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We recommend watching movies after seeing the latest entry in Marvel Cinematic Universe
The effects of shrinking and enlarging exist since the dawn of the cinema. The Ant-Man and Wasp of Marvel is only the last of a long history illustrating the fantasy of changing size, but we are always amazed and amused by the how the concept is run on the screen. The easy thing to do for the list of movies to watch after this week would be to recommend the most notable examples of the film's story. I would prefer to link to Crooked Marquee's recent lesson and then highlight only the most relevant to the blockbuster superhero at hand.
More other films deserve to be recommended after seeing the Ant-Man sequel. There are specific titles that influenced the director Peyton Reed . There are other films that seem to be referenced in tribute. And there are those whom Ant-Man and Wasp have made, personally, thinking while looking. Below is just a starting point, with additional suggestions recognized in some entries. Watch them chronologically for a time tour, and you'll have an idea of what happened before.
The Dwarf and the Giant (1901)
[19659005] As always, one of the best authors or pioneers of a special effect is Georges Melies. The magician turned filmmaker was all about the cinematic trickery, and his film of 1901 The Devil and the Statue is typically presented as an early example, if not the first, to show the shrinkage and l? enlarging characters – in time rather than as a jump substitution. Melies The Dwarf and the Giant was released the same month and is no longer just a tour presentation, which used a special dolly system and a forced perspective. Maybe Scott Lang was also, in his magical interests, a fan of Melies' films.
Seven Chances (1925)
Yes, I just recommended Seven Chances on my list of movies to watch after Jurbadic World: Fallen Kingdom . Apparently, it's a great source of inspiration for filmmakers right now, because Reed mentioned Buster Keaton's function as one of the great influences on A nt-Man and Wasp . According to a new interview / Film:
"I think that the movies" Ant-Man "are different from many other things in the MCU in that all the sequences from the action really come from a comic place. And Buster Keaton is a giant influence. I went back and watched " Seven Chances & # 39; again, which has for me the greatest pursuit scene of all time in a film.
"And also for me as one of the earliest examples of". ticking clock in a movie. You know, if you're not married before 7 pm on the day of your 27th birthday, you will not get those 20 million dollars or anything in the movie. As this sort of thing was like okay, that's what we do. We, if we can make a connection with the Quantum Kingdom and we can get Janet's location, is fine, but there is a finite time to do it. And it's good for drama and it's good for comedy. "
Alice in Wonderland (1951)
Another early film employing the effects of narrowing and enlarging are the 1903 version of [19659010] Alice in Wonderland which uses various effects to represent the size changes of the title character.Although it is not an example of cheating, l & # 39; Disney's animated adaptation is also worth watching compared to Ant-Man and Wasp as she describes Alice as being embarrbaded and frustrated by her many awkward transformations, just as Scott feels when he is unable to control his new Ant-Man suit.
What's New, Doc? (1972)
No Action Movie in San Francisco is complete without a chase sequence in the hilly streets of the city You have to do this shot where the cars are jumping in the air as they reach a peak and start to go down again. Each time, it is a nod to the iconic pursuit of Bullitt . When it is done more comically, as in the case of the sequence of Ant-Man and Wasp you must also recognize What's Up, Doc? Peter Bogdanovich's film on San Francisco parodies The sequence of Bullitt from a few years earlier. The film, like Ant-Man and Wasp involves a changing hands MacGuffin as he is pursued by several parties.
Here's Reed In The News / Movie Interview On The Influence Of What's Up Doc: :
"Of course," What & # 39; Bogdanovich's "Up, Doc?" had a great influence – a film I loved when I was a kid and we did a screening at Marvel and that's it. as if it was the ridiculous comic car race through San Francisco.And also the chemistry between Streisand and Ryan O'Neal in this film. "
After Hours (1985) [19659046] Afterhours ” width=”1263″ height=”694″ srcset=”https://filmschoolrejects.com/wp-content/uploads/2018/07/afterhours4.jpg 1263w, https://filmschoolrejects.com/wp-content/uploads/2018/07/afterhours4-150×82.jpg 150w, https://filmschoolrejects.com/wp-content/uploads/2018/07/afterhours4-750×412.jpg 750w, https://filmschoolrejects.com/wp-content/uploads/2018/07/afterhours4-768×422.jpg 768w” sizes=”(max-width: 1263px) 100vw, 1263px”/>
This film by Martin Scorsese is cited in many interviews as a direct influence on Ant-man and wasp .Reed told / film why [19659010] After Hours was a great for what he was looking at when entering his suite Ant-Man :
"We liked the idea of a very specific timeline, just a little bit a couple of days. Scott Lang has three days of house arrest. What could go wrong? Yeah, that was, you know, really kind of a crazy night idea.
And here is the producer Stephen Broussard speaking on the set of Ant-Man and the Wasp (also via / Film) on how After Hours – as well as Go and [19659003] Adventures in Babysitting – refers to the new superhero movie:
"I do not really know if it's a genre in itself but movies that have always been "a bad night", when something gets terrible and just a kind of spiral out of control. & # 39; After Hours & # 39; is a great touchstone. I like it Go . & # 39; & # 39; Go & # 39; is a very good movie. You know, & # 39; Adventures in Babysitting & # 39; for the lighter price. It just feels like it started so simple but then it goes up and up, and then a character tries to run to put it back in the box before they get caught. "
Back to the movies where the characters change in size, this sci-fi comedy Joe Dante should be in your alley if you like the Ant-Man movies.Reed cited Fantastic Voyage as one of its influences for the franchise.It's another good movie to watch after that, but Innerspace which is also a miniaturized vessel navigating on the microscopic map of a human body, has the humor that makes it a more appropriate choice. Also, similar to Scott during the first half of the year. Elementary school "heist", there are characters that shrink slightly, to the size of the child.Perhaps the next film of Ant-Man could see the superhero charged with To enter the interior of someone
Big (1988)
This almost looks like an intentional trolling. Marvel beat DC by almost a year with his own wink at Penny Marshall Big . Shazam! that arrives next April, will appear to have a more direct and complete link to the comedy that beat Tom Hanks as a big movie star (and an Oscar-caliber one to boot), but Ant -Man and Wasp certainly pay homage to this sequence where Scott is stuck in an awkward size while wearing a blue hoodie and browsing in his daughter's school. He is Small rather than Big, but it adds to the gag
Midnight Run (1988)
This comedy of cronyism by Martin Brest was also mentioned by Reed as a source of inspiration. He told Fandango:
& # 39; Midnight Run & # 39; has been a big influence, in that this film is all in motion, and the main characters have a very simple purpose, but this goal is constantly upset for various reasons. 19659070] In many interviews (including that of Uproxx), the director also badociates Midnight Run to After Hours because in both "there is a very simple lens which must be accomplished and the journey is there, crazy, and all these people come out of the wood. "With Midnight Run however, there is also a dynamic of characters similar to that of Hank Pym and Scott Lang in the films Ant-Man as Robert De Niro plays a serious bounty hunter escorting a more comical type of common man played by Charles Grodin.
Tequila Sunrise (1988) [19659075] Sunrise Tequila Michelle Pfeiffer "width =" 1280 "height =" 720 "srcset =" https://filmschoolrejects.com/wp-content /uploads/2018/07/tequila-sunrise-michelle-pfeiffer.jpg 1280w, https://filmschoolrejects.com/wp-content/uploads/2018/07/tequila-sunrise-michelle-pfeiffer-150×84.jpg 150w, https : //filmschoolrejects.com/wp-content/uploads/2018/07/tequila-sunrise-michelle-pfeiffer-750×422.jpg 750w, https://filmschoolrejects.com/wp-content/uploads/2018/07/tequila- sunrise-michelle-pfeiffer-768×432.jpg 768w "sizes =" (max-width: 1280px) 100vw, 1280px "/>
Whenev There is a flashback that uses de-aging effects, I like to recommend the film (s) where the actor actually watched as they magically appear in this scene. Ant-Man and Wasp begins with a 1987 sequence with Young Michael Douglas and Michelle Pfeiffer. , it would be in the aftermath e Fatal Attraction and Wall Street . For her, it is Married to the crowd Dangerous Liaisons and Tequila Sunrise whose last would be the most appropriate watch. Like Ant-Man, his main character (Mel Gibson) is an ex-inmate who tries to go straight and be with his kid, but who is bent over himself and has to face a variety of # 39; s enemies. Also, hey, look at it's young Ego (Kurt Russell) from Guardians of the Galaxy Vol. 2 !
There is another flashback in Ant-Man and the Wasp starring Laurence Fishburne (partly played by his son Langston), but the year it takes place there is not clear. If we consider the age of the girl who plays the role of Ava with respect to the age of the main actress of Ava / Ghost, Hannah John-Kamen we look at the sequence unfolding around 1996-1997. Then, maybe add Horizon Event to your suggested list of consultations,
Get Shorty (1995)
Qu & # Does this Hollywood-based crime comedy do on this list? Aside from an excuse to give you another beautiful appearance of Dennis Farina, who is also in Midnight Run and a movie starring Thor's mother, it's also another film cited as an influence. Well, maybe that was a reference to the book. And really just the job of Elmore Leonard as a whole. But "Get Shorty" is the only one I've seen somehow specifically named by the team Ant-Man and Wasp .
Reed recognized Leonard in many interviews as an influence and mentioned the idea that "if Elmore Leonard had written a science fiction novel and Marvel made a film of it". Meanwhile, Broussard says that more on filming the film:
"I'm a big fan of Elmore Leonard, of the way there are all those kinds of colorful characters that collide with each other, that sounds like crime, to use that term, and so we wanted to populate this movie with a lot of antagonists, not so much people who are like villains or villains, but like obstacles on the way They have their own agendas, their own travels They do not try to take control of the world, but they are clearly obstructing our heroes, and Elmore Leonard was such a master. The Get Shortys of the World Everyone is in a circle trying to go somewhere else and collide in the middle and this has been a huge source of inspiration for the tone and setting of this movie. " 19659044] Red Dots ” width=”60″ height=”17″/>
Being John Malkovich (1999)
A scene in Ant-Man and the Wasp seems to be a direct nod to this first feature film by screenwriter Charlie Kaufman (directed by Spike Jonze). Scott falls asleep in the tub and in what seems to be a dream, his consciousness is transported in the spirit of Janet van Dyne. He suddenly sees through his eyes, realizing only what happens when he enters the mirror and sees Michelle Pfeiffer instead of Paul Rudd. Later, Janet takes Scott's body, puppeteer, in a scene with Hank and Hope.
Although there are other two-way body permutation films that could be recognized instead, or perhaps the comedy of 1984 Me in which Lili Tomlin (star of his own shrink film a few years earlier) picks up a part of Steve Martin's body. But I think that Being John Malkovich is the only film that corresponds that also shows us the POV character in the same way as in Ant-Man and Wasp . Now, if only we could see Janet go in her own head for a surreal sequence where everyone is Michelle Pfeiffer and all their dialogue is "VanDyne Van Dyne VanDyne." We all wanted to see more of Pfeiffer anyway.
Mercury 13 (2018)
For this week's documentary, I am going with something very recent. Mercury 13 is a version of Netflix Original on women that has been unofficially tested for NASA's initial astronaut program. Indeed, their eponymous training appears to the Mercury Seven men's group admitted to the Mercury Project (they were also known as First Lady Astronaut Trainees, or FLAT). The documentary tells a story that goes up to Sally Ride, unrelated to the FLAT group, becoming the first woman in space, as well as other female astronauts who have come since.
Recommending Mercury 13 not only about the relevance of qualified women or even more appropriate for a role that men have dominated, although hope as the wasp definitely shows that all that & # 39; 39, a male counterpart can do, she can do better. This is also not because the FLAT are recognized in a 2012 comic book "Captain Marvel" and could therefore also be recognized in the upcoming Marvel film. I find it especially interesting that the women of Mercury 13 are an evolution of a little-known group formed during the Second World War called WASP – an acronym for Women Airline Service Pilots – making Hope's superhero nickname even more significant as a light nod, perhaps involuntary to these true heroes.
To see on Netflix.
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