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Argument: The best intentions often end up turning against you … In MISSION: IMPOSSIBLE – FALLOUT, Ethan Hunt (Tom Cruise), accompanied by his team at the IMF -Impossible Mission Force (Alec Baldwin , Simon Pegg, Ving Rhames) and a few faithful allies (Rebecca Ferguson, Michelle Monaghan) are thrown into a race against the clock, following the terrible failure of a mission.
Our opinion: And 6 … In just under twenty years, Tom Cruise took a lot of hits at the box office; he has seen his personality mocked in the media, and his immense popularity fall in the US. This destabilization of his atypical ego, built on a taste for eternal juvenility (photoshop smoothing images of his appearances on the screen and other devices) coincided with the advent of a new generation known for its taste for the great scanning. She cleaned up the heroes of the 80s, to embrace the culture of serial superheroes and complex works of Nolan and Villeneuve, an orientation that has contributed much to a late star actor whose star label was mostly saved by its incredible attraction to the international public, and thanks to the always successful occurrences of Mission: Impossible .
Since Brad Bird's astonishing Ghost Protocol and Christopher McQuarrie's Rogue Nation Cruise has embraced more the idea of not being the only interest of the film, since its team and other femme fatales were more than ever put forward (we hardly remember Emmanuelle Béart in the first film, shot by Brian de Palma, when the performance of Léa Seydoux seems more engraved in the marble. founding concept of the TV series had to be accentuated to respond to the trends of an era where Fast and Furious another popular bulldozer, obviously appropriated the attention of young, public that the handsome Tom did not never stopped courting without ever forgetting the fans of the first hour.
The eternal flame for the actor had to shine in the firmament at the end of this decade with the sixth Mission: Impossible which erases in 2h25 the missteps of a Jack Reacher 2 Mummy and the eccentric Barry Seal: American Traffic who had removed him from the eternal muscular blockbusters for a biopic azimuth, a little crazy in his filmography.
- Copyright 2018 Paramount Pictures. All rights reserved. / Photo by Chiabella James
Fallout has an answer to everything and fly all detractors. Tom Cruise is certainly still too handsome for his age, but he succeeds in cascading feats that absolutely return all the young actors and movie stars superheroic sandbox. Charismatic crisis, radiating the screen, commits the impossible – since this is his mission – the vertiginous (we will not evoke either established records or the details of the monster figures that allowed the daredevil to put Paris on fire and blood, so much this marketing argument, unstoppable on screen, will have been repeated); in fact, the 50-year-old is discarding all competition in action cinema. Exit the old glories glories of the 80s (Stallone & co) and the pyrotechnic effects of Fast & Furious – but excellent since the number 4 -, one will never evoke in the competition the current champion of Hollywood, Dwayne Johnson, whose vision of cheap action is the antithesis of Fallout .
The Cruise of 2008 comes to inoculate the thrill of anguish, of well-happy stress, according to incessant adventures of high flight which dethrone for many the already mythical sequence of Dubai, at the top of the Burj Khalifa. On a motorcycle in Paris or Helicopter above deadly mountainous landscapes, in the first sense, the actor imposes his taste for risk, never taking his salary for granted. His boss, after all, is the viewer and, to him, he does not offer him the taste of the lambda numerical outbidding for fanboys but exploits of man become hero in the meaning of the word as the Cruise vehicle seems ready to sacrifice its own life to share its adrenaline with the public.
Also compare Fallout to Avengers 3 would be an ineptitude that we will not do: all this new fiction of espionage crushing by its density, its realism and its intensity, the fires of d ' artifices of all the Marvel.
Cruise – who controls everything – especially concocted with M: I 6 a show of total action, where the plural suits him so well. Tom's ego once again trusted his fellow filmmaker, Christopher McQuarrie, and his crew with irresistible humor, Simon Pegg and Ving Rhames, ever more present, charismatic and above all essential to the synergy of the work. The female cast, dominated by Rebecca Ferguson, but also haunted by Vanessa Kirby's sensual presence of vamp (great sequence in the Grand Palais, Paris), is for many, especially in the psychological depth of the film.
- Copyright 2018 Paramount Pictures. All rights reserved. / Photo by Chiabella James
Friendship, love … The time has come for Ethan Hunt, forced to choose between the loss of the loved one or that of a part of humanity. A recurring dilemma that takes the work of a darkness that was unknown to the other films in the saga. This is for Cruise, in a way, to settle accounts with the agent 007 and the dark pieces of Nolan, since obviously, we will think much about the pinnacle that represented Skyfall for the British agent, while in the sense of mounting and the incredible expiatory force of music that is often built as a frightful crescendo at the Dunkirk it is impossible not to remember the great influence of the director from The Dark Knight .
Great revelation of this apotheosis of an intelligent action cinema, collective and TTBM, the director Christopher McQuarrie imposes on his side like the new force of an American cinema where one can still sometimes go to see a work for his director. Spielberg, Brad Bird, Villeneuve, Nolan, are among his rare authors. McQuarrie has joined them.
It will not diminish his pleasure, saying, afterwards, that it was only an excellent entertainment. Mission: Impossible is what we will see best in the action cinema in 2018, and therefore deserves this note rarely used for such a genre, a pure four-star …
# MissionImpossibleFallout
- (C) Paramount Pictures France
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