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scenes
Eternal pendulum movement. After the breaking Me Too, the men dive in their turn Thee big bath and seem to regain power. Or at the very least, the word. They are everywhere, at the end of the year, on the big screen, in the film of Gilles Lellouche, with the poster of Varia in Desperado, which features four cowboys disillusioned, or Mars, Mons performing arts, with The City of zizis, who will then be at the House of Culture of Tournai and the Tanners, in Brussels.
Watch out, not for the faint-hearted. There is zigounette who may walk on stage … Attention especially, big blow of heart! This damn band of fellows has not finished talking about her, led by a good hand by the young Eline Schumacher who does not hesitate to intervene to get back on course. Behind this far-fetched joke lies a real loneliness, a questioning of male friendship, which must be virile and indestructible. Between guys, it's well known, no fuss, no jealousies, no sentimentality …
Biographical Field
If Eline Schumacher imagined this band of friends gathered at the funeral of their friend, it is because her father has no friends and she dreads that there is no one at his funeral. The first painting opens with a bunch of handsome guys – Leonard Cornevin, Adrien Drumel, Thierry Hellin, Lucas Meister, Jean-Baptiste Polge and Michel Villée – dressed to the nines, neck tie, black suit, atmosphere black and white films .
Aligned with the audience, they tell. There is the one who arrived last, the other who slipped on a bike. No, it was another one that was last because … It does not matter.
They recover. Do not tell much, remember talking about the weather …
Every word is just as they let time breathe and listen to the silences.
Their talent is needed from the first few sentences and rigor announces the delirium to follow, without ever going into a spin. They whistle Ennio Morricone to replay themselves Once upon a Time in the West or humming Hotel California , with beaches and coconut trees in the background, they explode in a given setting, recover in time, do not fall into vulgarity even when it comes to drag or size zizis.
Riddled with references to cinema, cleverly designed discs, codes of friendship in the locker room or in the trenches, The City of zizis also flirts with the Chippendales, recalls the collective Raoul (The walker's signal), and carry the room in joy.
The humor, this polish of politeness, reigns supreme, interrupted, from time to time, by voice-overs emanating from a radio-cbadette, those of the director and the deceased friend, so present that we end up wondering who needs who.
March, Mons performing arts until November 30. [email protected] or 32 (0) 65 33 55 80.
Tournai, December 4th and 5th. [email protected] or 32 (0) 69 25 30 80.
Brussels, from December 11 to 15 at Tanners. [email protected] or 02.512.17.84.
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