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Small spoilers in front. Marvel really did it. The company eventually put a female superhero in the title of a feature film (and at the head of all the promotional material). Despite the fact that we knew the title of Ant-Man & The Wasp since 2016, seeing the name covered through giant posters of The Wasp of Evangeline Lily in a superhero pose, taking the power position ahead of Paul Rudd's Ant-Man, still feels pretty important. And fortunately, the full movie, which positions its female heroes as leaders and brains, clearly shows that it's more than just a feeling: The Wasp really seems to be the first step of a trip to better, stronger, and really fantastic MCU female heroes. .
Of course, this is not quite a spotless victory since she has to share this one with Paul Rudd (who is charming, but who is yet another white man leading a movie of Marvel). The second film in the Ant-Man franchise finds Scott Lang of Rudd under house arrest, a punishment was inflicted after the events of Captain America: Civil War (fortunately, this film takes place before The Events of Infinite War, aka Avengers: The Dusting ).
While Scott is busy building forts with his daughter and learning super-sick drum solos with his ankle monitor, Hope van Dyne (Lily) and his father are hiding from the government and working hard to establish a quantum kingdom link where they hope to find Hope's mother (Janet, the original Wasp who went subatomic to prevent a bomb from destroying an entire city when Hope was a child.) Finally, Hope decides that she needs the Help from her old friend (and ex-partner in "another joke" as she so eloquently says it) because he began to hear Janet's voice in her head, meaning that they might to share a connection, that's where we start: with Hope, not Scott, like the hero of this equation
Marvel Studios / Disney
And although the movie certainly keeps Ant-Man as the center (it helps that he has a whole movie to develop pper his character while Hope was just a bad Cate-Blanchett-from- Indiana-Jones-5 haircut until the last 20 minutes of the original Ant-Man ), it is clear that writers have worked hard to push Hope further into the spotlight.
The film begins with Hank Pym (his father, played by Michael Douglbad) giving an original story for Hope: Hope's mother was the original Wasp and loved her so much, then she was lost, now they need to find it, which means that hope becomes the Wasp 2.0. We find that Hope has not only been able to look better since the first movie (thanks to the tiny ants' gods), but she practically runs the show – doing business on the black market, blowing up guys who are trying to get her out of there. snatch, and then, you know, kidnapping Scott and driving around San Francisco in a hot Wheels size SUV. In her first fight scene, she removes 10 guys by herself, only needing Scott when the villain of the film, Ghost (played by Hannah John-Kamen), appears and plays the role of heroes. account of his traveling abilities through the material.
For his part, Scott tries to point out that Hope has better gadgets than him (of course, wings and blasters add flair), but we've all seen this guy get trained in the first film – he is more of a costume operator than an artist. He is capable, he does a good job, but he paints in numbers. But aerial acrobatics and dextral shape changes that The Wasp removes are pure magic. This woman is kicking so much, it's almost infuriating that she was not recruited to the Avengers before the end of the Infinity War – she could have caused serious trouble Thanos and his servants.
Scott's best hero, full stop. Throughout the film, Hope drives him to be more, to step out of his comfort zone, to try harder (the adorable future hero of a Scott girl, Cbadie – who grows up to don a suit narrowed in comics – supports this). Hope frees Scott from his bonds, risks his life to save him and usually directs the entire plot of the movie, albeit with a Ghost hand.
And speaking of Ghost – his motivation to abuse is fully justified, and his powers look more like an unfortunate side effect than a force, but it still gives everyone a run for their money. Even Hope's mother, Janet Van Dyne (played by the incomparable Michelle Pfeiffer), is more of a heroine than her husband – after all, she's the one who decided to risk her own life to save a life. entire city in the long run. Some time ago, it brought us into all that quantum nonsense. Add to that the fact that Janet kept her maiden name and that Hope has her mother's last name instead of her father's (and to think that those crazy kids had Hope in the 80's), and you have a pretty good effort a feminist MCU addition.
Of course, the film is, in no way, perfectly feminist. On the one hand, the intrigue of Ant-Man is a safe place to experiment because the stakes are remarkably low. This franchise often looks like an extension of the Avengers main storyline rather than an unmissable item like Thor's movies or the adventures of Captain America, so this win is a kid's game.
Secondly, Hope, despite all his progress, is still underdeveloped. In the first film, she was simply a badbad who absolutely wanted to do with Paul Rudd. Now, she is a badbad who just got permission to be meaner, and who is really mad at Paul Rudd and does it again with him despite no evidence that she still wanted to do that. Part of this is a real estate problem; while Thor, for example, had three films to really develop as a character who is more than a beautiful wall of muscles who likes to break things with his hammer, Hope only got one and a half movie to do the same thing. Still, it would not have been as difficult to offer our daughter a little more depth between all these car stunts and Rudd's welcome ribs from all the quantum intrigue of the realm.
And unfortunately, Hope is not the only one in this underdeveloped space. Janet is more of an avatar for heroism than a developed hero; yes, Pfeiffer is doing her Pfeifferiest to give weight to the role, but there is just not much for her. Ghost, meanwhile, is a simple villain (his parents died in an accident that gave him powers) with no hope of longevity since his entire story has two possible outcomes since his powers are actually a terminal illness, which means that she can get rid of her powers. live as a normal person or she can die of these powers – thbadit .
Overall, you can see Marvel's hand here. We asked for more powerful women, so here we are: The Wasp is the best hero! His mother is smarter than everyone else! The bad guy is a girl too! The guys in this movie are unfortunate and only succeed by chance! The Ant-Man girl has tons of moxie!
But while none of this is upsetting, it's all part of an important and significant step. The MCU plunged its feet into the waters of gender parity with characters like Gamora and Nebula (whose sorority scenario was truly moving) and Shuri, Okoye and Nakia (women of Black Panther, [19459007whohasbecomethegoldstandardoftheMCUforhowtotreatsecondaryfemalecharacterswithrespectanddepth)NowwiththeWasptheMCUstarted wading in this water. It's perhaps a minor move, but it's something, and with Marvel's next major film centered on one of the most powerful characters (if not the most powerful of Marvel Universe, Captain Marvel, it seems pretty clear that the next step of the MCU is to dive.
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