[ad_1]
Spider worms Hollywood has been so baffled that its box-office potential is not seen as a typical big-budget animated film nor as a super-hero film of live-action movies, a fact we've already mentioned a few times on Twitter.
Someone needs to explain why @ Box OfficeThe tracking is so slow on "Spider-Man: Towards the Spider-Verse". The film seems to be much bigger than that. / 1 pic.twitter.com/ZgoUX63EX8
– Cartoon Brew (@cartoonbrew) November 21, 2018
Spider-Man's six live films opened between $ 62-151 million. It is still difficult to understand why an animated film of the same brand would be projected between 30 and 40 million dollars. We are optimistic about its performance against these projections.
– Cartoon Brew (@cartoonbrew) November 21, 2018
The previous six Spider-Man films, live, have been launched with opening weekends ranging from $ 62-151 million, until last week. Spider worms was about to be launched in the low range of $ 20 million. These figures have risen slightly over the last week and are in the range of twenty to thirty million people, but Hollywood is still reluctant to recognize that this film could interest a large audience of superheroes.
It's weird to talk about Spider-Man as an outsider, but until now, it was the status of the movie in big Hollywood. The new series of critics, not to mention the growing enthusiasm of fans, should give a boost to the film, reaffirming that it is a legitimate film with a real potential for connection with the public. Below are some highlights of the reviews.
Brian Truitt at United States today:
"After the death of Stan Lee, comic book legend (and Spidey's creator), the film is an emotional tribute to his life lesson that we all have a little hero. And it's a crazy, hilarious, daring and touching mix of all that makes super-movies so popular with the introduction of a Spider-Man that's already ready for kids' generation. today … The two hours stop flashback stories because virtually all the main players could test the patience of the youngest youngsters, but Spider worms is doing so much better to become this year's best animated film. "
David Ehrlich in Indiewire:
"Tragic news for those who are fed up with superhero movies: Spider-Man: in the Spider-Verse reinvigorates the genre, reaffirms why it resonates with a modern and diverse audience desperate to fight power, and reminds us that these hyper-popular myths about spandex are able to reinvent themselves on the fly when things happen. deteriorate …[E]very monolayer with a fan service, and yet the project as a whole seems optimized for people who yearned for Thanos to ignite the Avengers into oblivion and put us away from our misery. "
Justin Chang in the Los Angeles Times:
"This is a sign of a film that embraces not only its hand-drawn comic book roots, but also strives to be the most complete and true version of its reality. That's what, in the end, almost everyone who wears the Spidey mask of this film tries to achieve their goals, especially Miles, a young man of Puerto Rican and African-American tradition who clearly does not resemble the young surfers who are come before him. This creative decision might have been perceived as a purely symbolic gesture, if he were not a character so richly and coherently imagined. "
Peter Debruge in Variety:
"[T]brilliance of the new animated animation of Sony Spider-Man: in the Spider-Verse is revealed in the amazing ability of the project to simultaneously reset and expand everything that has been done before, creating an inclusive world in which almost anyone can become the superhero … even you! "
This is not a perfect film at all, and critics have repeatedly pointed out similar flaws, even though their overall impression of the film was positive. Todd McCarthy in The Hollywood journalist reflects a typical line of critics on the film:
"There are advantages and disadvantages to these multiverse. The constant surprise, the wide variety of visuals and dive into the fun-house madness is an advantage. More and more abundant negatives are sensory and excessive overload, a feeling that the film is being presented first to the contingent of geek insiders who will get all the jokes and references, plus a growing sense that nothing matters because it's not a big deal. it's ephemeral areas go in a flash, what they do indeed. Cumulatively, the result is that just as things should be exciting to reach a climax, nothing sticks, nothing matters. At the moment when he considers that as of right, the film should reach its climax and conclude, he goes deeply into Geek-Verse and continues to shoot much too long. "
Spider-Man: in the Spider-Verse will be published in the United States on December 14, 2018. Bob Persichetti (Chief of History, The Little Prince, The Puss in Boots), Peter Ramsey (Director, The rise of the guards) and Rodney Rothman (Editor-in-Chief, End show with David Letterman) directs the film from a screenplay by Rothman and Phil Lord (The Lego movie, 21 rue Jump).
The film is produced by Avi Arad, Amy Pascal, Phil Lord, Chris Miller and Christina Steinberg. Sony Pictures Imageworks is the animation studio.
[ad_2]
Source link
