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Potsdam had become a second home for Armando. Only two years ago, the city had honored the Dutch artist with a double exposure, the Potsdam Museum and the Kunstverein. Previously, the show had been shown in Rotterdam on the occasion of the 70th anniversary of the liberation. The Second World War, the question of good and evil, guilt and innocence shaped his literary and artistic work. Born in Amsterdam in 1928, Herman Dirk van Dodeweerd grew up in Amersfoort, near a concentration camp of the German occupation forces.
After the war, he fought as a violinist in various Roma ensembles and jazz combos, boxing and worked as a journalist for the "Haagse Post", wrote poetry and short prose, worked in the group of Artists "no one" and excited the spirits with his book "The SSler", for which he interviewed without comment Hans Lubutelaar SS Dutch volunteers. he was best known in the Netherlands as a writer
"I suddenly had a great interest in the authors of too much sympathy for the victims," he recalls later. "I found my subject." In this context, his threatening black-and-white paintings bearing significant titles such as "The Combat", "Warwraith" or "Breeding" have a different meaning. While his compatriots saw him first and foremost as a writer, he was best known in Germany as a visual artist.
In 1979, Armando came to Berlin with a scholarship from the DAAD Artists & # 39; Program and made his breakthrough as a painter and artist. finally an experienced sculptor. From there, he wrote feature articles for the "NRC Handelsblad", some of which were also printed in this journal. They entered the volume "The Warmth of Dislike", his first book in German translation. "I see myself as a Gesamtkunstwerk," he said. On July 1, Armando died in Potsdam at the age of 88 years.
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