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Emma Thompson suddenly feels her age. The change that swept Hollywood following the Harvey Weinstein scandal and the #MeToo movement left the actress and the British director thinking of the "primitive models" that women of her age had to adopt "and the Harry series Potter.
"I have the impression of having grown up surrounded by primitive and raw mannequins," she told AFP
But the Weinstein scandal has been a huge catalyst for change
"We have a long way to go. go. But it's very interesting right now, there are a lot of changes happening, "said Thompson, who has long campaigned for equal rights and wages.
" I think the generation below Gaia is 18 years old) you will see a lot of changes soon, as they are writing new stories, "she added.
That said, Thompson who plays a judge who struggles to fight in higher courts at Male predominance in his new film, "The Children Act", insisted that women are still excluded from large parts of the film industry.
"I think I saw (only) an electrician. You try to be an electrician as a woman, impossible! 19459010 A human rights activist as well as a feminist, Thompson, 59, made her name by playing strong and enigmatic women in the 1990s when she and her husband Kenneth Branagh were the couple of gold from the British cinema
But feminism of that time, "this terrible period of" women can have everything "; "I was terrified of it." I shouted loudly in public, "I'm afraid." No we can not! "
" There is an imbalance: when men go to work, they do not do domestic work, when women go to work, they have to do everything.
"It's not about everyone having everything, but understanding what our priorities are, how we're going to change the world of work.
For Thompson, this means first and foremost not to fall into the trap "about us being
like men.For men.We talked about men for centuries, they need
to come to us.It is for us to bring the feminine to the world, and to
rebalance all that shit …
"These old men, they all go now, they are all dinosaurs, thank God. "
Thompson – the daughter of the creator of" The Magic Roundabout "Eric Thompson and the renowned actress Phyllida Law – is well aware of his own privilege.
"I had access to a dramatic career critical feminist literary and all that, so you know, I was lucky, much luckier than my mother's generation." out of her "little bubble of privileged, white, highly educated women", she said that it "is a long way to go for many.For women of color, it is very difficult "
And the problems women face are deeper than bad discrimination, according to Thompson.
"People do not want to work all the time that they can live in. It would be great if the word" work "meant what it meant. time for you and you would earn enough to live.
"Now, people have to do two or three jobs to survive, both parents, it's impossible … but that suits our policy. "
His character Fiona Maye in" The Children Act "- which is adapted by Ian McEwan from" Atonement "the fame of his own novel -" is not anyone who's gone into a clbady A clbady college or university … She had to be better than a man, she had to be twice as bright, just to get where she is. "
Directed by Richard Eyre, the former director of the National Theater of Britain, this poses a legal dilemma as to whether she has the right to force a teenager to Jehovah's Witnesses to undergo a blood transfusion who would save his life.
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