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In the first bars of "Jupiter 4", the last song of Sharon Van Etten's next album Call me back tomorrow, there is a sound that recalls the sound of the trip: a windshield wiper that struggles on a dry surface or a reel that slides slowly backwards. Since Van Etten released his latest album, 2014 Are we here, her life has been reoriented in several ways: to become a mother, to act on "The OA", to return to the university world. "Jupiter 4" sounds like the product of a songwriter in full rebirth, unpacking and reshaping his own romance with music.
On "Jupiter 4", with the help of producer John Congleton, she immerses herself in a dark landscape of heavy synths and drum machines. Sure Are we hereVan Etten's pain was exorcised from the depths of her self and her presentation was a solitary outcry in an otherwise silent room. Now, however, the trauma is in its environment. "Jupiter 4" is a hymn to the eternal quest for love, Van Etten's voice being a vector of optimism and survival in the deluge of external destruction: "Baby, baby, baby, I've been waiting all my life for someone like you. She argues as the chords become more stormy and confusing. His efforts do not feel more elegant; here they are threatening. Love remains a light in the dark, but a light for where? As the track turns and fades, the mystery remains disturbing.
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