Why 'Black Mirror' needs Miley Cyrus



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HAnnah Montana is back, sort of. And this time, she may have a lot more to say.

Miley Cyrus appeared in the trailer of the upcoming season of "Black Mirror". Although the pop star and former actress may seem strange, she could perfectly suit the dystopian series Netflix.

In the second episode of the British science fiction series, a woman audition to become a singer in a televised talent show. The judges, although impressed by her voice, are more impressed by the amount of money she can earn for them, and they push the woman into smoking fun for more money.

Cyrus would know what it looks like. She has reached her majority in an industry that has encouraged and enabled her topless magazine cover Annie Leibovitz-shot in 2009, when she was only 15 years old, and the 2013 "Wrecking Ball" video, shot by a photographer who was unsurprisingly accused by several women of sexual harassment. Cyrus may have thought that she was expressing her individuality, but photographers and industry producers have exploited her image for clicks.

For example, Cyrus' pink-haired appearance in Season 5 of "Black Mirror", scheduled for June 5, may be ideal for a woman confronted with the exploitation of celebrities. If the show places Cyrus in the right scenario, his presence will become a powerful reminder of his central subject: the danger of increasing technology and the decline of humanity.

"Black Mirror" explores the dangers of technology in seemingly disconnected episodic narratives. Each episode explores a question: what if we could replay memories like movies in our heads ("The whole story of you")? Or resurrect our loved ones through artificial intelligence ("Be Back Back")? Or do you have the opportunity to scramble any disturbing content that our children might see ("Arkangel")?

If technology progresses faster than our ability to align our morality with developing dilemmas, "Black Mirror" shows what this dichotomy might look like and how terrible it could be.

In "Fifteen Million Merits", an aspiring singer loses her dream and the authenticity attempt of another character turns against her: her authentic emotion expression on television is packed and played again. and again for money.

Cyrus had his own struggles with authenticity. When she returned to cleaner country music with "Malibu", she was blamed for expressing her own opinion and for rejecting sexism in other genres of music. After calling the hip-hop lyrics in 2017 for their superficial and misogynistic character ("It was too much 'Lamborghini, had my Rolex, had a girl on my c-k'"), she was critical for his "dull tone" misunderstanding of the genre.

Fans and consumers are looking for authenticity, but we often close it when we see it. When we release the upcoming season of "Black Mirror", we hope that Cyrus will play a role of its own – a role that evokes the way producers and consumers abandon authentic talent to the benefit of beautiful appearance.

His presence in the series can serve as a reminder: if we do not want to wake up in the twisted world of "Black Mirror", we should consider leaving public personalities a bit more authentic instead of exploiting as many things as possible. They do and say.

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