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The opening monologue of the published scenario asks the public to consider the possibility of "an infinite number of Earth planets". And then: "It would be very useful if, while you are looking at this piece, you imagine it is taking place on one of those slightly different planets, located billions of light-years away from ours. . "
Spectators, of course, do not always do what they are asked to do. Mr. Yew recalls that at Victory Gardens, "everyone brought their trash to the room"; whatever they think of the election, they have entered the theater. Some were upset, fearing that "Hillary" would hurt Mrs. Clinton's true luck.
That same spring, just after the Chicago race, Ken Rus Schmoll directed a production at the Philadelphia Theater Company. After the elections, however, few other stagings followed. (Through the intermediary of a spokesman, neither Mr. Hnath, nor anyone affiliated with the Broadway production could comment on this article, but Mr. Yew said that the author had revised "Hillary.")
Hnath's take-off is "A Doll's House, Part 2," which opened on Broadway in April 2017 and, according to American Theater magazine, is the most-produced play of the season. . The first Broadway show for Mr. Hnath, who was previously a downtown darling known for his clever experiments, earned Mrs. Metcalf her first Tony.
In "Doll's House," she played Nora, the reworking of the classic character of Ibsen by Mr. Hnath: a strong woman, breaking conventions, an important figure for the cultural imagination and who deliberated a lot. The same could be said of Hillary Clinton, except of course that she is also a living human being.
There is some logic in these two plays, and these two famous characters appearing on Broadway's post-pussy hat – written by the same playwright and performed by the same actress.
In his published "Hillary" notes, Mr. Hnath seems almost impatient to find out how the piece appears without Clinton's candidacy being at stake.
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