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ANT-MAN AND THE WASP: 3 STARS
"Do you put the word quantum in front of everything?"
That's the question that Paul Rudd, playing Scott Lang / Ant-Man, asks in the new Having seen the movie, I wonder why he did not talk about it earlier, like when the writers scribbled on quantum physics, quantum domain, quantum vacuum, quantum and quantum. These films are supposed to relate to a smart alecy guy who can shrink himself to the size of an ant to solve crimes, not the Heisenberg principle.
The film begins while Lang has more than three days of badignment The events of "Captain America: Civil War". Trapped in his apartment he has a strange dream. He sees Janet van Dyne (Michelle Pfeiffer), wife of scientist Hank Pym (Michael Douglas), mother of Lilly van Dyne aka Wasp (Evangeline Lilly), trapped in the quantum wormhole that she has disappeared in three decades ago . Meanwhile, Hank and Lilly are developing a method to save their loved ones from the quantum hike that she now calls home.
The problem is, they can not do it alone. They need any information that could get stuck in Rudd's head and money from a dirty bad guy. Time is of the essence because Ghost (Hannah John-Kamen), a spectral presence that can cross walls, is also looking for Janet's quantum power to heal her cell disorder.
From the kitsch-sounding title to the size-changing characters of the scientific "mumbo jumbo" that occupies much of the screen, "Ant-Man and The Wasp" is a throwback to 1950s movies. updated with better special effects and more authentic scientific jargon, but make no mistake, for better or for worse, it has everything in common with twinkles like "Attack of the 50 Foot Woman" and " Them! " with the Avengers
Like the movies of the 50s that have undoubtedly influenced, it's a strong-n-proud genre film but like many Avengers movies that are part of the Ant-Man family, it is ruined by excess. Too many characters, too many fragments of history – a rescue mission, two sets of villains pursuing quantum technology, a romantic subplot, a family film angle – too much exposure and too much quantum theory.
An hour in the film where Michael Peña, playing the former Lang cell mate and current badociate, recaps the story right up here. It takes two minutes, it's fun to laugh and completely deny the need for much of the show – the people in this film love asking things like, "What is what did you do? "- it's coming before. Move it to the beginning of the movie and it could have recorded dialogue pages and reduced by at least fifty percent the fun factor of the movie.
"Ant-Man and The Wasp": The first time that a female superhero name is in the title of a movie MCU – but feels dispersed in its execution.
LIMITS: 2 STARS
The problem with making a good movie on a scoundrel is twofold. Either the scoundrel is castrated, which makes them less interesting, or remains a duck, which complicates the feeling of well-being. "Boundaries", a new film starring Vera Farmiga and Christopher Plummer, tries to have it on both sides and ends up in the middle mushy
Farmiga is Laura, a single mom with his son Henry (Lewis MacDougall) , a house full of saved animals and dad's problems. "I'm so messed up that I can not even tell my therapist everything," she says. She worked at setting boundaries with her father Jack – when he calls the name display reads, "Do not pick up!" – but when he is expelled from his nursing home because of his "unorthodox" -i.e. "Illegal" – ways to make money, she agrees to help him by driving him to Los Angeles to live with his other daughter Jojo (Kristen Schaal).
The once-separated father and daughter, with Henry and a backseat full of wandering dogs leave for what should be a trip without history. The problem is that Jack is the aforementioned scoundrel and a drug dealer who fills the $ 200,000 chest of marijuana that he plans to sell along the way. When he's not busy, they make a detour to visit old friends, like Stanley (Christopher Lloyd), a nudist art fancier and other ghosts from Jack and Laura's past. . As dad gets up to his old tricks Laura sees a different side of the man that she thought she knew. But can he really change or is his ex-husband Leonard (Bobby Cannavale) right when he says, "An elephant will always be an elephant. He will never be a monkey. "
" Boundaries "has a nice distribution trapped by a conventional script.
Farmiga battles through the family's dramatic clichés to portray Laura as vulnerable and protective, a woman who filled the hole in her heart with her stray animals and a fierce love of his Henry
MacDougall is strong as a troubled young man who, when he does not draw bad portraits of his friends and teachers to reveal their true souls, is caught in the adventure of getting to know each other with his non-traditional grandfather.
It's Plummer, however, that brings charm. He's probably too old to play the role of Farmiga's father but his trademark sparkle shines through. When Laura says, " You make people fall in love with you and then you leave, "she summarizes both the call of Jack and his egoism
Plummer, 88, is a formidable actor whose presence alone raises Cliche Tuna of "Old Codger on a Part XXII Road Trip" to "skillful actor Transcend the material." It's a terrific performance that sounds hollow though. Jack is a man who has never cared about himself, who has abandoned his family and calls his relationship with Henry "a temporary situation", and is the square peg embedded in this round hole of one's own. good story. Boundaries "(MILD SPOILER !!) everyone gets a happy ending but Jack would have been more interesting if writer-director Shana Feste had allowed the scoundrel to remain a scoundrel.
WILL NOT LEAVE TRACE: 4 STARS
The Things Will (Ben Foster) Does to Protect His Daughter Tom (Thomasin Harcourt McKenzie) in "Leave No Trace," a New Movie by Debra Granik, Director of "Winter's Bone" , may be the things that endanger her.
When we first meet Will, he is a veterinarian with PTSD living away from the grill with Tom, his only daughter.Their home is a makeshift camp in a public park in the state of Oregon At home, Tom has never experienced the outside world and only knows what Will has taught him about life. "Where is your house?" She asks, "my father," comes the answer, when she is spotted in the park, the social services The father and the daughter are welcomed, housed and reintegrated into society.
Tom drinks new experiences, making friends at school and at church because his father is not cut off for life around others. "The same thing that is wrong with you is not bad with me," she says. Hoping to regain his lost independence will convince Tom to take the road in search of a more fulfilling life.
The questions at the heart of Leave No Trace are based on the fact that Will is a good father. Does he do what's right for Tom? Are their needs so different, is he interested, prioritizing his needs compared to his own? The answers can be found in Granik's beautifully told story about the connections between people and the value of relationships.
Much of the movie's power comes from the main performances. Foster is more reserved here, less blind and edgy, than we have seen in the past. His take on Will is sweet with a deep reservoir of pain just bubbling under the surface. These are great things matched by newcomer Harcourt McKenzie. Granik has an eye for the cast, discovering Vera Farmiga in "Down to the Bone" and Jennifer Lawrence in "Winter's Bone," and here she does it again. The young New Zealand actress gives empathy to Tom and innocence to big eyes mixed with curiosity. It's never less than natural and never less credible.
"Leave No Trace" is an emotionally powerful story to find a way in life, even if it differs from those you love.
ALWAYS AT THE CARLYLE: 3 STARS
"Still in Carlyle" can not be called a documentary. It's no longer a love letter to any of Manhattan's major hotels. Plump with celebrity interviews, glamorous people and the thoughtful – albeit discreet – staff who pampered the celerists who stay there, is a shining and uncritical look at a hotel whose rooms can cost as much as $ 50. a car.
Director Matthew Miele aligns a who's who types to list to talk about the special charms of the hotel. George Clooney and the late Anthony Bourdain are poetic, while Harsford Ford is delighted to never be accommodated in the $ 20,000 suite of the hotel. Sophia Coppola describes what it was like to live there when she was a kid and the rich people you've never heard of describe the hotel's mobile atmosphere in reverential terms felted.
Miele delivers a pic to the colorful frescoes of the Bemelmans bar, painted by Ludwig Bemelmans, artist of the "Madeline" books, and tells Bobby Short's legendary musical contribution to the New York nightlife through his work at the legendary Carlyle Café.
This is not very deep, but everything is very chic, as crisp as the monogrammed pillowcases adorning each bed. "Still at Carlyle" works best when it tells the hotel's sophisticated story, told by old customers and employees with pictures of candy for illustration, but as the best hoteliers, the doc chooses discretion on gossip. It's good for the guests, but not good for moviegoers who might want something more. If only these walls could speak, they could tell a more interesting story.
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