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Hallmark and Netflix both take pride in their original Christmas content, but only one succeeds in making them so bad they’re good.
With the heartwarming holiday story season in full swing across multiple channels and apps, the question arises: is this Punch or Netflix better to make “bad” Christmas movies? While Hallmark has 20 years of experience in the most wonderful time of the year, Netflix didn’t start releasing Hallmark Christmas movies until 2017. Hallmark’s brand captured the innocence and magic of the holiday season in over 100 original Christmas movies, while Netflix’s material was significantly less effective.
Hallmark Christmas movies are low-budget getaways into festive landscapes, don’t often feature well-known actors, and usually follow the same basic plot: a girl from a big city moves or visits a quaint town during Christmas. and falls in love with a little town boy, single father or prince. Hallmark viewers yearn for the cheesy predictability of these tropes, no matter how mundane they may become over time. This is partly why Netflix has taken this formula and applied it in movies such as A christmas prince, Operation Christmas Drop, The knight before Christmas, and The holiday calendar, among others.
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Along with the same cheery sets and syrupy scripts, the Christmas movies from Hallmark and Netflix both share one-dimensional characters largely defined by their work and whether or not they like to celebrate Christmas. Most often, female leaders are career-driven women who learn to love Christmas thanks to the men they fall in love with i.e. Erica en Operation Christmas Drop, Abby in The holiday calendar, or Christina in My christmas dream. Likewise, with Hallmark’s cast of Christmas Powers Lacey Chabert (Bad girls) and Danica McKellar (The good years) in several Christmas movies, two of the Netflix originals featured the same actresses, Kat Graham (The Vampire Diaries) and Vanessa Hudgens (The knight before Christmas), in different roles.
Conversely, Netflix differs in a very notable way from Hallmark. Netflix’s propensity to offer Christmas movies like Princess Switch and A christmas prince sequels and trilogies diminish the charm of the original. Each sequel feels like a laughable, overly long repeat of the first film, features extremely complicated subplots that slow the pace of the story, and adds unnecessary drama. in the A christmas prince franchise, for example, Amber, the American journalist-turned-Aldovian Queen, finds out that Prince Richard is adopted in the first film, discovers issues with royal finances in the second, and resolves the case of a missing peace treaty in the third. shutter.
The Hallmark Christmas movies work great as standalone feature films because they tell a love story that’s sweet, concise, and easy to follow. The main conflict in many Hallmark films tends to be the deadly boyfriend that the female protagonist has to wrestle with, i.e. Faith in Christmas card. Hallmark viewers don’t expect tedious subplots involving bizarre twists and turns. Simple scenarios like November Christmas, following a city rallying around a child with cancer, may rely a little too much on the healing power of the idea of love, but that’s what audiences value most.
Even though Netflix’s Christmas movies have higher production values and more diversity in their castings, Hallmark still reigns supreme in the best “bad” Christmas movies. It has perfected the art of cheesy seasonal content and provides viewers with warm and comfortable vacation feelings. Whether Netflix will never match PunchThe level of celebration of Christmas remains to be seen.
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