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In a scenario that has been constantly changing since the race at the 91st Academy Awards began in early September with the triphles of the fall festival of Venice, Telluride and Toronto, the Oscar hunt was as disconcerting and hard to call as always. The so-called pioneering awards have been everywhere on the map. Criticism groups, BAFTA and DGA have drifted to Roma; the Golden Globes loved it Green paper (who also won the highest honor of the PGA) and Bohemian Rhapsody; BAFTA has won seven of 12 nominations against its favorite The favourite; everyone seemed to rely on Spike Lee's best for decades. BlacKkKlansman; SAG gave first prize to box office giant Black Panther; one of the first competitors was A star is born; a latecomer was Vice.
The Academy has selected the eight films for its first prize, but the result remains dark and will likely remain so until the opening of the final envelope on the Dolby Theater scene on Sunday. At this point, it seems that the two seeded players who enter the final run are Roma and Green paper, but because of the Academy's preferential vote (strictly for Best Picture and not for other categories), the result is uncertain, because your second or third choice could actually make all the difference.
Nevertheless, here are my predictions. Please note that a different version of this story was published earlier this month in our print edition of AwardsLine. Although most of my choices then (made by necessity just after the announcement of appointments due to publication deadlines) are: again my choices, I made a handful of changes that I could live to regret. As always, if you choose to use these forecasts for your different oscar pools, I'm NOT responsible for defeat. Proceed with caution. The first place is a sketch of the eight nominees of the best film with my prediction at the end.
BEST IMAGE
Black Panther
Disney / Marvel
Released last February – not really for Oscar nominees – this leading comic film – and for typical contenders in particular – is not the main subject, defies every chance of the moment and genre to become the first film of superheroes and Marvel never named for the best picture. He also became the first to win the SAG Award for Best Casting, reinforcing his unlikely rise to the top of the Oscars. Although there are seven overall nominations, it is AWOL in the fields of theater, writing, directing, editing and cinematography, all of which are considered essential for the world. getting the best picture. But whatever happens, this revolutionary blockbuster has already altered the history of the Academy just by being here.
Director
Ryan Coogler
Producer
Kevin Feige
Studio
wonder
Other appointments
Best original music
Best Original Song
Best production design
Best costume design
Best sound mix
Better sound editing
BlacKkKlansman
David Lee / Focus Features
As Black Panther, This Spike Lee join brings this much-deserved diversity and gravity to the game this year. Unlike the latter, it is not a comic book, but the incredible real story of Ron Stallworth, an African-American police detective from Colorado Springs who has infiltrated successfully. the Ku Klux Klan in the 1970s and lived to write a book about it. Lee's first film to make the best film, Lee opened the first anniversary of the Charlottesville tragedy and skillfully manages to combine strong social commentary, acute satire and above all a heartbreaking drama that will leave a strong mark on the audience and the audience. . l & # 39; Academy.
Director
Spike Lee
The producers
Jason Blum
Spike Lee
Raymond Mansfield
Sean McKittrick
Jordan Peele
Shaun Redick
Studio
Characteristics of the focus
Other appointments
Best Director
Best Actor in a Supporting Role
Best original music
Best adapted scenario
Best editing
Bohemian Rhapsody
20th Century Fox
There is a reason Bohemian Rhapsody has become a global phenomenon with more than $ 800 million and box office cash, and it goes beyond the remarkable representation of Freddie Mercury by Rami Malek. As a tribute to Queen's enduring legacy and unforgettable music, he explores the heart of our time now; not on what tears us, but on what can bring us so urgently together. It's a film that has become much more than a mere musical biopic. It is indeed a reason for celebration, and this is perhaps the main reason why he survived a disastrous shooting when director Bryan Singer was sacked, as well as a lingering controversy over his actions past. A 10-year love affair for producer Graham King, who won the Best Drama Award at the Golden Globes and continues to be heard.
Director
Bryan Singer
The producers
Graham King
Jim Beach
Studio
20th Century Fox
Other appointments
Best actor
Best editing
Best sound mix
Better sound editing
The favourite
Atsushi Nishijima
Until then, director Yorgos Lanthimos' previous films have aroused keen interest among his fans, but are an acquired taste for others. This elegant story of two women competing for the confidence and affection of Queen Anne in the 18th century in England is brilliant and has attracted the largest crowd of Lanthimos to date, for some sort of All about Eve Dramedy costume that pushes all buttons of the genre but remains true to the unique and exciting brand of the director. With 10 nominations in total, he is the only nominee for the best film to have been nominated in all key categories that usually make the winner of the best film. Despite winning one of the top seven BAFTA awards, he surprisingly lost the best film out there at Roma, a result that darkens his chances since he was to reign in his home town.
Director
Yorgos Lanthimos
The producers
Yorgos Lanthimos
Ed Guiney
Lee Magiday
The studios
Fox Searchlight Photos
Film4
waypoint
Other appointments
Best Director
Best cinematography
Best actress
Best Supporting Actress x2
Best Original Screenplay
Best production design
Best costume design
Best editing
Universal images
Green paper
Already a winner of the Best Picture at the Golden Globes, the Producers Guild and the National Board of Review, this story of the emerging friendship between a brilliant African-American concert performer and the nightclub bouncer that is the only one in the world. he hires to lead him on a tour in the Great South of The early 60s is a film that could benefit from the preferential vote used to determine the most appreciated nominees for the best film. Everyone seems to like it and this has survived a negative press wave, most of which can be attributed to the kind of dirty campaign that seems to crop up every year. A winning change of pace for director Peter Farrelly: he highlights interracial relationships and provides a simple answer: we are all human beings. Despite Farrelly's omission in the director's lineup, this Oscar-nominated film could get the job done and be the small engine he could.
Director
Peter Farrelly
The producers
Jim Burke
Brian Hayes Currie
Peter Farrelly
Nick Vallelonga
Charles B. Wessler
Studio
Universal images
Other appointments
Best actor
Best Actor in a Supporting Role
Best Original Screenplay
Best editing
Roma
Carlos Somonte
Undoubtedly the darling of the season, Roma launched the Golden Lion at the Venice Film Festival and has since won many honors for its director Alfonso Cuarón, who made this story grow in 1971 in Mexico City a very personal memory piece centered on a domestic servant who changed his life. Shot in black and white, this subtitled stunner is also Mexico's official application for foreign language film. No film in a foreign language has ever won the Best Film Award, but if Roma can overcome this stigma, as well as those who have a problem with the fact that it is broadcasting on Netflix, we could then look at a historical moment.
Director
Alfonso Cuarón
The producers
Nicolás Celis
Alfonso Cuarón
Gabriela Rodruiguez
Studio
Netflix
Other appointments
Best Director
Best foreign language film
Best cinematography
Best actress
The best actress in a supporting role
Best Original Screenplay
Best production design
Better sound editing
Best sound mix
Warner Bros.
A star is born
For the fourth remake of the most famous of all Hollywood tales, Bradley Cooper has created a critically popular blockbuster transforming the cross-story into stars of two showbusiness figures, one at the top and the other in a descent, somehow incredibly fresh and new thing. ; not an easy feat. The film, which ran the table in terms of various guild nominations, was also named in eight Oscar categories, including its main performances by Cooper and Lady Gaga. But Cooper was shunned in the staging, which adds a small key to the presumed chances of the presumed runner to take it here. Aside from Original Song, it lacks the anticipated earnings of precursors and no film that has failed to secure the nominations for staging and editing has ever won. But with a lot of fans in support, never say anything in this hectic year.
Director
Bradley Cooper
The producers
Bradley Cooper
Bill Gerber
Lynette Howell Taylor
Jon Peters
Todd Phillips
Studio
Warner Bros.
Other appointments
Best actor
Best actress
Best Actor in a Supporting Role
Best adapted scenario
Best cinematography
Best Original Song
Best sound mix
Vice
Annapurna Pictures
This scathing satirical look on former Vice President Dick Cheney and his ambitious wife Lynne is a brilliant masterpiece of The big court Award-winning screenwriter-director Adam McKay, who has managed to make a film that tells us exactly how we got where we are. Christian Bale, Amy Adams and an exceptional cast give life to all of this, even if the political nature of the material has been polarized in some circles, as can be expected. Nevertheless, this film arrived at the last minute to win eight nominations and a unique place in the race this year.
Director
Adam McKay
The producers
Megan Ellison
Dede Gardner
Jeremy Kleiner
Brad Pitt
Kevin J. Messick
Will Ferrell
Studio
Annapurna Pictures
Other appointments
Best Director
Best actor
Best Actor in a Supporting Role
The best actress in a supporting role
Best Original Screenplay
Best editing
Best makeup and hairstyle
THE WINNER: Green paper. Thanks to the preferential vote, it can be the most authentic. love movie of the band, if Roma is great because of the new wave of international voters within AMPAS.
Best Director
Spike Lee, BlacKkKlansman
Although he has won an honorary Oscar for his work in 2015, it is amazing that Spike Lee has never been named before in the category Realization – not even for 1989. Do the right thing, which earned him a writing nomination. Finally, it took this incredible true story to tour for a film that also earned him great applause at the Cannes Film Festival, where he won the Grand Jury Prize. Lee uses all the experience and talent of his long career to come to this moment. It was well worth the trip, making him perhaps also the sentimental favorite here.
Pawel Pawlikowski, Cold War
AFF-USA / Shutterstock
Winner of this year's Cannes Film Festival and former Oscar winner for a film in a foreign language with IdaThis great Polish director also made his debut in what many saw as a surprise choice. I did not do it. With the Academy, and in particular the branch of directors, becoming much more global among its members, this film superbly made in black and white would seem to be obvious. He does not have a nomination for the best film, so this is a major disadvantage for his chances of winning here.
Atsushi Nishijima
Yorgos Lanthimos,The favourite
A Greek director filming a resolutely British film is further proof of the new international orientation of the filmmaking industry. It is therefore not surprising that his fellow directors have nominated him here, or that his film wins together a dozen nominations. This makes Lanthimos the dormant candidate, especially as this nomination follows the 12 nominations received two weeks earlier by the film at BAFTA, where he finally won seven awards (but not for his director). Still, if the Academy falls for this feast of the visual period, it could be formidable even without a corresponding sign of the DGA often predictive.
Alfonso Cuarón, Roma
Netflix
Like Pawlikowski, Cuarón has made a very personal film in a foreign language in black and white that seems to really resonate. Already winner of countless critics, Golden Globe, BAFTA and more, Cuarón is the only former winner of this category to have already won here in 2013 for Gravity. It's a much smaller film and represents one of the five chances that Cuarón has this year to add to his Oscar collection. He remains the heavy favorite to take one of them to lead Roma as he did at the very predictive DGA and almost everywhere else.
Matt Kennedy / Annapurna Photos
Adam McKay, Vice
True to the tradition of great cinematic satirists such as Billy Wilder and Preston Sturges, McKay continues his scenario for an Oscar The big court with another caustic dive into the politics and state of our world with this extremely inventive biopic (of all kinds) on Dick Cheney. This is his second nomination as a director and this proves that the film was not at all polarized for his fellow directors, who probably enjoyed some of the bold leaps in style and narration to get to the heart – so to speak – of Cheney's legacy and what it means for the world we live in today.
THE WINNER: Alfonso Cuarón, Roma
Best actor
This is unquestionably one of the tightest and perhaps the most difficult to qualify for major actor races for many years. But if we believe the tea leaves obtained thanks to the precursor awards, the contest seems to be tightened between two contenders having exchanged their victories: Christian Bale in the role of Dick Cheney in Vice, and Rami Malek as Freddie Mercury in Bohemian Rhapsody-both for the roles in which they play characters emblematic of real life, and both deliver to the shovel. Bale won the Golden Globe comedy and Critics' Choice, while Malek won the Golden Globe, BAFTA and SAG Award drama, the latter perhaps giving him the most momentum. Willem Dafoe as Vincent van Gogh in At the door of eternity and Viggo Mortensen as Tony Lip in Green paper also play real figures and could upset. Bradley Cooper as Jackson Maine in A star is born He's the only fictional character this year, but he has not won anywhere else yet, so he looks like he's a long-time hit in the category.
THE WINNER: Rami Malek, Bohemian Rhapsody
Best actress
There was a lot of buzz for A star Is Born Lady Gaga earlier in the season, but that seems to have faded with the emergence of Glenn Close in Wife-a much lower movie that has turned out to be the little independent film that could. He may well deliver to the veteran Close her first Oscar for her seventh nomination, a fact that did not go unnoticed as she walked the promotional circuit. She was on par with Lady Gaga at the Critics' Choice Awards, but won the Globes and the SAG head-on, two key moments that allowed her to make speeches that earned her well-deserved ovations and helped her take on a dominant position in this race. Olivia Colman, the loqueuse Queen Anne of The favourite, has its admirers and took the hometown BAFTA and the Golden Globe Comedy, and Melissa McCarthy has won accolades for going dramatic in Can you ever forgive me? The category is completed by Yalitza Aparicio beginner unprofessional in Roma.
THE WINNER: Glenn Close, Wife
Best Actor in a Supporting Role
The recent winner, Mahershala Ali, dominated the pack for his captivating performance as Dr. Don Shirley in Green paper. Ali won the Oscar in 2016 for Moonlight, and it could be a short trip two years later for a second Oscar this time. He has swept the key precursor trophies with victories at the Golden Globes, Critics' Choice, BAFTA and SAG, and seems to be the one to beat in a group including a defenseman of the latest generation, Richard E. Grant. Can you ever forgive me? who emerged the biggest threat to Ali and could draw some kind of surprise Mark Rylance; Adam Driver in BlacKkKlansman; and last year's winner, Sam Rockwell, back for his unprecedented George W. Bush impression in Vice. But if there is anyone else that Grant ready to upset Ali, he could be acting veteran Sam Elliott for his tremendous comeback. A star is born, bringing him his first nomination in a 50-year career on the screen that began in 1969 with Butch Cassidy and the Sundance Kid. Nevertheless, the fact that Ali really plays the role of co-director and has a very strong impact on viewers helps to understand.
THE WINNER: Mahershala Ali, Green paper
The best actress in a supporting role
Regina King, a recent three-time Emmy Award, received her first Oscar nomination here for If Beale Street could talk …role for which she dominated the critics circuit and won the Golden Globe. However, she was not even nominated by her peers for the SAG or BAFTA, which caused a fall in the race. SAG winner Emily Blunt was not nominated for the Academy Award A silent place, so go understand. With Roma Marina de Tavira describing here a surprise nomination after being ignored elsewhere, and The favourite Rachel Weisz, the winner in this category at BAFTA, and Emma Stone probably continuing to cancel each other out, leaving Amy Adams, six times nominated, as the most likely to defeat King. But Adams has been forgotten in the Globes, Critics' Choice, BAFTA and SAG in this category. If she loses and Close wins the best actress, Adams will then assume the dubious distinction of being the most losing actress at the Oscars. This one is a real headache and I am torn and I aim for a longer shot than the nominal front runner, King.
THE WINNER: Rachel Weisz, The favourite
Best adapted scenario
An interesting group of scenarios, but if you stick to the wisdom of all, the scripts that have the best chance of winning are those who have also been nominated in the Best Picture category, in this case two. : BlacKkKlansman and A star is born. In either case, this could be the perfect place to pay tribute to one of the many Oscar nominees this year, Spike Lee for the first or Bradley Cooper for the second. Joel and Ethan Coen, two Oscar favorites, have won their seventh nomination as a writer for the movie Netflix Buster Scruggs's ballad, who also won in Venice but Nicole Holofcener and Jeff Whitty wonderfully literate and acerbic Can you ever forgive me? is the best of a very good band in my opinion and upset by the WGA awards, where members have told the story of a writer down. Former winner Barry Jenkins can not count on James Baldwin's bold adaptation of the book. If Beale Street could speak on specification and then win the trust of his estate to make a very good movie. Still, this could be the consolation prize for Spike.
THE WINNER: Charlie Wachtel and David Rabinowitz; Kevin Willmott and Spike Lee, BlacKkKlansman
Best Original Screenplay
Of the two categories of writing, this one has the closest race with four competitors leading the best film: The favorite, Green Paper, Vice and Roma. WGA winner did not help because Eigth year did not make the cut here. Let's put KO Roma because Alfonso Cuarón is more likely to win in filmmaking, cinematography and foreign film. BAFTA Winner The favourite is the kind of spiritual and literate script that might have a chance here but he lost to Green paper at the Globes, and was not eligible for the WGA, so it's a bit fragile to predict. As in the case of The big court, Very intelligent and fun Adam McKay Vice is the natural choice but winner of the Globe Green paper is so appreciated that it would make sense to vote here too. The fifth candidate, First reformed, It's the only nomination of this film, but I guess it's there to honor iconic icon Paul Schrader, who has never been nominated before despite films like Taxi driver, furious bull and Last temptation of Christ. Another difficult, but I'm going to improve my Best Picture prediction with a win here first.
THE WINNER: Peter Farrelly, Nick Vallelonga, Brian Currie, Green paper
Best foreign language film
This list of candidates in foreign languages is as solid as the one I have seen for a long time. I must say that the Academy's committees are absolutely right, starting with three exceptional films that started in Cannes in May: Cold War, Lebanon Capernaumand the Japanese Golden Palm Thieves on display. In fact, all three were awarded at Cannes and represent the best of world cinema. Another entry, Germany Never look far, It's really epic at 3 hours and 15 minutes, but no less worthy, as I witnessed in Toronto in September. Finally, there is the winner of Venice, Mexico Roma, which counts as one of his 10 nominations. It's the obvious favorite to win here. In all cases where a foreign language competitor was also nominated for the best film, he won and lost here.
THE WINNER: Roma
Best animation film
This category is generally Disney's to lose because it dominates victories since its inception. This year, Mouse House has two entries: Pixar's The Incredibles 2 and Disney Animation Studios » Ralph breaks the Internet. Wes Anderson and his company are back with another wonderfully original and charming candidacy after their first appointment In this category for The fantastic Mr. Fox in 2009. Now he has Island of the dogsbut it's a tough climb against the studio's biggest efforts. This same problem concerns the beautiful independent entry of the Gkids this year, Mirai. Finally, after being dissected without nominations for previous efforts such as The Lego movie and Cloudy with a chance of meatballs, Phil Lord and Chris Miller took on Marvel and Sony and won the title with Spider-Man: in the Spider-Verse. He dominated the pioneering awards, so we will follow the trajectory.
THE WINNER: Spider-Man: in the Spider-Verse
Best cinematography
This category corresponds roughly to the choices of ASC with The favorite, a star is born, Roma, and Cold War all winning nominations. The only deviation was with the inclusion of the German film Never look far, Caleb Deschanel, a great favorite of the Academy, is a sixth career victory. A real hat trick to his peers. It's a sentimental favorite, but he has to fight against two foreign films in black and white, including the rare feat of seeing a nomination go to a director: Alfonso Cuarón for Roma. With three nominees of foreign language films also named here, this is an unprecedented situation for the category and indication of the globalization of this branch. Angry, it was Cold War This won the honor of the CSA, but that may be partly because the directors of photography did not want to give their first prize to a director. This will probably change with Oscar, as was the case for BAFTA, where everyone has the right to vote.
THE WINNER: Roma
Best costume design
Sandy Powell, winner of several Oscars and branch icon, is back with two of the nominations here for both The favourite and Mary Poppins is back. It's probably she who has to beat, especially for the first ones because the epic of the costume is usually irresistible to Oscar voters. Of course, this period collection also includes Mary Queen of Scots, named here too. The Wild West is represented by the Coen brothers of Netflix. Western anthology, The Scruggs Buster Ballad, and the world of superheroes nods with Black Panther. It probably comes down to The favourite and Black Panther: a to-up. If in doubt, go with the costume film.
THE WINNER: The favourite
Best documentary
In an exceptional year for documentaries, both creatively and at the box office, the often unpredictable documentary branch of the Academy has managed to blow things up, at least as far as is not included – namely the wonderful documentary of Mr. Rogers. Do you want to be my neighbor? and the fascinating Three identical unknowns, to name but two flagrant omissions. Among the participants in the race, the film of heart-wrenching mountaineering Free Solo and the docu Ruth Bader Ginsburg RBG are the most prominent and most likely winners against less well-known people Hale County this morning, tonight critical favorite Bridging the gap; and Fathers and sons. It boils down to the love of the outdoors compared to the iconic hero of the Supreme Court. If the Academy wants to make a statement, it will be RBG, but I have the feeling that, as at BAFTA, they were really impressed by the mountaineer.
THE WINNER: Free Solo
Best editing
Whether true or not, the legend in Oscar circles is that nominations for movie editing are a must if you want to compete in the best movie. Roma missed the cup, but it can not be a fatal blow to this film as much as it could be A star is born and Black Panther, not mentioned here either. The race is a competition between five other nominees for the best film: BlacKkKlansman, Bohemian Rhapsody, The Favorite, Green Book and Vice. This last and BlacKkKlansman makes use of a lot of delicate features that scream "publishing". Bohemian His name may be due to the fact that the publisher John Ottman had to finish the film alone after the director Bryan Singer was fired at 85%. And for that reason, I'm leaving with Ottman and the unique work that has been entrusted to him.
THE WINNER: Bohemian Rhapsody
Best makeup and hairstyle
Border This is the third Swedish film to be in this category in recent years – a real feat for Swedes, who are competing this time with Mary Queen of Scots (for all these marks on Margot Robbie?) and the brilliant transformation of Christian Bale into Dick Cheney. Often, this award will go to the team that worked with an acting candidate, and in this case it was really Vice.
THE WINNER: Vice
Best original score
I would have said that the favorite was unquestionably Justin Hurwitz, winner of the Golden Globe and Critics' Choice, First manbut guess what? He was not named. So wrong. In terms of benefits, Terence Blanchard, who has never been named before, was greeted by frequent collaborator Spike Lee. BlacKkKlansman. Nicholas Britell If Beale Street could speak is luxuriously romantic. Alexandre Desplat, double winner, is back with the complex and clever score of Island of the dogsand a pair of Disney Studios with Marvel & # 39; s Black Panther making a first nomination for seven-time candidate Ludwig Göransson and Marc Shaiman for his Mary Poppins is back. I have no idea, so that's another bravo, but maybe because Shaiman has been nominated seven times, including for Best Song also this year, and that's it can to be a musical? …
THE WINNER: Mary Poppins is back
Best Original Song
Fortunately, the rumors are false, the Academy has found all its reason and allows the performances of all the songs in nomination. Originally, there was only Kendrick Lamar with "All Stars" from Black Pantherand Lady Gaga with "Shallow" of A star is born would be allowed to perform, leaving aside the other candidates, "I will fight" from RBG, "The place where lost things go" from Mary Poppins is backand "When a cowboy swaps his spurs against wings" of The Scruggs Buster Ballad. Lamar is doing an album so no performance comes for that. But is not it acquired in advance?
THE WINNER: "Shallow", A star is born
Best production design
A list of crackerjack contenders here without an obvious winner. It could go in several directions. There is the world of Wakanda in Black Panther. There is the court of Queen Anne in The favourite. What about the moon in First man, or a visit to Cherry Tree Lane in Mary Poppins is back? Finally, how to resist the exact reconstruction of Alfonso Cuarón's childhood home in Roma? It's a rich field and it's really a tough choice. My initial thought, when I wrote this earlier for our magazine, was that Wakanda would take it. Now, I'm going more traditional.
THE WINNER: The favourite
Atsushi Nishijima
Better sound editing
I do not know why there must be two categories of sounds. Why not simply combine editing and mixing, since in recent years, both categories have had the same nominees and often the same winners? This year, there is a slight gap between the two. Among the nominees of sound editing, there is the extraordinary work done with silence, of all things, in the haunting A silent place, join Black panther, Bohemian rhapsody, first man, and Roma. If it was the turn of the editors to vote, I would say A silent place, but all members of the Academy vote for the finals and tend not to appreciate this kind of precise subtlety.
THE WINNER: Bohemian Rhapsody
Best sound mix
Musicals are doing particularly well in this category, so it could be a race between Bohemian Rhapsody and A star is born. Ce dernier était cependant le seul film de cette catégorie à ne pas être inclus dans le montage sonore, alors peut-être que cela le désavantage. Who knows? Les autres nominés sont Panthère noire, premier homme, and Roma. Mais bien sûr, en cas de doute, vous pouvez simplement vous répéter et vous rendre avec les maestros qui ont fait que le son de Queen soit aussi spectaculaire.
LE GAGNANT: Bohemian Rhapsody
Meilleurs effets visuels
D'une certaine manière gagnant de BAFTA Black Panther a été exclu de cette catégorie, mais les studios Disney dominent toujours avec VES champion Avengers: Infinity War, Christopher Robin and Solo: A story of Star Wars. De celles, Christopher Robin et ses animaux CGI était la surprise la plus complexe, inventive et agréable à inclure. Premier homme également monté en flèche, mais peut-être trop calme et subtil. L'éblouissant Player Loan A est vraiment le meilleur du spectacle ici, mais il est sorti en mars et n’a pas eu beaucoup de pression du tout cette saison. C'est quand même spectaculaire, mais cela ira probablement au champion du box-office Avengers ou au tir spatial moins évident.
LE GAGNANT: Premier homme
Meilleur court métrage d'animation
Vous ne pouvez pas vous tromper avec Pixar et ils ont une belle entrée appelée Bao sur une mère sino-canadienne solitaire aux prises avec le syndrome du nid vide. Elle crée une boulette qui prend vie et lui permet de se sentir à nouveau utile en tant que mère. C’est une bonne récolte dans l’ensemble, avec le poignant Tard dans l'après-midi-un regard rapproché sensible au début terrifiant de l’Alzheimer, qui risque de marquer des points avec les électeurs vieillissants sur les Oscars. Animal behavior ce qui est très amusant, Un petit pas, and Weekends arrondir le tout Toutes les bonnes entrées. En cas de doute, allez avec Pixar et Bao a été largement vu devant Indestructible 2 l'été dernier.
LE GAGNANT: Bao
Meilleur court métrage d'action en direct
Les nominés ont des titres qui ne représentent qu'un mot, ce qui, je suppose, convient à une catégorie appelée Live Action. Court Film. Choisissez parmi Fauve—le récit de deux garçons dans un jeu de pouvoir, situé dans une mine de carrière –Marguerite, mère and Peau, ce dernier a acquis une grande notoriété après avoir récemment été repris et mis en campagne par Fox Searchlight. La cinquième entrée est Détention, et il est très controversé sur l'assassinat incroyablement choquant et brutal de James Bulger en Angleterre en 1993. Une pétition réclamant son retrait des Oscars a recueilli plus de 220 000 signatures et la famille de la jeune victime a vivement dénoncé le film. . Je doute que l'Académie veuille le récompenser, mais le jeu des garçons est extraordinaire. La seule entrée prometteuse et affirmant la vie est Marguerite alors nous allons avec ça.
LE GAGNANT: Marguerite
Best short documentary
Comme d’habitude, de très beaux films à fort contenu sont exposés ici. End of Game est déprimant, car il traite des projets de fin de vie de plusieurs patients mourants. Le maximum d’éligibilité est ici, après 40 minutes. Une nuit au jardin, indéniablement puissant pour détailler un rassemblement nazi à Madison Square Garden dans les années 30 est entièrement composé de séquences vintage et ne dure que 7 minutes. Entre sont Mouton noir, ce qui est formidable mais semble douteux comme documentaire, l’impressionnant Canot de sauvetageet les merveilleusement inspirants Period. Fin de phrase, qui traite du manque de protection sanitaire des femmes dans les petits villages en Inde et du projet Pad créé par une classe à la Oakwood School de Los Angeles, conçu pour donner aux femmes la possibilité de fabriquer leurs propres produits. Le film a été réalisé par une équipe de femmes.
LE GAGNANT: Period. Fin de phrase.
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