already been a freelancer, acting or any other independent contractor, you have participated in the show economy.

"Concerts" in this sense are essentially short-term or project-based work, and "concert workers" are the independent contractors hired for this work. The economy of the entertainment market is essentially based on the companies subcontracting these people for temporary jobs rather than for permanent positions.

Who is a gig worker?

For starters, stage workers are not homogeneous. Independent contractors include all drivers, from Uber and Lyft pilots, to independent consultants.

The Gig Economy Data Hub, a project of the Aspen Institute's Future of Work Initiative and Cornell University School of Industrial and Professional Relations, collects demographic data on industry workers.

They are broken down as follows: "Some jobs pay particularly well, offer great flexibility and control, and tend to be occupied by advantaged groups, often on a complementary basis." Other non-traditional jobs provide wages disproportionately held by disadvantaged groups, who often depend on it for their livelihood. "

And that's where the problems come in.

Gig workers generally do not enjoy the rights that employees enjoy, such as minimum wage, overtime, paid sick leave or other benefits. They may also have to pay their own expenses. If you do a lot of your work, as a consultant, it might be feasible. But if your main job is pilot Uber or Lyft, it can be more difficult.

Are there any benefits to working in concert?

As a concert worker, you are the boss. You decide when to work, how much work you do and what kind of work you do – all without being locked up in a 9 to 5 year old for the rest of your life.

Wait, the concert work does not sound so bad …

This is not necessary, especially for those who earn the most money or for people who are simply looking for secondary agitation.

But not all concerts are equal, and the lowest paid groups are often held by underprivileged groups, as the Gig Economy Data Hub pointed out.

And yes, the show economy is praised for its flexibility – one of the arguments put forward by Dara Khosrowshahi, CEO of Uber, in an editorial of the San Francisco Chronicle, arguing for the continued use of independent contractors.

But others have called exploitation of the entertainment economy, especially for those who depend on low-paid concerts as the main source of income – as do 1 in 10 workers. Some do not have access to better jobs or pay, leaving them with little choice.
Some Uber and Lyft drivers from around the world have demonstrated early in the year, claiming reasonable revenues, job security and regulated rates, among others.

These are the kinds of demands that many salaried workers are guaranteed.

"The drivers are the ones running the company," said driver Muhumed Ali to CNN during the strike in London, "we collect money."

[ad_2]

Source link