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It's hard for us to really say what we expected from Post Malone's third studio album. This Syracuse native of Texas has already released two solid studio albums in his short career. We are still listening to Stoney from time to time and, if we are completely honest, a lot of b & b the songs are always rotating weekly. Deployment for Bleeding from Hollywood was very different from his last two projects. Post Malone chose a more secret route, informing us all that the corpus would be available soon, but was waiting until the very last moment to discover the list of titles and features. With guests like Halsey, DaBaby, Travis Scott and even the dashing Ozzy Osbourne (whom Posty did not discover …), fans were thrilled to see what was coming next.
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Released on September 6th, the new Post Malone album Bleeding from Hollywood encompasses a number of different musical genres. This 24-year-old eccentric is well-known for mixing pop, rap, country and rock to create a unique blend of styles. This is very visible here, some songs relying much more on the spectrum of pop ("Die For Me", "Sunflower" and "I'm Gonna Be"), while others serve as hits rock and country ("Allergic," "Circles", "Myself"), some explore its dark side and punk ("Take what you want") and finally, some jumps in the world of hip-hop ("Enemies" and "Wow.")
Post Malone was always going to sell a ton of copies of this album. There was no doubt about it. If you are not a fan of the crooner, your mother probably is. And if she is not, her mother could be. That's how Malone has been influential in recent years. One of his songs is always on the Billboard Hot 100 and when it comes to Bleeding from Hollywoodhe will easily make his debut at the top of the album list next week.
That said, Post Malone tends to produce big efforts, in a singular void. Every hit he creates creates harmlessly easy to listen. However, when it comes to creating an album as coherent and concise as each single, Post tends to have difficulties.
If we go through all the positive moments of this album, there are many. A handful of these songs have the potential to explode on the radio. Almost every cup goes with Posty's expert melodies and the incredible talent of composer Louis Bell. Unfortunately, however, some features give the impression of not having proper chemistry with the main artist, which mitigates the overall tone of the album and, in other cases, some Musical experiences remind us of Post's more cruel habits.
The first three songs of the project are solid. It all starts with an endearing message about love, using the glitz and glam of Hollywood as a metaphor. Post and his partner continue the feelings they once had, even if they know they will eventually separate. The title track is beautiful, reflecting popular tracks such as "Sicko Mode" by experimenting with a rather brutal change of weather before returning to the original instrument. We are then driven into the infectious "St. Tropez" before the first doubtful moment arrives.
"Enemies" is a well song. Do not mistake yourself. As a big fan of Posty and DaBaby, I was personally happy to hear this one. The song is quite interesting because it can describe the structure of many collaborations on Bleeding from Hollywood. The Texas singer has introduced DaBaby into his world, providing him with a very slight Post beat, an easy and catchy bounce, a softened beat for somebody's tropes like Baby. It sometimes seems inappropriate, which has led some fans to assume that the label had pushed the North Carolina rapper on the album at the last minute because of its current popularity. Whatever it is, it worked, because despite this, the song quickly became a fan favorite.
After that, we may arrive at the weakest part of the album. Between "Allergic", "A Thousand Bad Times" and "Circles", laudable moments begin to settle. "Allergic" could be one of the worst songs of Post Malone. It does not seem to belong to this album. It looks like Post was trying to recreate something he had enjoyed in his youth, introducing pop-punk into the rap world and seeing how things would unfold. The effort seems to be authentic, the listener being clearly aware that it is an atmosphere that has influenced the artist for years. However, the aggressiveness of the hook does not quite match the previous and next tracks. "A Thousand Bad Times" still has a strong pop-punk influence. Mixing eminent vocal effects with scary lyrics, this one does not really scratch the itch. "Circles" grows with time but do not expect to fall in love at first listen. These three cuts will not please everyone, but Post deserves its accessories to really try something new and experiment its sound.
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Interestingly, the most fascinating series of the album comes after these three cuts. Future and Post form a strong duo on "Die For Me", Halsey adding little to the song. Nevertheless, it should be noted that both artists seemed to be comfortable operating under Post's direction. "On The Road" is another with a list of names that you would not normally see attending this type of instrument. With Meek Mill and Lil Baby, the street veteran and trapper from Atlanta come out relatively unharmed, delivering the goods and calling him one day. Finally, we come to the best song of all the album: "Take What You Want".
This is the one who immediately seduced people. Considering the rapper had put Travis Scott and Ozzy Osbourne (!!!) on the same song, everyone was curious to see how that would happen. Curiously, it's not just the most entertaining song of HOllywood bleedingit's also the biggest departure from what we expected here, and it gives a glimpse of where Post might go if he continues to experiment. Ozzy starts before Posty brings emotion and raw energy to his verse. Finally, Travis Scott presents one of the most enjoyable features of the year, presenting his soul to the rhythm and devoting himself fully to it.
If each song was as intensely creative and experimental as "Take What You Want", Bleeding from Hollywood could have been a classic. The plan was there and Post's intentions were genuine. The man wanted to enter the studio, try different vibrations, mix them up, bring people into his universe and see how it would unfold. Depending on your way of seeing things, he managed or missed the target of a hair. HB will sell millions of copies before the end of the year – this is a fact of life. Will it stand the test of time? It's a question that torments us when we discuss Post's music. The type of adventurous collaborative work, strange twinnings and musical deviations could be an unprecedented success record or an example of what could have been. In the case of Bleeding from Hollywoodit's a bit of both. There are singularly perfect moments while the album as a whole takes second place, it is not the first time that Post confronts this enigma.
In short, Bleeding from Hollywood This is not a bad album. This not only proves that Post Malone can still create a punchy album, but it also highlights his curation skills. Post knows he must take risks to continue to evolve as an artist. He did so by inviting Ozzy Osbourne to the studio and teaming up with Travis Scott. We just hope that the evolution will continue in Post's next album.
Tell us what you thought Bleeding from Hollywood in the comments and do not forget to leave your note.
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